Search results for " ESTETICA"
showing 10 items of 430 documents
Aspetti teorici nello studio della storia dell'arte in Sicilia nell'Ottocento
2009
Il contributo rileva alcune tendenze teoriche della critica d'arte e dell'estetica in Sicilia nel XIX secolo
Diverging Collectives: Artist-Run Spaces versus Warehouse Shows Comparative models of art production and cooperation among young British artists
2017
The paper addresses the case of artist-run spaces and warehouse shows in the United Kingdom between the 1980s and 1990s, a time when autonomous group shows and independent artist collectives sprawled particularly thanks to the engagement of a new generation of artists, among whom were found later celebrities such as Damien Hirst and Douglas Gordon. It will be argued that both artist-run spaces and warehouse shows were feasible solutions for young authors against art market barriers and economic crisis, although they held structural and organisational differences that would affect aesthetic outcomes and present art history with a shift in the model of the art collective.
Avatar
2011
"Benjamin e Heidegger: dalla cesura al nuovo inizio Un confronto sul linguaggio poetico e l’esperienza del divino in Hölderlin", in www.syzetesis.it,…
2008
Nell’affrontare la riflessione benjaminiana Sul concetto di critica nel romanticismo tedesco, ripensando la nozione stessa di critica, irrompe prepotentemente il riferimento alla poesia di Hölderlin. L’interesse di Benjamin nei confronti di Hölderlin, maturato all’interno del circolo George-Kreis[1], è teso a individuare la linea di demarcazione tra mito e verità, stigmatizzando l’idea illusoria della vita come opera d’arte e sottraendo al poeta l’aura di “mitico eroe”, di depositario di un genio creativo. Per comprendere il modo in cui Benjamin intende affrontare la lettura di Hölderlin è necessario introdurre il concetto di ‘privo d’espressione’ – centrale nell’interpretazione benjaminian…
La musica del paesaggio e la singolarità formata. (L'organismo drammatico di Castellucci)
2018
Analisi del percorso estetico di Romeo Castellucci
Il corpo come opera plastica: Catherine Malabou e le metamorfosi del corporeo
2019
Performance art (like Orlan’s “Carnal Art”) involves artist body in the performance itself and it is based on a clear phenomenological assumption: we “do not have” a body, but we “are” our body, we are our “sculpture”. Fascinated by the enigmas of change, Aesthetics has sought to address the metaphysical question concerning metamorphosis and the problem of identity persistence in change; the solution has been found for centuries in the opposition between essence and appearance: as highlighted by fantastic literature (Ovid, Apuleius, Kafka), in metamorphosis the “substance” remains unchanged and only appearance (or accident) changes. However, the reflection carried out by Catherine Malabou o…
Character/State
2020
The conceptual couple CHARACTER/STATE is an ideal candidate to demonstrate the virtues of a morphological way of proceeding that allows historically distinct disciplinary horizons to dialogue in order to achieve a new disciplinary synthesis (Love 2003) and first of all in order to reach a new morphological lexicon, aware of the traditions of reference and of the mutual advantage arising from the dialogue itself.
Tardo stile: Godard e Beethoven
2007
Figuration/Figure/Form
2020
It is still Weizsäcker to show that rather than a clear contrast (usually already referring to the names of Plato and Aristotle and to the competition between the concepts of eidos and morphé) it is a necessary correlation and a way through which the fundamental problem of unity of knowledge is placed.