Search results for " poetry"

showing 10 items of 239 documents

The withstood voices in the inhabitants and the other “remains”: some notes about poetic of the bodies in the neoliberal city and the contemporary cr…

2019

Ante la atención que envuelve el arte en contexto, este artículo explora cómo las voces poéticas de los habitantes de la ciudad, foco de impacto de las arduas políticas de la crisis de 2008 en España, toman los espacios afectados y los convierten en reductos de resistencia. La definición de las distintas zonas y los espacios intersticiales opera una dialéctica fundamental en ese proceso que concentra su conmoción sobre los cuerpos. La “(re)construcción” de la ciudad experimenta cambios al albergar otras sonoridades, ya no de ruinas sino de “los restos”. Una pequeña selección de trabajos de Xelo Candel, Vicente Luis Mora, Marta Sanz, José María García Martín, Héctor Castilla y Felipe Alcaraz…

Cultural StudiesUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLinguistics and LanguageHistoryUrban SpaceLiterature and Literary TheoryCommunicationmedia_common.quotation_subjectLiteratura EspañolaResistanceArtSpanish LiteratureContemporary PoetryPolíticasLanguage and LinguisticsPoesía ContemporáneaEspacio urbanoCrisisResistencia:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]HumanitiesPoliciesmedia_common
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Un códice facticio de cancioneros manuscritos del siglo XVI

2020

Se ofrece un completo análisis codicológico del manuscrito 2763 de la Biblioteca Universitaria de Salamanca. Se trata del volumen denominado SA10 en el sistema de siglas propuesto por Brian Dutton (1990-91), un códice que agrupa dos cancioneros manuscritos independientes de poesía medieval, fechables en la primera mitad del siglo XVI. El estudio exhaustivo de la estricta materialidad del códice se completa con el recuento y análisis de las obras y autores seleccionados, así como de su disposición y secuenciación. Los resultados permiten formular una hipótesis argumentada acerca de la génesis del volumen y de su complejo proceso de copia y transmisión. A complete codicological analysis of ma…

Códices facticiosUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASCancioneros manuscritosHistoryMateriality (auditing)Literature and Literary TheoryPoetrymedia_common.quotation_subjectMaterial philologyArtSA10Cancionero manuscriptsFactitious codexs:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Poesía medievalAcronymMedieval poetryHumanitiesFilología materialMs 2763 Universidad de Salamancamedia_commonMagnificat Cultura i Literatura Medievals
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Della musica e delle parole

2018

This article explores the relations between music and poetry, starting form Rousseau's theory of the origin of languages. Two main distinctions are considered: when poetry is written before music, and when music is written before poetry. "Non più andrai farfallone amoroso" by Daponte and Mozart is examined as an example of the first strategy; "Yesterday" by Paul McCartney as an example of the second one.

DaponteMozartmusic and poetrySettore L-ART/07 - Musicologia E Storia Della MusicaRousseauPlato
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'[I]t wasn’t in the picture and is not': Blind Spots and Vanishing Points in Irish Poetical Self-Portraits

2016

International audience; Pictoriality and a propensity for self-examination and self-representation are characteristic of the poetry of Louis MacNeice, Derek Mahon, Seamus Heaney and Paul Muldoon. In many a poem, these four contemporary Irish poets try to capture their own portraits in words and images, through highly visual poems often inspired by paintings. This paper first examines how these poets use images and invest paintings, how verbal and iconic texts interact in their creations and to what extent self-exegesis is made possible and more successful through ekphrasis. With reference to Jacques Derrida’s essay on self-portraiture—Memoirs of the Blind: Self-Portraits and Other Ruins—thi…

Derek Mahon[SHS.LITT]Humanities and Social Sciences/LiteraturePaul Muldoon[ SHS.LITT ] Humanities and Social Sciences/Literature[SHS]Humanities and Social Sciences[SHS.LITT] Humanities and Social Sciences/LiteraturepictorialityekphrasisIrish poetryself-portraitureSeamus HeaneyLouis MacNeice[ SHS ] Humanities and Social Sciences[SHS] Humanities and Social Sciences
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Il desiderio come luogo di testimonianza. A partire da alcuni versi di Paul Celan

2019

The author shows how the theme of eros in Paul Celan constitutes the place of a division of the subject despite to which the difficult search for unity is problematically entrusted. For this radicality, desire becomes the testimony of the impossibility to separate life from death which reflects intimately the condition of Jewish survivor for whom the continuity of life appears irreversibly broken.

Desire Eros Paul Celan Poetry Life.Settore M-FIL/01 - Filosofia Teoretica
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Ludovico Ariosto un Torquato Tasso: diplomdarbs

1941

Diplomdarbi:HUMANITIES and RELIGION::Aesthetic subjects::Literature [Research Subject Categories]Italian literatureAriosto Lodovico1474-1533Itāliešu dzeja 16. gs. - vēsture un kritikaItāliešu literatūraItalian poetry of the 16th century - history and criticismTasso Torquato1544-1595
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On ‘Visual Implication’: Outline of a Theory

2017

Most of us are ready to accept the view that the front elevation of a building is essentially determined by such openings of the wall as windows, doors, bays, and niches. Especially their location and their sizes create a compound of parts and details that appear as an orderly arrangement, as it might be called. Normally we are able to feel when everything seems to be in order, in the right place, thus creating a good and balanced picture of the wall. The lack of such an order can be felt equally easily. One reason of seeing such a balanced order, and/or the lack of it, is the system of rectangles presented by the openings within the parameter rectangle formed by the whole wall. It is easy …

Elevation (emotion)AestheticsComputer scienceMovement (music)Order (business)Visual poetryDoorsRectangleObject (philosophy)Front (military)
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L'epigramma «Ad Carolum regem Francorum» di Enea Silvio Piccolomini fra dimensione encomiastica e professione di poetica

2016

This paper offers a strict analysis of Enea Silvio Piccolomini’s epigram 24 Van Heck (Ad Carolum regem Francorum), composed by the young humanist in praise of Charles VII of Valois, king of France, in july 1429 – and then soon after his coronation, which had place at Reims the 17th of July 1429: an "epigramma longum" (46 hexameters), in which we can find the admiration and the courtly exaltation of the new king of France, and the conception (classic and, particularly, Horatian) of the poetry who can make eternal the glory of the famous men.

Enea Silvio Piccolomini Charles VII of Valois Humanistic Epigram Encomiastic Poetry.Settore L-FIL-LET/08 - Letteratura Latina Medievale E Umanistica
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Coming to Know Epicurus’ Truth: Distributed Cognition in Lucretius’ De Rerum Natura

2020

Until recently, Descartes' idea that the human mind is, by definition, a non-extended entity (res cogitans, non extensa), enclosed in the body but constitutionally different from common bodily and external realities, found wide acceptance among students of cognitive sciences. But in the past few years the barriers between outer and inner worlds have begun to blur, projecting the process of cognition as a complex distributed phenomenon. According to the so-called distributed cognition thesis (and its more “radical” version, the extended mind hypothesis), “the thinker in this world is a very special medium that can provide coordination among many structured media – some internal, some externa…

Epicureanism Roman culturedistributed cognitiondidactic poetryLucretiucognitive theoryancient and contemporary epistemologyextended mindSettore L-FIL-LET/04 - Lingua E Letteratura Latina
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Reminiscenze e rielaborazioni avianee in due carmi di Bellino Bissolo (Spec. vite I 5; I 9)

2020

L'intervento è dedicato alla figura e all'opera di Bellino Bissolo, poeta milanese del Duecento, autore di tre testi didattico-moralistici in latino e in distici elegiaci, il «Liber legum moralium», il «De regimine vite et sanitatis» e, soprattutto, lo «Speculum vite». Nella prima parte del testo viene tracciato lo "status quaestionis" relativo all'autore, all'opera e agli studi su di essa. La seconda e più ampia parte è invece fondata sulla lettura e l'analisi di due brevi componimenti dello «Speculum vite» (I 5; I 9), di carattere e impianto narrativo-favolistico, per entrambi i quali si ipotizza una fruizione, da parte del Bissolo, delle favole di Aviano, che tanto successo hanno avuto n…

FableBellino BissoloSettore L-FIL-LET/08 - Letteratura Latina Medievale E UmanisticaMoralistic-didactic PoetryAvianoFavolaAvianusPoesia moralistico-didascalica
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