Search results for " Musicology"
showing 10 items of 42 documents
Musikk som kunst En refleksjon over opplevelse, funksjon og mening
2015
Masteroppgave utøvende musikk, rytmisk- Universitetet i Agder, 2015
Radioheads OK Computer Virkemidler i tekst og musikk som forsterker et budskap om fremmedgjøring
2015
Masteroppgave utøvende musikk, rytmisk- Universitetet i Agder, 2015
Imprisoned Music A Study of Music Participation in a Malawian Juvenile Prison
2015
Masteroppgave utøvende musikk, rytmisk- Universitetet i Agder, 2015 Twice a week, music, dance and drama facilitators enter a juvenile prison in Malawi to host workshops. The main objective with this research is to gain a better understanding of how the inmates experience and perceive taking part in these activities. This is a qualitative research study, where participant observation in the field was conducted within a period of about seven months. Together with participant observation, semi-structured interviews constitute the method applied to explore the inmates´ experiences and perspectives. Their experiences with these activities are seen in relation to their experience of imprisonment…
Bass: how low can you go? En studie i bruk av elektroniske lydeffekter på bassgitar
2015
Masteroppgave utøvende musikk, rytmisk- Universitetet i Agder, 2015
International Conference of Students of Systematic Musicology (SysMus15).
2016
The 8th International Conference of Students of Systematic Musicology (SysMus15) took place from the 17th to 19th of September, 2015, in Leipzig, Germany, a city with a strong academic and musical heritage. Leipzig was home to famous musicians such as Johann Sebastian Bach, Robert and Clara Schumann, and Felix and Fanny Mendelssohn. It was where Wilhelm Wundt opened the first laboratory for experimental psychology in 1879 (Rieber & Robinson, 2001, p. 206), and where Hugo Riemann founded one of the first institutes for Musicology in 1914 (Gollin & Rehding, 2011, p. 140). Against this background was held a conference highlighting the interdisciplinarity of modern Musicology.Musicology itself …
Folk and Popular as "National": The Invention of the Italian Unity through Poetry and Music
2013
La nascita delle moderne filologia, musicologia ed etnologia nel XIX sec. ha contribuito ad approfondire anche in Italia lo studio scientifico della poesia e della musica non cólte. I termini popolare e nazionale, tuttavia, erano passibili all’epoca delle interpretazioni più varie, in virtù del diverso approccio delle tre discipline alla materia. Gli storici della letteratura si occupavano infatti di poesia con scarsa sensibilità per la musica, i musicologi di musica antica senza alcuna preparazione letteraria, gli etnologi indagavano i fenomeni nel loro accadere e solo in qualche caso formulavano ipotesi sulla storicità delle tradizioni. La prima generazione di studiosi delle tre branche p…
SIGNA VETUSTA MANENT. Interventi di conservazione e restauro su materiale codicologico musicologico archivistico e librario dei secoli XII - XVIII (2…
2014
Susan MacClary, Desire and Pleasure in Seventeenth-Century Music, Berkeley, University of California Press, 2012
2017
Vjera Katalinić: glazbeni izvori i jedinstvo europske kulture / Vjera Katalinić: Musical Sources and the Unity of European Culture
2020
The generation to which Vjera Katalinic belongs is that of those born about ten years after the end of the Second World War. It is the generation of young people who grew up in Zagreb, who through no fault of their own were obliged to pay for the faults of the fascist Ante Pavelić. Up until 1990, one must remember, Croatia was under ‘special surveillance’. Any proposal for change coming from this republic kindled the fear of a nationalist reflux, the worst syndrome for the Federation of Yugoslavia. The article analyses the career of Katalinic from the 1980s to her jubilee in 2020, and emphasises the outcomes from the time of her charge as director of the Institute of Musicological Research …
Etnografie del suono tra natura e cultura
2020
Relationship between nature and culture has deeply changed within the years, from an almost expected opposition of the two terms to a total overthrow which implies their mutual entanglement. The aim of this contribution is to show how such a change has affected oral musical tradition studies, focusing on some topics belong-ing to different theoretical-methodological frames and different historical periods: from comparative musicology to ethnomusicology, from anthropology of music to biomusicology (in reference also to evolutive musicology and to zoomusicology), from anthropology of sound to acustemology. Among the themes dealt with: the “na-ture” of musical scales, the phylogeny of musical …