Search results for " Music"
showing 10 items of 1366 documents
Las obras musicales en las radios universitarias
2018
The Spanish General Audiovisual Communication Law does not relate to Campus Radio Stations. In this context, Copyright Collection Societies do not cover them in their catalogues of general fees. For this reason, the holders of these radios are forced to negotiate them. Althoug the Intellectual Property Law and the Order ECD/2574/2015, of 2 December, contain obligations for Copyright Collection Societies, on this matter its enforcement are far from being achieved
Estudio y análisis del lenguaje musical cinematográfico de Juan Durán Alemany (1894-1970)
2014
Fil: Botella Nicolás, Ana María. Universidad de Oviedo; España Fil: Gimeno Romero, José Vicente. Universidad de Valencia; España Fil: Botella Nicolás, Ana María. Universidad de Valencia; España Fil: Gimeno Romero, José Vicente. Conservatorio de Música de Valencia; España Resumen: Este trabajo pretende dar a conocer el lenguaje musical cinematográfico del compositor español Juan Durán Alemany. Para ello, se ha llevado a cabo un estudio de la música compuesta para la película Han matado a un cadáver, analizando los diferentes bloques musicales que configuran su banda sonora. Además, se ha establecido una distinción entre los bloques que corresponden a lo que consideramos música diegética y lo…
La réussite en éducation musicale : des facteurs individuels aux facteurs contextuels
2007
This study aim to improve knowledge about individual and contextual factors of success in music education during elementary level's first year. There are three main subjects : acquisitions' social inequalities, teacher-effect and children' interest about in class musical activities. Two musical tests (one at the beginning of the year, another at the end) were administrated to 1184 students living in Burgondy. Questionnaries completed by various actors (teachers and students) gave a lot of data. Data were analysed with multivariate models. Our results demonstrated that 1°) musical practices develop abilities and explain social origin's effect on musical acquisitions at the beginning of the y…
Dzieje organów w kościele parafialnym w Niemczy
2018
Pierwsze wzmianki o organach w kościele parafialnym w Niemczy pochodzą z przełomu XVI i XVII wieku. W latach 1597–1598 niewielki instrument wybudował Abraham Grasse. W 1617 roku ten sam organmistrz postawił nowe organy, liczące sześć głosów w manuale i trzy w pedale. Strawił je pożar w 1633 roku. W 1648 roku do odbudowanego kościoła zakupiono używany pozytyw. W 1725 roku świątynia wzbogaciła się o 20-głosowe organy wybudowane przez Ignatzego Mentzla. Służyły one parafii do 1852 roku, wówczas zamknięto, a następnie rozebrano kościół. Organy znajdujące się w obecnej świątyni pochodzą z 1866 roku i są dziełem Gottfrieda Riemera z Brzegu. Miały pierwotnie 18 głosów i mechaniczną trakturę rejest…
Musical Competition Culture in 19th Century Italy. The Concorso Basevi (Florence) and the Circolo Bonamici (Naples)
2021
Musical competitions played an important function in Italian musical culture of the 19th century. Florence and Naples offer two interesting examples in this field. In the Tuscan city, Abramo Basevi (1818-1885) established an annual composition competition specially dedicated to chamber music, which reached great popularity throughout Europe; the “Concorso Basevi” took place six times starting from 1861. In Naples Ferdinando Bonamici (1827-1905) showed more varied interests and organized not only composition but also performance competitions between 1863 and 1865. Both experiences, based on individual or small group initiatives, were undoubtedly fragile, but they contributed significantly to…
'Opera e declamazione teatrale in Italia nel Diciottesimo secolo. Convergenze e problemi'
2014
The fulfilment of the operatic reform, managed by Christoph Willibald Gluck and his librettist Ranieri Calzabigi in 1760s’ Vienna, is a well-known topic. This event, whose seeds date back to the 1740s, has been examined according to theatrical and literary experiences in France and Italy. However, the question of acting influence on opera can be reconsidered at the light of the latest discovery of symbols collected and labelled as drammatica – metodo italiano. Engraved in some writings, this set of signs is often connected to music and offers the matter for a new critical survey about the discourse on music declamation before and after Calzabigi. From the 1830s onwards the theory of acting …
Espiral. Cuadernos del profesorado
2012
La música tiene la capacidad de transmitir conocimientos, habilidades y valores intrínsecos a la cultura del compositor, y al mismo tiempo transmite emociones y sentimientos comunes a todas las culturas; por ello puede decirse que la música es un instrumento idóneo para el establecimiento de un diálogo intercultural. La acción comunicativa musical siempre ha sido objeto de análisis; aunque ha sido la falta de diálogo cultural la que ha aumentado la consideración de que la música puede posibilitar el camino hacia la adquisición de la Interculturalidad. Este artículo muestra cómo la música favorece el proceso comunicativo intercultural, al considerarse como la principal herramienta de trabajo…
Theodor W. Adorno e il concetto di seconda natura nel Doktor Faustus di Thomas Mann
2018
“Doktor Faustus” of Thomas Mann, as explained by its author, is a novel on German civilization in which music plays the role of paradigm. Nevertheless the author grasps a lot of quotations from different disciplines and topics, ― e.g., theology, policy, philosophy, music, chemistry ― with the aim of depicting the creation of a second nature in music according the rules of twelve-note composition established by Arnold Schoenberg. The starting point of this complicated narrative is the reinterpretation of Theodor W. Adorno’s “Philosophie der neuen Musik”, a book that inspired Mann in tracing the idea of “second nature” created by the composer Adrian Leverkühn. The article focuses on some keyw…
Cognitive priming in sung and instrumental music: Activation of inferior frontal cortex
2006
Neural correlates of the processing of musical syntax-like structures have been investigated via expectancy violation due to musically unrelated (i.e., unexpected) events in musical contexts. Previous studies reported the implication of inferior frontal cortex in musical structure processing. However - due to the strong musical manipulations - activations might be explained by sensory deviance detection or repetition priming. Our present study investigated neural correlates of musical structure processing with subtle musical violations in a musical priming paradigm. Instrumental and sung sequences ended on related and less-related musical targets. The material controlled sensory priming com…
Music in the moment? Revisiting the effect of large scale structures.
2007
The psychological relevance of large-scale musical structures has been a matter of debate in the music community. This issue was investigated with a method that allows assessing listeners' detection of musical incoherencies in normal and scrambled versions of popular and contemporary music pieces. Musical excerpts were segmented into 28 or 29 chunks. In the scrambled version, the temporal order of these chunks was altered with the constraint that the transitions between two chunks never created local acoustical and musical disruptions. Participants were required (1) to detect on-line incoherent linking of chunks, (2) to rate aesthetic quality of pieces, and (3) to evaluate their overall co…