Search results for " HISTORY"
showing 10 items of 5953 documents
Tissage et métissage. Le textile dans l’art (XIXe-XXe siècles)
2011
International audience; Après avoir été longtemps limité aux productions artisanales et décoratives, le textile intègre les Beaux-Arts, occupant sur la scène contemporaine une place qui ne cesse de s'agrandir. Ce recueil offre un regard sur l'histoire de l'art textile depuis la fin du XIXe siècle jusqu'à aujourd'hui. Il se penche sur les multiples pratiques élaborées par les artistes et sur les questions qu'ils ont soulevées aux différents moments de l'histoire artistique, pour s'émanciper des catégories et tenter d'agir sur le monde, sur la conscience que nous en avons.
La garde-robe de Notre-Dame de Bon-Espoir et ses ornements
2021
International audience
"Na Ukrainie za owych dobrych czasów" - "Przed laty. Powieść ukraińska" Paulina Święcickiego
2020
The forgotten work and life of Paulin Święcicki (1841–1876), a writer from Kiev region and active in Galicia, represents a rare, authentic example of Polish‑Ukrainian cultural border. His debut work entitled Przed laty. Powieść ukraińska (1865), despite being an artistic failure, is an interesting link between the heritage of the Romantic “Ukrainian School” and the historical vision of Polish Borderlands in With fire and sword by Henryk Sienkiewicz. The creation of the 17th‑century reality of Ukrainian grasslands (noble, rural and Cossack existence), battle scenes (fights against the Tatars), romantic‑melodramatic plot – these are all adapted to a unique Ukrainian (not Polish‑centred) persp…
O potrzebie badań nad frazeologią historyczną
2018
The article is a synthetic overview of the current state of research in the field of historical phraseology. Its purpose is to present some trends and directions dominating in the work on the historical phraseology and indication of the most pressing research needs. The text also includes the description of selected literature about rangę touched in the title.
« Un inconnu dans la maison : l’enfant dans ¿ Quién puede matar a un niño ? (Narciso Ibáñez Serrador, 1974) »
2008
This article deals with ¿Quién puede matar a un niño? directed by Narciso Ibáñez Serrador, more famous thanks to his TV film series Historias para no dormir. In this film, children use to play an essential part in the development of a pure fantastic style (in Todorov’s terms), i.e. based on the irruption of unexplainable elements inside a perfectly normal realistic context. As some critics as Rosset have pointed out, the feeling of anguish does arise from such a realistic context, from that otherness within the child, the human being we are more reluctant to fear, the one we hardly view with suspicion Este artículo trata de la obra de Narciso Ibáñez Serrador y, en particular, de uno de sus …
Recensione a Gianfranco Bandini - Simonetta Polenghi (eds.), Enlarging One's Vision. Strumenti per la ricerca educativa in ambito internazionale, Edu…
2014
storia dell'educazione, internazionalizzazione, globalizzazione, comunità di ricerca, riviste
Ruch ludowy w Drugiej Rzeczypospolitej na kartach wybranych szkolnych podręczników do nauczania historii. Casus opracowań dla klas pierwszych szkół p…
2021
The purpose of this article is to present the peasant movement in the Second Polish Republic in contemporary school history textbooks. On the basis of textbooks, students can learn that the peasant movement arose in Galicia in the late nineteenth century. In the Second Polish Republic there were a few parties named Polish People’s Party. For many years the main party was Polish Peasant party ,,Piast”. After Poland regained independence in 1918, it formed a part of several governments, most notably after the Lanckorona Pact and in the Chjeno-Piast coalition. Its major politicians included Wincenty Witos and Maciej Rataj. The second largest party, about which there is a lot of information in …
Polish contemporary art to the anti-semitism of Poles and its political significance
2016
Abstract This article presents artistic creativity which worked through the problem of Polish anti-Semitism. Almost all discussed works, performances, films, projects appeared after 2000, when Jan Tomasz Gross published his book Neighbors, in which he described the massacre in the village of Jedwabne (1941) launching a public debate about the responsibility of Poles in the Holocaust of the Jews. In the text, I showed as art, which is conventionally called “post-Jedwabne” was part of this debate. Its political status on possibly general level was associated primarily with the revision of conventionalized historical memory and national identity formed on romantic patterns. The text shows that…
The Recurrent Characteristics of Historic Buildings as a Support to Improve their Energy Performances: The Case Study of Palermo
2017
Abstract The analysis of the recurrent characteristics of the local historic architecture is useful to develop large-scale energy analyses, regulations and financial strategies, but also to support technical guidelines for an energy improvement balanced with conservation. For this purpose, a multi-scale methodology ranging from envelope components to the urban dimension is necessary. In the research here exposed, this approach is investigated by focusing on the historic architecture of Palermo. For this heritage, the collection of thermal and hygrometric data for envelope components is combined with the examination of representative constructions, based on building stock categorization. Int…
Le récitatif entre espace périphérique et décrochage déictique du texte
2022
This article explores the issues at stakes in defining the narrative caption. As a starting point, it reviews usual definitions which combine a functional component (the caption provides a certain kind of information), a graphic component (that characterizes it as a space) and an enunciative component (the text which conveys the narrator’s voice) are combined. The article distingues between two objects: on the one hand the text box as a peripheral space in relation to the panel, on the other hand the caption as a textual element. In order to avoid the disputed concept of narrator and to include a wider set of texts, the caption as a text is defined by its lack of deictic anchoring in the im…