Search results for " livre"

showing 6 items of 16 documents

Introduction

2018

[SHS.LITT] Humanities and Social Sciences/Literaturebook historyillustrationhistoireHistoire du livreIntermedialityIntermedialité[SHS.ART] Humanities and Social Sciences/Art and art historyhistory
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London Impressions d’Alice Meynell et William Hyde (1898) : fabrique du livre et connectivité

2021

At a time when print was being challenged by new media that dematerialized information flows, the illustrated book London Impressions reflected an ideal of connectivity. A folio published by Constable in 1898, it gathered essays by Alice Meynell and photogravures and etchings by the English artist William Hyde. This article explores the editorial strategy that provided a record of fin-de-siècle urban modernity and aimed to guarantee the sustainability of the book as medium of inscription and transmission in a changing market. It contextualizes the way Hyde’s images were manufactured and tackles the material and medial notion of connectivity from the perspective of ecocriticism and media arc…

[SHS.LITT] Humanities and Social Sciences/Literatureecocriticism[SHS.LITT]Humanities and Social Sciences/LiteratureMedia archeologyécocritiquearchéologie des médias[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art historyAlice MeynellHistory of the bookhistoire du livreWilliam Hyde
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Couleur et transparence à l’ère des procédés photomécaniques

2015

This paper aims to show that the reception of British coloured illustrated books in the early twentieth-century reflects the artistic and aesthetic repositioning induced by the development of photomechanical process. Photomechanical reproduction freed the graphic line as well as colour. Reviews published at the turn of the century—as exemplified by The Studio—reveal a tension between opacity and transparency, materiality and lightness, chromophilia and chromophobia. These oppositions apply to the art of the book—as in the books illustrated by Arthur Rackham and Edmund Dulac—as well as to interior decoration. They are subsumed in the image of the peacock’s ocellus, the eyespot that symbolise…

[SHS.LITT]Humanities and Social Sciences/Literatureinterior decorationprocédés photomécaniquesphotographieprintmaking[SHS.ART]Humanities and Social Sciences/Art and art historyestampe[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historyphotomechanical processdécoration intérieurephotography[SHS.LITT] Humanities and Social Sciences/Literaturewood engraving[SHS.ART] Humanities and Social Sciences/Art and art historycoloured illustrated booksart of the bookgravure sur boisart du livreillustration en couleur
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Le récit d’esclave africain-américain : réflexions sur une appellation générique

2015

What do we talk about when we talk about 'slave narratives?' African American slave narratives have been a staple of American literary studies over the past decades. The narratives of Frederick Douglass, Harriet Jacobs and other ex-slaves have been recovered, anthologized and discussed by eminent critics such as Marion Wilson Starling, Henry Louis Gates Jr., Frances Smith Foster and William L. Andrews. For all its ubiquity, however, the generic label 'slave narrative' has been used in many different ways by specialists of African American literature. In this essay I argue that the systematic and sometimes uncritical use of the label has led to generalizations that limit our understanding of…

histoire littéraireliterary historyhistoire du livrehistoriographyappellation génériquebook historygenreAfrican American literature[SHS.HIST] Humanities and Social Sciences/Historyslave narrativeshistoriographielittérature africaine-américaine[SHS.HIST]Humanities and Social Sciences/Historyrécit d'esclave
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Playing with Format (1)

2021

International audience; Le volume 45 de la revue Interfaces propose une réflexion sur la double nature du format, comme contrainte et condition de la créativité. Il aborde le rôle du format dans la création, développant une réflexion sur ses usages en art, en poésie, dans le théâtre, dans le domaine du livre, des périodiques et de productions telles que les carnets d’artistes. Il met en exergue la dimension expérimentale des variations de format dans les processus de création artistique et les stratégies éditoriales ou de conservation, ainsi que les pratiques hybrides (texte / image) et les transferts intermédiaux.

intermedialityreceptionintermédialité[SHS.LITT] Humanities and Social Sciences/Literatureépistémologie[SHS.LITT]Humanities and Social Sciences/LiteratureréceptiontransformationBook historyformatHistoire du livre[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history
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Histoire(s) d'un livre. Petit Pierre sera socialiste - 1913

2010

International audience

socialiste[SHS.DROIT]Humanities and Social Sciences/Law[SHS.DROIT] Humanities and Social Sciences/Lawhistoire d'un livre1913Petit Pierre[ SHS.DROIT ] Humanities and Social Sciences/LawComputingMilieux_MISCELLANEOUS
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