Search results for " Critic"
showing 10 items of 2479 documents
Catherine Rovera: Genèses d’une folie créole : Jean Rhys et Jane Eyre Paris: Hermann Éditeurs, 2015.
2016
Concrete / Visual Poetry
2011
International audience
L’anecdote entre historiette et emblème ou comment réécrire la vie d’un poète
2019
Cet article s’appuie sur des biographies de poètes romantiques anglais pour analyser la manière dont les biographes utilisent l’anecdote, soit pour donner de l’épaisseur au poète biographé, soit pour le transformer en modèle. L’anecdote, une fois racontée par un proche, est transmise de biographie en biographie, et l’analyse montre son évolution au fil des siècles, dans un statut toujours intermédiaire entre le biographique et le légendaire.
Insultes croisées: Byron, Keats et leurs critiques
2005
This paper deals with two British poets, both insulted by reviewers. Byron and Keats share the unenviable privilege of having being severely attacked by Scottish reviewers, on different grounds perhaps, but with the same cutting spite. When does the critical reading of a poem become downright insult? This entails several questions: what exactly is being insulted here, in other words which feature of the writer is attacked by the reviewer, and why is that an attack, thus exceeding the moderate, rational assessment of a poem? Moreover, the very words used for the insult deserve to be examined. Is form insulting in itself? Finally, why be so cruel to mere poets? To add a little spice, Byron an…
Experimentation and new listening experience: the case of A Saucerful of Secrets
2014
International audience
Raport o stanie dyskursu krytycznoliterackiego w Polsce
2017
The article is an attempt to describe the condition of the discourse of literary criticism as practiced in Poland. The author investigates the process of gradual impoverishment and despecification of the language of literary criticism, which reveals itself via diverse socio-literary phenomena, such as the demand for shortenings and evaluative character of literary criticism, the places where literary criticism appears, the disappearance of the quality of the dialogue, and the way literary criticism functions in the Polish contemporary publishing market. A separate part of these considerations is devoted to the overview of the critics’ approaches to the condition of the discourse of literary…
"Il contagio" di Walter Siti fra teatro e cinema
2020
L'articolo è un'analisi comparata degli adattamenti teatrale e cinematografico del romanzo "Il contagio" di Walter Siti. The article is a comparative analysis of the theatrical and cinematographic adaptations of the novel "Il contagio" by Walter Siti.
Między estetyką a lingwistyką. Koncepcja ewaluacji jakości tłumaczenia według Sigrid Kupsch-Losereit a przekład literacki
2019
Biorąc za punkt wyjścia perspektywę historyczną oraz ewolucję kultury translacji w Polsce od lat 20. XX wieku aż po czasy współczesne, autorka analizuje stopniową zmianę paradygmatu w odniesieniu do roli i znaczenia przekładu literackiego. W dalszej części zostaje podjęta refleksja na temat wybranych lingwistycznych i estetycznych kryteriów oceny jakości przekładu, w celu zbadania, na ile produktywne może okazać się podejście interdyscyplinarne w tym zakresie. Szczegółowej analizie zostają poddane kryteria oceny jakości tłumaczenia zaproponowane przez Sigrid Kupsch-Losereit pod względem możliwości ich zastosowania do przekładów tekstów literackich.
The Good, the Bad and the Ugly Graffiti
2020
Emotions play an essential role in aesthetic and art experience. Graffiti is an example of urban visual communication, and it can also be understood as a form of art. Like other works of art, graffiti can evoke different aesthetic emotions in its audiences, such as pleasure, wonder, interest and pride but also disinterest, disappointment or embarrassment, and even anger and disgust—further impacting, for example, how they value this art form. However, few studies have explored what kinds of emotions people feel when they appraise graffiti. This chapter discusses emotions in graffiti using examples from participant interviews in the Purkutaide study. Interview quotes are assessed against the…
Experience and Existence Revisited Something Essential on A Philosophical Education in Film Art
2013
Abstract The film, the living imagery, traces out its legend before the eyes of the viewer seated there in the darkened space, and in his consciousness becomes a lived spectacle, an interiorised impress of experience. It takes up its abode in him and he falls in step with its movement, merging with the stream of its narrative. In this there evolves an aesthetic-existential situation – of one, many; of one, a qualitative multiplicity is born, and with it the experienced essence of the unique, the inimitable. On this same, the critic pronounces judgement – as often as not his verdict – on this spectacle which he – and another – has beheld; that individual, original experience is thus now couc…