Search results for " Photography"
showing 7 items of 107 documents
Pseudomelanome der Aderhaut
2007
BACKGROUND: The aim of this study was to evaluate what are the most frequent ocular diseases that were suspected for choroidal melanoma (”pseudo melanoma”). PATIENTS AND METHODS: The data of all patients who were seen in the University Hospital of Mainz under the suspicion of choroidal melanoma between 1.1.1994 and 1.1.2004 and underwent ultrasound examination, fluorescein angiography or fundus photography, were analysed retrospectively. Among 458 examined eyes a choroidal melanoma was diagnosed in 212 cases. In 246 cases the diagnosis was “pseudomelanoma”. RESULTS: The most frequent ocular diseases suspected for choroidal melanoma were “suspicious nevi” in 31 % of the cases and “disciforme…
LIMINARY IMAGES. THE RITES OF PASSAGE IN THE PHOTOGRAPHIC ALBUMS OF THE SICILIAN FAMILIES OF THE XX SEC.
2017
“Life is not what you have lived, but what you remember and how you remember it to tell“. Taking cue from the words of Gabriel Garcia Marquez, the essay analyzes a gallery of photographic images portraying «family photos», made in Sicily between the end of the 19th century and the first decades of the 20th century, which are placed in an intermediate space between oral and written traditions becoming «biographical object». The analysis of the photographic corpus searches for the connections between the different events that the image has gone through (production, transmission, fruition). It is in his «life story», in his passage from one generation to the other, from one type of representat…
Provini. Sull'enunciazione fotografica
2020
Before the shutter release subtracts a certain fragment of existence from its continuous becoming, producing that "that-has-been" that Barthes recognized as the very essence of photographic art, the world is in front of the photographer with all its complexity: the infinite things that populate it, the infinite points of view from which it is possible to look at them, the infinite moments that mark their existence. In front of the man with the camera, an infinite number of photographs unfolds, many of which, unfortunately, completely incapable of provoking that jolt you get when an image is really good. How is it possible to describe and analyze photographic production? To think about it, t…
Una vida en imágenes: los daily photo projects y la retórica del instante
2009
Los daily photo projects son una práctica contemporánea que consiste en tomar una fotografía digital diaria de sus protagonistas hasta el día de su muerte. Las imágenes son ensambladas en un video que, de este modo, concentra sus vidas en minutos. Una vida entera es visualizada como si fuera una secuencia de instantes, de instantáneas. Son alegorías de la vida que muestran el proceso de envejecimiento a modo de espejo, lanzando una nueva mirada al tópico de la vanitas y del autorretrato. El montaje en video es lo que convierte a estos proyectos en vanitas en movimiento ya que la secuencia de fotografías muestra el proceso de envejecimiento. Daily photo projects are contemporary photographic…
Cultural heritage in social media : Museum of Photography
2012
The research Cultural Heritage in Social Media: Museum of Photography deals with a new form of displaying and preserving cultural heritage in the 21st century by using social media tools. This paper is an analysis of a Romanian cultural heritage blog, Museum of Photography, which contains documentary photography from the end of the 19th century until 1990’s as well as other types of photographs related to the interests’ of Alex Galmeanu – the owner of Museum of Photography. The aim of this research is to demonstrate that cultural heritage exists outside the boundaries of formal institutions, namely museums, thus showing that the meaning of the word “museum” is expanding and that the public …
Shooting borders. Per una geogafia visuale delle migrazioni
2017
Our perceptions of events in the Mediterranean are strongly influenced by a range of visual practices that impact on both the emotional and the political. In this paper, I set out to critically explore the visual geographies underlying photographic images of contemporary migration flows across the Mediterranean Sea. I argue the need for a methodological shift from a content analysis approach to a critical investigation of the spatial interweaving of images, gazes and aesthetic regimes that governs both the production and reception of such photographs. Given these theoretical premises, I focus on three images of migrants being rescued in the Mediterranean to illustrate how photography can ac…
Negotiating the Scarred Landscape of Ulster: Post-conflict Photography in Northern Ireland
2015
International audience