Search results for " musical"

showing 10 items of 396 documents

El legado de Vicente Ripollés Pérez (1867-1943) en el Real Colegio Seminariod e Corpus Christi de Valencia: visión global y transferencia

2019

Vicente Ripollés Pérez (1867-1943) fue unos de los maestros de capilla españoles más interesantes entre los siglos XIX y XX; destacó como compositor, director, musicólogo y por su liderazgo en el movimiento cecilianista. Llegó a ser nombrado canónigo de la Catedral de Valencia y fue maestro de capilla en las catedrales de Tortosa, Sevilla y el Real Colegio de Corpus Christi en Valencia. A esta última institución legó su archivo y biblioteca que han sido catalogados recientemente y que contienen más de ochocientos do-cumentos. Ripollés merecería un estudio monográfico amplio que excede a las limitaciones de este texto. El objetivo de este trabajo es ofrecer una visión global y crítica sobre …

Visual Arts and Performing Artsmedia_common.quotation_subjectlegadosmúsica españolacatalogaciónMusicologyChapelM1-5000Patrimoni culturalmúsica valencianacomputer.programming_languagemedia_commontransferencia de conocimientopatrimonio musical hispánicoMusic and books on MusicHistoriographyMArtmúsica sacra siglos xix y xxcecilianismoepistolariohistoriografía musicalcomputerHumanitiesMusicMúsica
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Il "Candide" da Voltaire e Bernstein

2015

Il saggio ricostruisce la genesi del "Candide" di Leonard Bernstein, e la storia delle sue tante stesure e riprese: dal primo progetto teatrale del 1953-54 sino cosiddetta "Scottish Opera Version, curata da John Mauceri, del 1988. Il percorso drammaturgico dello spettacolo viene messo a confronto con le narrazioni del romanzo di Voltaire e nella seconda parte del saggio vengono affrontati anche gli aspetti musicali e compositivi dell'opera.

Voltaire Leibnitz Candide ou L'optimisme Candido Leonard Bernstein Lilian Hellman John Mauceri Candide musica americana teatro musicale musicalSettore L-ART/07 - Musicologia E Storia Della MusicaVoltaire Leibnitz Candide ou L'optimisme Leonard Bernstein Lilian Hellman John Mauceri Candide american music music theatre musical
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Canzoni in concorso nella Palermo di fine secolo

2015

L'articolo si occupa del concorso "per la canzone siciliana" bandito nel 1891 a Palermo da Tina Withaker Scalia con la collaborazione di Giorgio Miclei. Nella prima parte viene presentato un sintetico bilancio dei precedenti non siciliani del concorso nell'Italia post-unitaria, e nella seconda vengono analizzate in dettaglio le due canzoni vincitrici.

Withaker TinaCanzone; Canzone siciliana; Canzone napoletana; Concorsi musicali; Withaker Tina; Miceli Domenico; Miceli Giorgio; Dotto Pollaci PaoloCanzoneCanzone napoletanaMiceli GiorgioSettore L-ART/07 - Musicologia E Storia Della MusicaConcorsi musicaliDotto Pollaci PaoloCanzone sicilianaMiceli Domenico
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Topo-analyse de la musique mixte

2017

National audience; The purpose of this article is to pursue a semiotic approach to mixed music already outlined in some writings. After having developed a theoretical model capable of synthesizing the possible concert apparatus and defining the functions of the various protagonists, this article attempts, on the one hand, to establish a typology of the main relational strategies between instrumental and electronics observed in the repertoire and, on the other hand, to develop an analysis method using the topics. Relational strategies are approached with the concept of topic, defined as an imaginary place to articulate potential contents and unify them within an identifiable theme. In the re…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SCCO]Cognitive science[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsAnalyse musicale[ SCCO ] Cognitive scienceCognition musicale[SCCO] Cognitive science
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Prêt-à-porter ou coupe sur mesure ? Liberté et contraintes de la temporalité dans l’interprétation de la Sequenza III de Berio

2017

National audience; Sequenza III (1965-1966) for Female Voice by Luciano Berio is one of the leading works in the solo vocal repertoire after 1945. The work is the culmination of a fruitful on-going collaboration with Cathy Berberian, interrupted by the singer’s death in 1983. Perfectly knowing the singer’s vocal possibilities, Sequenza III was “not only written for Cathy, but about Cathy” as the composer asserts. It is then legitimate to ask the question of the fate of the work, since Sequenza III was by no means reserved, in Berio’s mind, to a dedicated performer. In order to answer this question, this article analyzes five recorded performances (Berberian, 1967 and 1970; Castellani, 1998,…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SCCO]Cognitive science[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsAnalyse musicale[SCCO] Cognitive scienceCognition musicale[ SCCO ] Cognitive science
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Temporalité et texture dans "Eight Lines" de Steve Reich : de la perception locale à la forme expérientielle

2017

Consacré à la nouvelle question d’agrégation 2018 « Les temps de la musique », ce numéro illustre la diversité des problématiques auxquelles seront confrontés les candidats au concours. Il aborde à la fois le temps de la création et celui de l’interprétation, les temporalités des musiques « savantes » et celles des musiques « populaires », réunissant des textes synthétiques et des analyses d’oeuvres, des approches historiques, ethnomusicologiques et esthétiques. ISBN 9782368570432; National audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SCCO]Cognitive science[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsAnalyse musicale[SCCO] Cognitive scienceCognition musicale[ SCCO ] Cognitive science
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La filiation Varèse - Zappa en question

2017

National audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SCCO]Cognitive science[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SCCO] Cognitive science[ SCCO ] Cognitive scienceCognition musicaleComputingMilieux_MISCELLANEOUS
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Aragon et la chanson

2020

Article en libre accès sur le site de l'éditeur; International audience; No abstract

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.LITT] Humanities and Social Sciences/Literature[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.LITT]Humanities and Social Sciences/LiteratureLouis Aragon (1897-1982) -- Adaptations musicalesComputingMilieux_MISCELLANEOUS
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Punk or not ? punk et postpunk français, une esthétique musicale cohérente ? Bilan d'une année d'études

2018

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsPunkpostpunk françaisesthétique musicale[SHS] Humanities and Social Sciencesbilan d'une année d'étudesComputingMilieux_MISCELLANEOUS[SHS]Humanities and Social Sciences
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Compte rendu de : GONIN Philippe, Serge Gainsbourg. Histoire de Melody Nelson, Rouen, Densité, 2021, 120 p.

2021

compte rendu d'ouvrage; Ce dix-septième numéro de la collection « Discogonie », signé par le musicologue Philippe Gonin, est consacré à un album considéré aujourd'hui comme essentiel dans l'histoire des musiques populaires en France. Lancée en 2014 avec le Cure Pornography du même Philippe Gonin et le Neil Young Harvest de Christophe Pirenne, la collection « Discogonie »barbarisme valise formé de la contraction entre discographie et cosmogonie-livre une série de textes monographiques consacrés à des albums qui ont marqué l'histoire du rock. La mise en contexte s'accompagne à chaque fois d'une analyse des chansons. Le questionnaire est assez proche de celui de l'histoire culturelle ; plus ou…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.HIST] Humanities and Social Sciences/Historyhistoire de la musiquerockindustrie musicalechansonHistoire culturelle[SHS.HIST]Humanities and Social Sciences/HistoryCultural History
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