Search results for " drama."

showing 10 items of 107 documents

El auto sacramental y la alegorización de la historia: "El socorro de Cádiz" de Juan Pérez de Montalbán

2012

Este trabajo estudia la relación excepcional entre acontecimientos históricos y género sacramental, a partir de un auto que se dio por perdido durante bastantes años. Se trata de El socorro de Cádiz de Juan Pérez de Montalbán en el que se alegoriza la defensa de Cádiz contra los ingleses en 1625. This paper analyzes the exceptional relationship between historical events and the sacramental genre, based on an «auto» that was considered lost during many years. This «auto» is El socorro de Cádiz by Juan Pérez de Montalbán, in which the playwright allegorizes the defense of Cádiz against the English in 1625.

HistoryLiteratura castellana -- 1500-1700 Segle d'OrLiterature and Literary TheoryDefensa de CádizFrench literature - Italian literature - Spanish literature - Portuguese literaturedefensa de CádizDefense of CádizSacramental playhistoria dramatizadaLiteratura castellana 1500-1700 Segle d'OrAuto sacramentalDefensa de CadisJuan Pérez de MontalbánPérez de Montalbán Juan 1602-1638Theatricalized historyauto sacramentalHistoria dramatizadaHistòria dramatitzadaPQ1-3999Spanish literature -- Classical period 1500-1700Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro
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Six Characters in Search of an Author: Thomas Kilroy alle prese con Pirandello

2011

Irish contemporary dramaPirandello KilroyTranslation studieSettore L-LIN/12 - Lingua E Traduzione - Lingua Inglese
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New Trends in Irish Theatre

2021

This issue explores recent trends in Irish theatre and theatre culture with a double aim of assessing and disseminating the work of playwrights, directors, companies, in Ireland and among the Irish diaspora. Special attention is given to 21st century Irish theatre and its sense of heritage, its sense of the present, its use of memory, the duty and challenges of recollection and theatre’s capacity for independent action.

Irish theatre during the Pandemic.independent theatre Irish literature and Greek literatureContemporary Anglo-Irish literature and dramaSettore L-LIN/10 - Letteratura Inglese
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Il terzo atto al San Carlo di Napoli nell’ultimo trentennio del Settecento: declino, atrofizzazione, scomparsa

2023

In the last decades of the eighteenth century, the third act of opera seria was gradually reduced in importance and dimensions until it disappeared altogether. The article studies this process in relation to the repertoire of the San Carlo theatre in Naples from 1771 on, with special attention to the intertwining of dramaturgical choices and audience’s behavior. The examination of a large number of librettos and scores makes it possible to fix reliable chronological terms. After an isolated episode in 1780, the adfirmation of the two-act model can be traced back to the 1786-1787 season. The new formula quickly took hold, but three-act operas continued to be performed - with ever decreasing …

Italian opera Opera seria Musical dramaturgy Giovanni Paisiello Pietro Alessandro GuglielmiSettore L-ART/07 - Musicologia E Storia Della Musica
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Approximate Bodies. Gender and Power in Early Modern Drama and Anatomy

2005

The early modern period was an age of anatomical exploration and revelation, with new discoveries capturing the imagination not only of scientists but also of playwrights and poets. Approximate Bodies examines the changing representation of the body in early modern drama and in the period’s anatomical and gynaecological treatises. The book traces a number of emblematic figurations of the body, which it sees as dramatized and rearticulated in the period’s texts: the eroticized, deformed body of the outsider, for example, or the effeminate body of the desiring male and the disfigured body parts of the desiring female. Drawing on the theories of Foucault, Derrida and Lacan and working through …

Jacobean drama anatomical discourses Shakespeare body sexuality
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Produksjon av nærvær : en undersøkelse av sanselig tilstedeværelse i møte med kunst

2013

Masteroppgave i kunstfag – Universitetet i Agder 2013

KF 500VDP::Humanities: 000::History of art: 120VDP::Humanities: 000::Movie and drama: 170
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Exploring the relational element in the photographic portrait : how may contemporaneity in the form of the relational be reflected in the photographi…

2013

Masteroppgave i kunstfag – Universitetet i Agder 2013 This dissertation focuses on relational elements in the photographic portrait, asking how contemporaneity in the form of the relational may be reflected in the photographic portrait today, in 2013. The question is approached phenomenologically and hermeneutically, by probing the topography between art and photography theory, the work of other artists and the author’s personal artistic practice. Central theorists are Roland Barthes, Jacques Rancière and curator Nicolas Bourriaud, and referred artists are Roni Horn, Rineke Dijkstra and Nelli Palomäki. The final result will be disseminated by the exhibition Cast off - a portrait photography…

KF 500VDP::Humanities: 000::Movie and drama: 170
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Ellidas Ocean : en undersøkelse av det kreative utbyttet i møtet mellom et drama og scenisk poesi.

2014

Masteroppgave kunstfag- Universitetet i Agder, 2014

KF 500VDP::Humanities: 000::Movie and drama: 170::Movie science: 171
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Live kamera i teateret Hvordan utforske og utnytte muligheter og begrensninger med live kamera i en lavbudsjettsproduksjon

2014

Masteroppgave kunstfag- Universitetet i Agder, 2014

KF 500VDP::Humanities: 000::Movie and drama: 170::Theatre studies: 172
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Kāzas: izrāde un tās elementi

2019

Bakalaura darba nosaukums ir „Kāzas: izrāde un tās elementi”. Šī darba ietvaros veiktā pētījuma mērķis bija noskaidrot, kādi kāzu izrādes elementi mūsdienās tiek piedāvāti, lai uzvestu kāzu izrādi. Teorijas daļu veido četras nodaļas: 1.Kāzas kā pārejas rituāls sabiedrībā un ģimenē; 2.Ērvinga Gofmaņa dramaturģiskā pieeja un tās lietojums kāzu kā izrādes izpētē; 3.Kāzu izpēte socioloģijā un citās nozarēs un 4.Metodoloģija kāzu izrādes izpētē. Darbā tika izvēlētas kvalitatīvās pētniecības metodes, datu ieguves metode bija dokumentu analīze un vizuālie dati – kāzu video un kāzu fotogrāfijas, bet kā datu analīzes metode tika izvēlēta kvalitatīvā kontentanalīze. Pētījuma galvenie secinājumi ir, k…

Kāzu pārejas rituālsSocioloģijaKāzu izrādes elementiĒrvinga Gofmaņa dramaturģiskā pieejaKāzu izrādePatēriņa sabiedrība
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