Search results for " Pigments"

Joaquin Sorolla's pigment characterisation of the paintings ‘Vision of Spain’ by means of EDXRF portable system

2011

In this work, portable energy dispersive X-ray fluorescence (EDXRF) spectrometry was employed to the characterisation of the palette used by the Spanish artist Joaquin Sorolla (1863–1923) in the paintings ‘Vision of Spain’, a set of 14 oils on canvas painted by Sorolla between 1911 and 1919 by order of Mr Archer Huntington to decorate the library of the Hispanic Society of America (HSA) in New York. The analyses, sponsored by BANCAJA and provided by the HSA, were carried out in situ, prior to the cleaning and restoration process, while the paintings hanging on the walls of the library of the HSA. The results revealed that the paintings were made over different priming layers containing, res…

PHOSPHOROUS SEED COATING AFFECT TO GERMINATION, PHOTOSYNTHETIC PIGMENTS AND YIELD OF RAPE

2005

Rape (Brassica napus L. var. napus) is long ago-known vegetable of Brassicaceae in agriculture. It is important and valuable oil, forage, green-fertiliser and nectar plant. The experience of last years shows that rape is suitable for growing in conditions of Latvia, but investigations about its cultivars and growing technologies are not wide enough.The phosporus-fertilizer adding in the rape plantations is of great importance for increasing of its productivity. With the aim to reduce the expenses the phosphorus treated rape seeds are made use.In our investigations the velocity of seeds germination, germinating viability, germinating vigour, green pigments” quantity in seed-lobes and seeds” …

Social and technological changes in the ceramic production of the Northern Levant during the LBA/IA transition: New evidence about the Sea People iss…

2019

Abstract The transition from the Late Bronze Age (LBA) to the Iron Age (IA) in the Levant is marked by the collapse of the Egyptian and Hittite empires, which dominated the political scene of the 14th–13th century BCE. The role of the Sea People, groups of migrants who were defeated by the Egyptian king Ramses III around 1175 BCE, is the focal point concerning this period. After the collapse of the LBA empires, written sources disappeared, and the archaeologists’ primary tool to define cultural processes is to analyze the evolution of pottery. Because of this, studies about the distribution of Aegeanizing ceramic production, considered here to have derived from the Sea People culture, can p…

Origin of the natural variation in the storage of dietary carotenoids in freshwater amphipod crustaceans

2020

16 pages; International audience; Carotenoids are diverse lipophilic natural pigments which are stored in variable amounts by animals. Given the multiple biological functions of carotenoids, such variation may have strong implications in evolutionary biology. Crustaceans such as Gammarus amphipods store large amounts of these pigments and inter-population variation occurs. While differences in parasite selective pressure have been proposed to explain this variation, the contribution of other factors such as genetic differences in the gammarid ability to assimilate and/or store pigments, and the environmental availability of carotenoids cannot be dismissed. This study investigates the relati…

Sicilian Byzantine Icons through the Use of Non-Invasive Imaging Techniques and Optical Spectroscopy: The Case of the Madonna dell’Elemosina

2021

The iconographic heritage is one of the treasures of Byzantine art that have enriched the south of Italy, and Sicily in particular, since the early 16th century. In this work, the investigations of a Sicilian Icon of Greek-Byzantine origin, the Madonna dell’Elemosina, is reported for the first time. The study was carried out using mainly non-invasive imaging techniques (photography in reflectance and grazing visible light, UV fluorescence, infrared reflectography, radiography, and computed tomography) and spectroscopic techniques (X-ray fluorescence and infrared spectroscopy). The identification of the constituent materials provides a decisive contribution to the correct historical and arti…

"Historical pigments characterisation by quantitative X-ray fluorescence"

2014

Abstract Most of the historical paints are mainly constituted by inorganic pigments, either pure or mixed, spread on the surfaces using different binding agents. The knowledge of the exact amount of different constituents of the paint, as well as of the mixing and pictorial techniques, is crucial for a careful program of conservation of polychrome works. Moreover, since the availability of these pigments has been changing through the centuries, their identification and chemical characterisation is useful to acquire or deepen information about the artist and his/her work. This information can also be useful for authentication purposes through relative dating because the identification of one…

Colours of the « images of the floating world ». non-invasive analyses of Japanese ukiyo-e woodblock prints (18th and 19th centuries) and new contrib…

2019

Abstract In the Edo (1615–1868) and Meiji (1868–1912) periods, Japanese woodblock prints were a commercial form of art that reproduced the everyday life of ordinary people (the ukiyo-e style). Since different dyes and pigments were used to produce these prints, changing over time, the knowledge of these materials can be very important for the history and the conservation of ukiyo-e prints. This study will present the results of the investigation of several woodblock prints, produced between the 18th and 19th centuries. The artworks belong to the Asian art collection at the Museum of Zaragoza (Spain). The aim of the study is the identification of organic colorants and inorganic pigments empl…

Preliminary results on the historical production of majolica tiles in the Madonie area (Northern Central Sicily)

2007

Multi-Technique Diagnostic Investigation in View of the Restoration of “The Glory of St. Barbara” Painting by Mattia Preti

2022

The present paper illustrates the results of a diagnostic investigation performed on the oil on canvas painting “The Glory of St. Barbara” (1680–1688) by Mattia Preti. The painting is located inside the St. Barbara Church in Taverna (Catanzaro, Italy), the city that gave birth to the artist. In situ, non-invasive studies, by applying X-ray fluorescence (XRF) spectroscopy, along with laboratory micro-destructive analytical investigations, by employing electron probe microanalyses (EPMA) coupled with energy-dispersive spectrometry (EDS) and micro-Raman (µ-Raman) spectroscopy, were combined to retrieve the color palette and identify the painting technique and style of t…

Differences in the activity and distribution of peroxidase from three different portions of germinative Brassica oleracea seeds.

2002

Peroxidase (POD, EC 1.11.1.7) activity, cellular localization and isozyme patterns were investigated in the seed integument, cotyledon and embryo axis of Brassica oleracea cv. Cappuccio during pregermination and seedling growth. Seeds started to germinate after 24 h of imbibition. POD activity was localized in the pigmented layer of the integument and in procambial strands of the cotyledon and embryo axis in the first 24 h of imbibition. It was localized in the integumental cells of palisade, pigmented and aleurone layers and in epidermal, meristematic, procambial cells and xylem elements of the root and hypocotyl after 48 h of imbibition. POD activity increased during germination and early…