Search results for " romantici"
showing 10 items of 46 documents
Schlegel y los enemigos de la ironía romántica
2007
Raga Rosaleny, Vicente - Vicente.Raga@uv.es La ironía de Schlegel, máximo representante, junto con Solger, de la ironía en el romanticismo alemán supuso una reinterpretación de la figura del Sócrates irónico de Platón. Sin embargo, su propuesta de una ironía pragmática fue rechazada de manera violenta por Hegel y Kierkegaard, que releyeron a Sócrates y su ironía enfrentándola a la de Schlegel. Para estos la propuesta del autor romántico era un reto a la sociedad que acabaría destruyéndola, pero, desde nuestra perspectiva tal lectura semántica de la ironía schlegeliana no se sostiene y, más bien, la propuesta del escritor alemán puede entenderse como un modo de crítica constructiva de la com…
Irony in Thomas De Quincey's works
2014
Studying the works of De Quincey necessarily leads to three concepts almost impossible to define: autobiography, Romanticism, and all-too neglected irony. Whether rhetorical, tragic or “romantic”, irony expresses perfectly the many contradictions of the opium-eater. As the rhetorical tool of conflict and self-derision, claiming both individualistic and community values, sociable and provoking, irony is the way to redemption as much as the expression of deep unease, a way of pushing himself forward, or of withdrawing into the background. Caught between Romanticism and Victorianism, De Quincey questions the limits of his own identity and his status as an intellectual, and exploits reluctantly…
中国朦胧诗人的浪漫特质 ——以J.W.米勒和华兹华斯浪漫主义理论为参照 (Zhongguo menglong shirende langman tezhi - yi J.W. Mile he Huacihuasi langmanzhuyi lilun wei canzhao) The Romant…
2012
Through the principles of Romanticism expressed by Wordsworth in his 'Preface', the paper proposes a new appraisal of the Chinese 'hazy poets' of today also by taking into consideration J.W. Miller's point of view.
Una Storia dell’arte italiana a più mani? Dibattiti e forme di dissertazione storico-artistica sul «Kunstblatt» (Rumohr, Förster, Gaye e qualche anti…
2006
This article focuses on the German art review «Kunst-Blatt» and its leading role in early Nineteenth-Century historiography of Italian art. Particular attention is drawn to the contributions of three eminent German scholars of this period: Ludwig Schorn (1793-1842), Ernst Förster (1800-1885) and Johannes Gaye (1804-1840).
L'androginia. Nella letteratura tedesca da Winckelmann a Kleist
2011
La edición de libros en Barcelona durante el romanticismo liberal (1833-1843)
1975
German Romantic Tradition in John Ashbery’s "Where Shall I Wander"
2019
In popular critical and readerly reception, the New York School of poetry was shaped mostly by what Marjorie Perloff calls the tradition of indeterminacy. This was started by Arthur Rimbaud and, a few decades later, developed by Dadaists and Surrealists. Therefore, the tradition of French modernism seems to have been vital for John Ashbery, Frank O’Hara, James Schuler, and Barbara Guest, and the poets themselves appeared to confirm this fact. They often visited France privately and as scholars, and lived there for extended periods of time. In the case of John Ashbery, his year-long Fulbright fellowship was prolonged to a decade. Moreover, the New York School poets contributed to the propaga…
J. V. Foix i la ironia romàntica
2016
Resum: L’article es basa en el convenciment que la comprensió usual de la ironia no pot ser aplicada a les obres de J. V. Foix, les quals més aviat han de ser enteses en el context de la ironia romàntica tal com va ser concebuda per Friedrich Schlegel i més tard documentada en la investigació d’Ingrid Strohschneider-Kohrs. Es descriu el terme «reflexió» com l’autonegació de l’absolut per a després analitzar alguns poemes en prosa del poeta, en què tal classe d’ironia pot ser identificada. En els escrits de Foix les freqüents metareflexions sobre poesia o pintura fan aparèixer els textos o els quadres com a il·legibles o dotats d’un gran poder subversiu. Una peça com «El Roc pertús» deconstr…
« Making Sense of Wilfred Owen’s Keatsian Heritage: “Exposure” and “Ode to a Nightingale” »
2020
Readers of Wilfred Owen usually agree that the war poet’s early admiration for John Keats faded after he enlisted in the army; his poetry then turned against Keats’s. The opening paraphrase of Owen’s poem “Exposure” is thus often read as a rejection and a subversion of the Romantic poet’s “Ode to a Nightingale.” This essay will argue that Owen’s poem can be seen as a radical reversal of Keats’s ode. While “Exposure” is indeed more violent and political than “Ode to a Nightingale,” it does not depart from Keats’s conception of human suffering and of nature. Instead, the war poem builds on Keats’s fleeting description of suffering humanity in “Ode to a Nightingale” and extends it. It also ech…
Charles Nodier, Trilogie écossaise
2013
Charles Nodier’s summer ambulations through Scotland in 1821 were to spawn a genre: the romantic travelogue. The reader is invited on a journey through age-old legends and oneiric cartography, through the fogs of ancient Caledonia and modern Scotland, and into the land of goblins and fairies.