Search results for " theater"

showing 10 items of 122 documents

Spanish People on the Silver Screen: Nation and Region in the Cinema of the Second Republic

2013

The article reflects on the presence and scope of the discourses of Spanish nationalism in the mass culture through the study of Spanish cinema produced during the years of the Second Republic. From a theoretical perspective based on the latest theoretical developments on nationalism, and particularly those concerning the role of culture, the article seeks to place the cinema in the heart of the study of Spanish nation-building process in the first decades of the twentieth century. The analytical axis will be the examination of the filmic construction of the regional imaginaries as a representation of Spain. After some general considerations concerning the presence of regional and national …

imaginarios regionalesHistoryFilm analysisMass culturehistoria y cinebusiness.industrycine españolSocial impactSocial SciencesRepresentation (politics)NationalismHMovie theaternacionalismo españolSpanish nationalism; Regional imaginaries; History and cinema; Spanish cinema; Cultural historyNacionalismo español; Imaginarios regionales; Historia y cine; Cine español; Historia culturalSociologybusinessHumanitieshistoria culturalHispania : Revista española de historia
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Sexualidad, política del cuerpo y función socioeducativa del cine en Touch Me Not (Adina Pintilie, 2018)

2020

Este artículo analiza la ópera prima de la cineasta Adina Pintilie, Touch Me Not (Nu mă atinge-mă, 2018), ganadora del Oso de Oro y del premio a la Mejor Ópera Prima en el Festival de cine de Berlín. En primer lugar, contextualizamos el texto fílmico, abordando su distanciamiento de la tradición del denominado “nuevo cine rumano” y su planteamiento estético híbrido, a medio camino entre el cine observacional y experimental. En segundo lugar, analizamos las tesis que el discurso fílmico plantea en su tematización de la sexualidad y el cuerpo. Para ello, nos servimos de la teorización freudiana de la sexualidad y la reflexión foucaultiana sobre el biopoder, siguiendo el planteamiento de Teres…

interpelación fílmicaHistorypsicoanálisisVisual Arts and Performing Artslcsh:Fine Artsbusiness.industryCommunicationOperaContext (language use)Human sexualitybiopoderlcsh:Visual artscine socioeducativoFreudian sliplcsh:N1-9211política del cuerpoMovie theaterPoliticsAestheticsFilm directorSociologylcsh:NSexualidadbusinessBiopowerFotocinema: Revista Científica de Cine y Fotografía
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Teatro del Siglo de Oro y ópera italiana del Seiscientos: un balance

2012

In 1992, during the 15th Conference of the International Musicological Society, a round table about «Spanish and French Theater in Italian Opera of the Seventeenth Century» took place in Madrid. It was a seminal moment in the discussion about the influence of Spanish Siglo de Oro Theater on the Italian Opera of the Seventeenth Century. This influence is today beyond question and is being revealed as an important aspect to understand both the success of Venetian Opera and the dissemination of Siglo de Oro Theater outside Spain. This article aims at illustrating and discussing the results of twenty years of scholarly research on the subject; it also suggests new paths of investigation. En 199…

lcsh:French literature - Italian literature - Spanish literature - Portuguese literatureHistoryCALDERÓN DE LA BARCA Pedro. CICOGNINI Giacinto Andrea. Italy and Spain. Libretto. Opera. Theater. VEGA Lope de.Literature and Literary TheoryEspañaCicognini Giacinto AndreateatroVega Lope deóperaItaliaCALDERÓN DE LA BARCA Pedro. CICOGNINI Giacinto Andrea. Italia e Spagna. Libretto. Opera. Teatro. VEGA Lope de.CALDERÓN DE LA BARCA Pedro. CICOGNINI Giacinto Andrea. Italia y España. Libreto. Ópera. Teatro. VEGA Lope de.libretolcsh:PQ1-3999Settore L-ART/07 - Musicologia E Storia Della MusicaCalderón de la Barca PedroCriticón
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I ferri dell'Opra. Il teatro delle marionette siciliane

2013

Abstract – IT L'Opera dei pupi siciliana costituisce una preziosa testimonianza dell'intricata eredità storico-culturale della Sicilia. Le proclamazioni dell'Unesco e l'attenzione rivolta alle modalità di patrimonializzazione delle pratiche tradizionali, hanno favorito lo sviluppo di un'analisi, sia di tipo diacronico che sincronico, con una prospettiva antropologica tesa ad indagare le strategie di invenzione e costruzione della tradizione e della sua problematizzazione con particolare riferimento al concetto di “memoria culturale”. È con queste premesse che il presente lavoro si pone come obbiettivo di analizzare le strutture fondamentali, la grammatica e la sintassi dello spettacolo di O…

lcsh:GN1-890opera dei pupi Sicily marionetteslcsh:Anthropologyopera dei pupi sicilia marionettelcsh:PN2000-3307lcsh:Dramatic representation. The theater
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Jakiego "Sokratesa" nie wystawili Lenartowiczowi aktorzy warszawscy w 1884 roku?

2022

„Poemat dramatyczny” Teofila Lenartowicza Sędziowie ateńscy (1895), wydany dopiero po śmierci autora, nie tylko powstawał przez kilka lat, lecz także był prawdopodobnie kilka razy pisany od nowa pod różnymi tytułami (m.in. Sokrates). Z niektórych jego wersji zachowały się drukowane fragmenty, inne pozostały w rękopisach. Jedną z redakcji wcześniejszych, nietożsamą z tekstem wydanym na podstawie ostatniego autografu, była wersja przygotowana dla teatru w 1884 roku. Powody rezygnacji z wystawienia nie są dokładnie znane. Egzemplarz odebrany z teatru zachował się w stanie mocno niekompletnym (obejmuje tylko jeden z pięciu aktów), ale tekst dramatu w nim zapisany pokrywa się z innym odpisem, na…

manuscriptrękopisdramat polski w 1800–1900Sokratesteatr polski 1800–1900Polish theater 1800–1900Polish drama 1800–1900Teofil LenartowiczSocratesPamiętnik Teatralny
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STUDIO MINERALOGICO-PETROGRAFICO E PROBLEMI CONSERVATIVI

2011

Il capitolo illustra le risultanze dello studio delle problematiche conservative e della caratterizzazione mineralogico petrografica dei materiali lapidei del teatro ellenistico di Morgantina (Enna). Tale attività è stata finalizzata alla definizione dell'intervento conservativo del teatro. The chapter illustrates the results of the study of conservation issues and petrographic mineralogical characterization of the stone materials of the Hellenistic theater of Morgantina (Enna). This activity was aimed at defining the conservative intervention of the theatre.

materiale lapideostone materialconservazioneconservationteatro ellenisticomineralogical characterizationHellenistic theaterSettore ICAR/12 - Tecnologia Dell'Architettura
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Readers’ Theater Projects for Special Education : A Randomized Controlled Study

2022

A randomized controlled trial was conducted to study the effectiveness of two readers’ theater (RT) programs in promoting reading skills and motivation of dysfluent readers in Grades 3–4. One program (RT Goal) included a goal of preparing a performance for an audience (n = 50), while another program (RT Practice) did not include such a goal (n = 49). A group of dysfluent readers receiving traditional oral reading intervention (Control group; n = 59) and a group of classroom peers (Mainstream group; n = 159) served as controls. The results indicate that both RT groups and the Control group developed at a higher rate in oral reading speed during the intervention period than the Mainstream gro…

motivaatioreading motivationeducationsujuvuusinterventiotutkimusdevelopmental dyslexiareading interventionsdraamapedagogiikkasatunnaistetut vertailukokeetlukeminenEducationreading fluencyrandomized controlled trialdysleksiareaders’ theater
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A reinvented archetype. The open-air theater on the edge of the city

2020

In southern Italy and in Sicily, over the past forty years, a series of urban redevelopment projects have been carried out, involving the construction of small theaters facing the Mediterranean landscape. !ey are re-invention projects of the archetype of the Greek theater that establish with the external landscape the same “sense of contemplation” expressed by the theaters of antiquity. Despite their privileged position, these theaters are occasionally used in the summer periods for tourist entertainment shows. Shows substantially distant from those of the past, as they lack an “educational” idea aimed at the construction of processes of self-recognition and identification.

open-air theater Mediterranean landscape theatersSettore ICAR/14 - Composizione Architettonica E Urbana
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THE SCENOGRAPHY OF SERPOTTA STUCCOES REVISITED - MATERIAL AND FORM

2015

The material that lies beneath the smooth shining surface of the stuccoes of the Serpotta family who used to work in Sicily from 1670 to 1730, has been thoroughly studied in previous papers, disclosing the deep, albeit empirical, knowledge of materials science that guided the artists in creating their masterpieces. In this work, attention is focused on the solid perspective and on the scenographic sculpture by Giacomo Serpotta, who is acknowledged as the leading exponent of the School. The study deals with some particular works of the artist, the “small-scaled plastic theatres”, so-called “teatrini”, which he made for the San Lorenzo Oratory in Palermo. On the basis of archival documents an…

philological reconstruction; 3D scanning technique; geometric processing; virtual reassemblyGeometric processingphilological reconstruction 3D scanning technique geometric processing virtual reassembly Giacomo Serpotta Sicily San Lorenzo Oratory in Palermolcsh:NX1-820MuseologyConservationlcsh:Arts in generalVirtual reassemblyGiacomo Serpotta Sicilia Oratorio de San Lorenzo teatrini plasticiricostruzione filologica tecnica di scansione 3D elaborazione geometrica riassemblaggio virtuale Giacomo Serpotta Sicilia Oratorio di San Lorenzo teatrini plastici3D scanning technique; Geometric processing; Philological reconstruction; Virtual reassembly; Conservation; MuseologySizilien Giacomo Serpotta Plastische TheaterPhilological reconstructionSettore ICAR/17 - Disegno3D scanning technique
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„Hochsztapler, który przy pomocy wydziwiania czaruje ludzi i władze”: Grotowski w Opolu

2022

Artykuł dotyczy działalności Jerzego Grotowskiego w okresie opolskim i historii Teatru 13 Rzędów w latach 1959–1964. Autorka wykorzystuje różnego typu dokumenty zgromadzone w trakcie długoletnich badań nad politycznymi uwarunkowaniami artystycznej działalności Grotowskiego: rozmowy ze świadkami, listy, wspomnienia, akta osobowe, dokumenty cenzury i materiały pochodzące z archiwów Instytutu Pamięci Narodowej (w tym raporty organów bezpieczeństwa oparte na donosach), aby naszkicować portret Grotowskiego jako dyrektora teatru. Dzięki zestawieniu i analizie tych dokumentów pokazuje skalę inwigilacji Teatru 13 Rzędów, prezentuje stosowane przez władzę metody niebezpośredniej kontroli artystów i …

teatr polski po 1945teatr i politykaOpolePolish theater after 1945Jerzy Grotowskicenzuratheater and politicscensorshipPamiętnik Teatralny
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