Search results for " MUSICOLOGIA"
showing 10 items of 533 documents
"Operettizzare" Donizetti: il caso della "Figlia del reggimento"
On the basis of wide-ranging statistical surveys, recent pioneering studies on operetta in Italy of the second half of the 19th century have shown that the repertoire of the tour companies involved in the diffusion process of the genre built their repertoires drawing on two main sources: from one side, operettas imported from France performed in the original language or, more frequently, translated; on the other hand, new operettas composed in Italian by Italian composers (De Lucca, 2019; Oliva, 2020). Less known is the fact that sometimes they also appeared on the billboards of operetta companies titles of the Italian comic opera repertoire of the more or less recent past. This re-contextu…
PREMESSA
2011
Il volume analizza la formazione del repertorio sinfonico e operistico di Toscanini attraverso le testimonianze e le incisioni. Aggiunge indagini nuove sui rapporti con la regia, con ai cantanti e con i solisti e riconsidera la sua attività radiofonica negli Stati Uniti
Arturo Toscanini: il direttore e l'artista mediatico
2011
Il volume analizza la formazione del repertorio sinfonico e operistico di Toscanini attraverso le testimonianze e le incisioni. Aggiunge indagini nuove sui rapporti con la regia, con i cantanti e con i solisti, e riconsidera la sua attività radiofonica negli Stati Uniti.
Pleyel after Pleyel. The instruments of Auguste Wolff and Gustave Lyon at Universal Exhibitions (1855-c.1905)
2012
The article provides an overview of the Pleyel company during a fifty-year period, starting at the time of the 1855 Exposition Universelle in Paris and the death of the well-known piano maker Camille Pleyel. During this period, the famous French firm was directed by Auguste Wolff (from 1855 to 1887) and Gustave Lyon (from 1887 to the beginning of twentieth century). The entrepreneurial talents, scientific abilities and musical skills of Pleyel’s two successors made this company the biggest and most innovative French piano producer of the second half of the nineteenth century. Both Wolff and Lyon played leading roles on the occasion of universal exhibitions in which they promoted their renow…
Cembali from beyond the lighthouse. Harpsichord makers in Sicily
2009
Piano a cilindro
2011
Scheda descrittiva di un pianoforte a cilindro dell'inizio del XX secolo, realizzato dalla fabbrica palermitana di Vittorio Fassone, oggi conservato presso il Museo Internazionale delle Marionette "Antonio Pasqualino" di Palermo.
Nuove ricerche sul violicembalo di Luigi Taparelli D’Azeglio
2004
Gli strumenti musicali di Palazzo Mirto. Storia, tecnologia, restauro
2011
Il volume illustra le peculiarità costruttive e le vicende inerenti la storia dei pregevoli strumenti musicali custoditi presso il Museo Regionale di Palazzo Mirto (Palermo) che, nel 2011, sono stati oggetto di un intervento di restauro funzionale. La collezione include due orologi musicali francesi della fine del XVIII secolo, un raro organo a cilindro del viennese Anton Beyer (Napoli, 1840 ca.), un pianoforte a coda di Mathias Jakesch (Vienna, 1827 ca.), un pianoforte a coda della fabbrica Pleyel Wolff et Compagnie (Parigi, 1858), un pianoforte verticale della manifattura Koelliker & Grammer (Zurigo, 1870 ca.).
«La speranza de’ regni». Celebrazione e spettacolo in tre 'feste' napoletane: Paisiello (1768), Jommelli (1772), Cafaro (1775)
2011
The genre of 'festa teatrale' had a large diffusion and a great social and political importance in the Neapolitan culture of the Eighteenth Century. The article examines three main examples, created in connection with crucial dynastic events: the marriage of the young king Ferdinand IV with Maria Carolina of Absburg in 1768, the birth of their first daughter in 1772, and the birth of their first son (and hereditary prince) in 1775. The librettos and the scores are analyzed in detail, with a specific focus on allegorical and celebratory features.
Introduzione
2022
This introduction aims at describing the goals of the publication but it also traces the state of the art about the history of Palermo's Music Conservatory.