Search results for " Music"

showing 10 items of 1366 documents

Orazio Vecchi, un musico umanista nell'autunno del Rinascimento

2006

orazio vecchi rinascimentoSettore L-ART/07 - Musicologia E Storia Della Musica
researchProduct

Orazio Vecchi musico poeta all'autunno del rinascimento

2007

orazio vecchiSettore L-ART/07 - Musicologia E Storia Della Musica
researchProduct

Znamienici profesorowie i absolwenci królewskich katolickich seminariów nauczycielskich w Pilchowicach i Pyskowicach

2018

Royal Catholic Teacher Seminars, which fist appeared at the beginning of the 19th century as a result of Prussian educational reform, took on an important mission of training future organists. Therefore in many Silesian parishes of the 19th and the fist half of the 20th centuries it was a common practice for teachers to be organists at the same time. As it is shown by the experiences of Upper Silesia, teacher seminars were the source of highly qualifid church musicians. This resulted from the commitment of very good and skilful music teachers who produced remarkable graduates that later became important fiures in Silesian tradition of church music. Among teacher seminars of Upper Silesia th…

organistachurch musicianCecilian Movementchurch musicteacher seminarorganistmuzyk kościelnymuzyka kościelnaseminarium nauczycielskiececylianizmStudia Pastoralne
researchProduct

Śpiewana liturgia w Polsce w czasach papieża Franciszka. Pomiędzy muzyczno-liturgicznym prawodawstwem a duszpasterską codziennością

2020

The article discusses the broader issues of liturgical music, indicating tensions between musical and liturgical legislation and pastoral everyday life. An important part of the article is an attempt to express some hopes that can be associated with Pope Francis’ ministry and his new vision of pastoral care, which the Bishop of Rome defined in the Apostolic Exhortation Evangelii gaudium.

papież Franciszektraditional musicmuzyka liturgiczna w Polscepope Francisliturgical music in Polandmusic educationmuzyka tradycyjnaedukacja muzyczna
researchProduct

Zbuntowana hiperseksowność: demontaż męskiej popkultury według Peaches

2019

Peaches (Merrill Beth Nisker) to jedna z najbardziej kontrowersyjnych postaci popkultury XXI wieku. Główny nurt twórczości tej kanadyjskiej artystki, działającej w ramach szeroko rozumianej kultury muzyki rockowej, to wyrażony poprzez seksualność bunt przeciwko zakorzenionej w patriarchacie hipokryzji współczesnych struktur władzy, które nadal dominują relacje międzyludzkie i popkulturę. W swoich działaniach artystycznych – głównie w tekstach piosenek – Peaches odgrywa szereg seksualnych transgresji, których zadaniem jest wyrażenie sprzeciwu wobec ograniczeń wolności, tożsamości i równości. Stara się demontować istniejący od lat i przestarzały system wartości, swoim podstawowym orężem czyni…

patriarchatpatriarchyseksualnościhypersexinessPeachesmuzyka rockowasexualitieshiperseksownośćtransgressionrock musictransgresjaThe Polish Journal of the Arts and Culture. New Series
researchProduct

Tension design of contemporary orchestral music in different performances of "Sula" by Helena Tulve

2009

Cognitive musicology is a psychological domain of music which attempts to proximity several interpretations as notation in a score, analysis, performance, and perception. The previous study of the authors developes the interdisciplinary analysis method of tension design combining music theoretical and perception approaches (investigating contemporary music). In this study we observe different performances of „Sula“ (Thaw, 1999) by Estonian composer Helena Tulve (1972). We investigate the impact of performance style of different conductors (Toomas Vavilov, Paul Mägi) and orchestras (ERSO, Orchestra of Estonian National Opera) on the perception-based tension design of the piece and how it is …

perception and cognitioncontemporary orchestral musicperformance studytension designmusic theory
researchProduct

Emotions in Concert : Performers' Experienced Emotions on Stage

2013

Music is often said to be expressive of emotions. Surprisingly, not much is known about the role of performers’ emotions while performing. Do musicians feel the musical emotions when expressing them? Or has expressive playing nothing to do with the emotional experiences of the performer? To investigate performers’ perspectives on the role of emotions in performance, we conducted qualitative in-depth interviews with nineteen musicians teaching or studying at a European conservatoire. In the interviews, musicians were first asked to de-scribe a recent performance experience in as much detail as possible, then to make a visual representation of their experiences on stage, and finally, to answe…

performing musiciansemotionsfelt emotionsexpressive performance
researchProduct

Emotion, Personality, Use of Music In Everyday Life and Musical Preferences

2013

The use of music in everyday life (UofM) is an area with growing interest. Scales for the measurement can be criticized despite their reliability and validity. Additionally, the association of UofM with personality theories has not been carried out thoroughly. Within an ongoing project, the IAAM (Inventory for the measurement of Activation and Arousal modulation by Music) has been constructed. Within the existing study, the reliability and validity of the IAAM-scales are to be examined. The assignment of the IAAM-scales to the biological based BIS-BAS-model (Gray & McNaughton, 2000) should be proven against the explanation of the IAAM-scales by the personality model of Eysenck (1967). Furth…

personalitymusic preferencesuse of music
researchProduct

Ecouter Bernart de Ventadorn. Lecture de quatre unica musicaux: BdT 70.42 (X), 24 (W), 17 (G) et 25 (R)

2017

Etant donné que motz et sos des troubadours sont souvent étudiés séparément dans la tradition d'études scientifiques, nous allons essayer d'intégrer les données philologiques et musicologiques pour présenter une 'lecture' chantée et commentée de quatre pièces parmi les moins connues (et les moins enregistrées) de Bernart de Ventadorn, qui nous offrent néanmoins un aperçu assez représentatif des différentes typologies musicales associées à ses chansons par la tradition manuscrite.

philologie et musicologiemélodies des troubadourSettore L-FIL-LET/09 - Filologia E Linguistica Romanzarégistres poétiqueBernart de Ventadornchansonniers provençauxtypologie musicale
researchProduct

The Relationship Between Musical Structure and Emotion in Classical Piano Scores : A Case Study on the Theme of La Folia

2017

We explored the relationship between musical structure and emotion on different variations of La Folia – a musical theme of Portuguese origin based on a standard harmonic progression. Our approach aims to extend previous research by investigating more factors and comparing different models for music emotion. In a pilot study, 12 participants rated the emotion associated to the stimuli on a graduate scale from 1 to 10, according to 3 different models for music emotion: the valence/arousal-based emotion model (Russell, 1980), a discrete emotion approach (Izard, 1972), and the Geneva Emotional Music Scale (GEMS) (Zentner et al., 2008). Stimuli were commercial recordings of the first 8 bars of …

piano scorestunteetklassinen musiikkimusiikkimusiikin psykologiaclassical musicmusical structure
researchProduct