Search results for " Theatre"

showing 10 items of 101 documents

La mauresque sur scène et les contacts musico-teatraux entre l'Italie et la ville de Dubrovnik au XVIe siècle

2019

The moresca, and the related forms of weapon dance, either spread in the Mediterranean basin or in several countries of Central and Southern Europe, was a kind of 16-century choreography. Born as a battle between Saracens and Christian knights, this dance inspired different kinds of mimic spectacle that served as a part of comedies and pastoral plays. The article analyses the relationship between the moresca intermingled in the pastorals of Dubrovnik and Siena, both marked by a strong presence of dances, songs and choruses to increase the fantastic and sentimental emphasis of the performances. Both Dubrovnik’s and Italian’s plays were characterized by shepherds, nymphs, and rustic men (the …

Settore L-ART/07 - Musicologia E Storia Della MusicaMorrish dance Moresca 16th-century Italian Theatre Pastorals plays Dubrovnik
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Salvatore Sciarrino. The Sicilian alchemist composer

2012

Salvatore Sciarrino (Palermo, 1947) began his career in the fervent climate of the six Settimane Internazionali Nuova Musica. Still very young he attracted the attention of the musical world, with his sonorous invention full of startling innovation that was to make him one of the protagonists of the contemporary musical panorama. Sciarrino is today the best-known and most performed Italian composer. His catalogue is a prodigiously large one, and his career is dotted with prestigious prizes and awards. Alchemically transmuting sound, finding new virginity in it has for fifty years been the objective of his music. Timbric experimentation is the goal of his virtuosity. The prevailing use of ha…

Settore L-ART/07 - Musicologia E Storia Della MusicaSciarrino Alchemist Virtuosity Shades of sounds Silence Ecology of listening Figure Window form Singing style Musical theatre
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De Filippo realista anticanonico, con impasti e fughe nel fantastico

2014

About Eduardo De Filippo’s plays

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateEduardo Theatre
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Pirandello e pochade per rigenerare il teatro

2010

About Gramsci’s reflection on Pirandello’s plays

Settore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateGramsci Pirandello Theatre
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Ichni apò theatrikà erga tou Nikou Gatsou: I epochì ton dolofonon

2020

about a overview of the unfinished plays of Nikos Gatsos: The time of the killers

Settore L-LIN/20 - Lingua E Letteratura Neogrecamodern Greek literature theatre Nikos Gatsos
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Teatro Bene Comune: Gedanken zum italienischen Theaterfrühling

2019

This contribution describes and reevaluates the Occupied Theatre Movements in Italy (2010-2017) from a marxist and post-structuralist perspective. It situates the theatre occupations in Italy in a broader genealogy of social movements and gives a phenomenological analysis of the specific forms of community-building that caracterize contemporary critique from the Left.

Settore M-FIL/03 - Filosofia MoraleSettore L-ART/05 - Discipline Dello SpettacoloOccupied Theatre Movements community commons communism crisis critique Italy social movements Derrida
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Die Vierte Welt in Berlin: a minor art space in THE CAPITAL OF CREATIVITY

2019

Portraying an alternative theatre space in Berlin, called "Vierte Welt", this article reflects upon the recent changes in the 'spirit of Capitalism' (Boltansik / Chiapello) that has shaped the old and new German capital as an alledged contemporary Eden of creativity and artistic critique.

Settore SPS/01 - Filosofia PoliticaTheatre alternative theatre spaces Berlin Capitalism critique Boltanski Chiapello work subjectivity precarity Vierte WeltSettore L-ART/05 - Discipline Dello Spettacolo
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The Ambivalence of Revenge and of the Avenger's Role in HAMLET: The Function of Letters and Emblematic Allusions

2011

Shakespeare HAMLET Revenge Tradition Rhetoric Character Construction Letter Writing Semiotics of Theatre and Drama Emblem Books Retributive ImagerySettore L-LIN/10 - Letteratura Inglese
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Brief Humanistic and School Hispanic Colonial Theater, illustrated in Appendix with the text of the Sixth Encomium to the most happy Birth of the Vir…

2016

espanolPresentacion de la produccion de teatro breve escolar virreinal hispanico, siguiendo sus generos: dialogo, egloga, loa, encomio, decuria, entremes y, en forma parateatral: mojiganga, danza y baile, juego, vejamen. En apendice se edita el texto de un encomio de Juan de Cigorondo EnglishSpanish colonial short school drama exposition by its main genres: dialogue, eclogue, loa, encomium, decuria, interlude and theatre related masquerade, dance, game, vexamen. In Appendix, the edition of a Juan de Cigorondo's encomium

Short TheatreLiteratura Hispanoamericanalcsh:French literature - Italian literature - Spanish literature - Portuguese literatureVirreinalLiterature and Literary Theorylcsh:Literature (General)Edición encomiolcsh:PN1-6790HispánicoTeatro breveSchool Dramalcsh:PQ1-3999Spanish Colonial EncomiumEscolarAmérica sin nombre
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Opra i pupi siciliana: Masterpiece of the Oral and Intangible Heritage of Humanity

2014

In the first decades of the nineteenth century a form of puppet theater was established in Sicily, specialized in the staging of epic-chivalrous events: the opra î pupi (work of the puppets), which has since enjoyed enormous success among the working classes Sicilians. The work of the pupi has the merit of imploding an articulated complex of traditionally formalized competences (from the material to the expressive level) and at the same time reflecting the socio-symbolic values ​​on which until recently the Sicilian popular culture was founded. For this reason, in 2001, the title of "Masterpiece of the oral and intangible heritage of humanity" was recognized by UNESCO. The central role attr…

Sicilian Puppet Theatre Intangible Cultural HeritageSettore M-DEA/01 - Discipline Demoetnoantropologiche
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