Search results for " Music"
showing 10 items of 1366 documents
Recensione di Michael Kunkel, «... dire cela, sans savoir quoi... ». Samuel Beckett in der Musik von Gyorgy Kurtag und Heinz Holliger, Saarbrücken 20…
2010
L'articolo recensisce uno studio dedicato alla messa in musica di testi di S. Beckett in due compositori contemporanei di grande rilievo quali Holliger e Kurtag.
Music at San Martino delle Scale (Palermo) during the Renaissance period: the “Lamentationes ac Responsoria” for the Holy Week by Mauro Ciaula
Music at San Martino delle Scale (Palermo) during the Renaissance period: Mauro Ciaula and the book of ‘Lamentationes ac Responsoria’ for the Holy We…
Prima di Croce. Le ricerche archivistiche di Vincenzo d'Auria sui teatri napoletani
2020
The article illustrates the interest of the little-known essays on operatic activity in Naples published by Vincenzo d'Auria at the end of the nineteenth century. The author had the opportunity to examine archival documents that no longer exist today. His writings, all of which appeared in local journals, preceded Benedetto Croce's monograph on the history of Neapolitan theaters (1891). Despite their fragmentary and anecdotal character, d'Auria's studies deserve to be better known as they offer details not otherwise available.
La strage delle donne nell'opera: complicità e denuncia della rappresentazione
2016
The massacre of women, always present in the opera from its origin, is especially spread in the nineteenth century and has its popular specimen in La traviata by Giuseppe Verdi; it doesn’t disappear in the musical theatre of the twentieth century which indeed started with the death on stage of a female figure, mysterious and unconventional, the Mélisande by Maetherlimk and Debussy, killed by the common destiny for all women. Purpose of this paper is to show how the music in the theatre plays a different role which depends on different compositional modes in similar dramatic events and so it is able to give different sense to similar episodes of violence against women. Transgressive linguist…
Отчетъ Офицерскаго музыкально-драматическаго общества, въ гор. Ригѣ, за первые два сезона 1897-98 и 1898-99 г.г. [Отчет Офицерского музыкально-драмат…
1899
Comunicaciones de marketing y valor de marca de un festival musical
2017
La creación de capital de marca es fundamental para diferenciar los productos y alcanzar una ventaja competitiva. Sin embargo, este constructo ha recibido escasa atención en la investigación en turismo de eventos. Por ello, el objetivo del presente trabajo es analizar la influencia de las comunicaciones controladas y no controladas por la organización sobre la formación del valor de marca de un evento, y estimar el impacto del valor de marca global sobre la satisfacción y las intenciones conductuales del asistente al evento. Centrándonos en un festival de música en vivo, a partir de una muestra de 622 asistentes, se obtiene evidencia acerca de la efectividad de las comunicaciones del evento…
"Don't Call Us Immigrants": The musical and political legacy of reggae in Britain
2020
International audience
Music and Identity of Albanians in Sicily: Liturgical Byzantine Chant and Devotional Musical Tradition
2004
Father Bartolomeo Di Salvo and his transcription of the Byzantine chants among the Albanians in Sicily
2006
The Byzantine chant is a fundamental element of the cultural identity of the Albanians of Sicily (the Arbëresh). The origin of this musical tradition dates back to the period after the fall of Constantinople (1453), when many exodus of Albanian and Greek populations occurred from Albania and Morea towards Sicily and other southern Italian regions. Since that time the Arbëresh Byzantine chant has been handed down only orally. In the Eparchy of the Arbëresh of Sicily this ancient and traditional musical repertoire is well preserved and accompanies the Liturgies and the Offices (Matins, Vespers, Hours) of the whole liturgical year. In the years 1950-1960 Father Bartolomeo Di Salvo, monk of the…