Search results for " theater"

showing 10 items of 122 documents

The impact of theatrical experiences on young adults in Spain

2018

This study examines how young adults experience theatre and how this activity impacts their personal development. A total of 305 subjects, between 14 and 29 years old, completed the 'Theatre and me' (T&Y) battery of questions. Correlation and variance analysis were conducted considering age and gender. Older subjects reported that participating in drama activities has a greater impact on their lives, helps them to have a greater proclivity to take risks and to be more open-minded. With respect to gender, girls score higher than boys in 'Tolerance to RiskTaking and Commitment', 'Identity and Consciousness', Expression of Feeling' and 'Escape'

Art dramàtic EnsenyamentTheatre studiesLiterature and Literary TheoryVisual Arts and Performing Artsbusiness.industrymedia_common.quotation_subject05 social sciences050401 social sciences methodsIdentity (social science)Gender studiesIndividual development06 humanities and the artsCreativityEducationPersonal development0504 sociology060402 drama & theaterYoung adultPsychologybusiness0604 artsmedia_commonResearch in Drama Education: The Journal of Applied Theatre and Performance
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Horror movies post 9/11: delineating tourism in a context of certainty

2014

In recent years, specialized literature has devoted much attention to the narratives of cinema and destination attractiveness. International cinema projects of the calibre of the Lord of the Rings ...

Attractivenessbusiness.industrymedia_common.quotation_subjectTourism geographyGeography Planning and DevelopmentMedia studiesContext (language use)AdvertisingCertaintyMovie theaterGlobalizationGeographyTerrorismbusinessTourismEarth-Surface Processesmedia_commonAnatolia
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‘Des singes, c’était le narcisse’: class, imitation and performing monkeys in late-eighteenth century Paris

2018

This paper focuses on the use of performing monkeys in boulevard and foire theatres in late eighteenth-century Paris. I will concentrate on the issues raised by ‘Turco,’ Jean-Baptiste Nicolet’s leg...

Class (set theory)Visual Arts and Performing Arts060402 drama & theatermedia_common.quotation_subjectImitation (music)06 humanities and the artsArtBoulevardHumanities0604 artsmedia_commonStudies in Theatre and Performance
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Guest Editorial Three-Dimensional Displays and Visualization

2010

THREE-DIMENSIONAL (3D) imaging and display is a natural concept for humans as it is a common vision attribute of our binocular vision, perception, and brain processing. However, until recently, our experiences have been mainly limited to the technologically inferior two-dimensional (2D) as evidenced from widespread use of 2D photography, cinema, and liquid crystal or LED-display for television, computer displays, etc.

Computer sciencebusiness.industrymedia_common.quotation_subjectPhotographyCondensed Matter PhysicsElectronic Optical and Magnetic MaterialsVisualizationMovie theaterComputer graphics (images)PerceptionNatural (music)Electrical and Electronic EngineeringbusinessBinocular visionmedia_commonJournal of Display Technology
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The Perpetrator's mise-en-scene: Language, Body, and Memory in the Cambodian Genocide

2018

Rithy Panh's film S-21. The Khmer Rouge Killing Machine (2003) was the result of a three-year shooting period in the Khmer Rouge centre of torture where perpetrators and victims exchanged experiences and re-enacted scenes from the past under the gaze of the filmmaker's camera. Yet, a crucial testimony was missing in that puzzle: the voice of the prison's director, Kaing Guek Eav, comrade Duch. When the Extraordinary Chambers in the Courts of Cambodia (ECCC) were finally established in Phnom Penh to judge the master criminals of Democratic Kampuchea, the first to be indicted was this desk criminal. The film Duch, Master of the Forges of Hell (R. Panh, 2011) deploys a new confrontation – an a…

ContritionHistorylcsh:Social pathology. Social and public welfare. CriminologyViolència en la cinematografiaperpetrator audiovisual testimony body language cinema khmer rouge cambodiaTorturebusiness.industryTragedyMedia studiesGenocidelcsh:HV1-9960Body languageMovie theaterFilm directorlcsh:Criminal law and procedureNarrativelcsh:K5000-5582businessJournal of Perpetrator Research
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Corallaria

2021

Prima delle sette commedie composte dall’umanista ferrarese Tito Livio Frulovisi (1400-1463 c.), la Corallaria è caratterizzata da un doppio intreccio, entro il quale si individuano frequenti contaminazioni fra temi di tradizione comica classica e motivi di origine novellistica. Rappresentata a Venezia nel 1432, probabilmente da una compagnia di attori professionisti, la Corallaria si configura come una commedia “stataria”, dal momento che la maggiore parte degli eventi che vi si verificano, piuttosto che direttamente rappresentata, viene raccontata dai personaggi. Il titolo, di stampo evidentemente plautino, deriva dai coralli che il giovane Miles si fa prestare da Faceto e regala alla vec…

Corallariaphilology and humanistic literaturehumanistic latin theaterTito Livio FrulovisiSettore L-FIL-LET/08 - Letteratura Latina Medievale E Umanisticateatro latino umanisticofilologia e letteratura umanisticaclassical and medieval traditiontradizione classica e medievale
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Reviews

2004

African Film: Re‐Imagining a Continent Josef Gugler James Currey, Oxford, 2003, pb 216pp ISBN 085255561X £14 Revolution: The Explosion of World Cinema in the Sixties Peter Cowie Faber, London, 2004, hb 304pp ISBN 05712 09033 £20.00 www.faber.co.uk Sembene: Imagining Alternatives in Film and Fiction David Murphy James Currey, Oxford and Africa World Press, Trenton, 2001, pb 275 pp ISBN 0 8525 5555 5 £14.95 www.jamescurrey.co.uk Films by Michael Ondaatje (115 min); including: The Clinton Special: A Film About The Farm Show (1974, 71 min) Sons of Captain Poetry (1970, 29 min) Carry on Crime and Punishment (1970, 5 min) Available as a DVD or video from www.mongrelmedia.com Yilmaz Guney: Bir Cir…

Cultural StudiesHistoryLiterature and Literary TheoryPoetryPunishmentbusiness.industrymedia_common.quotation_subjectMedia studiesArt historyDIDOMovie theaterPublishingbusinessmedia_commonWasafiri
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(De)constructing “America”: the Case of Emir Kusturica’s Arizona Dream (1993)

2010

By means of an analysis of Kusturica’s only film about America, Arizona Dream, this article argues that while the United States offers a vision of a united society founded on diversity, it also represses, altering in the process both society and the landscape. National unity is consequently a dream – a dream the film suggests that has often been dreamed up by un-Americans. Filtered through Kusturica’s own perceptions of America – and his position on the Balkan War (1991-2001) – the film seems to suggest sadness at the loss of a multi-ethnic, multi-cultural perspective. Through its representations of geography and ethnic diversity, and its dense network of filmic citations, what Arizona Drea…

Cultural StudiesHistorylcsh:United StatesHistoryLiterature and Literary TheorySociology and Political Sciencemedia_common.quotation_subjectFilm citationGeography Planning and DevelopmentAuteur theoryNew Yorklcsh:HM401-1281Balkan Warlcsh:History AmericaEskimosPoliticsMovie theaterMetafictionCultural diversityDreamlcsh:E-FArizona Dreammedia_commonLiteratureGeographybusiness.industryMedia studiesEthnic diversityAmerican Dreamlcsh:Sociology (General)lcsh:E151-889InuitMetafictionDeconstructionbusinessSocial Sciences (miscellaneous)AlaskaDiversity (politics)European Journal of American Studies
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'Nostalgia de la luz' de Patricio Guzmán: el cine como máquina del tiempo

2014

Resumen : En su ultimo documental, Nostalgia de la luz (2010), el cineasta chileno Patricio Guzman va mas alla de la concepcion de filmes anteriores en los que utilizaba la  memoria como tema y motor de los relatos. Ya no se trata solamente de un uso de la memoria como mecanismo para revisitar el pasado, entender el presente y construir el  futuro. Ahora el cine como artificio que posibilita metaforas y abre caminos para un viaje por el tiempo se presenta como una maquina de indagacion y sondeo, capaz de intervenir sobre los anclajes materiales de la memoria. En este documental, Guzman incorpora toda la trayectoria de sus filmes anteriores y redobla la apuesta: el cine permite transitar dif…

Cultural StudiesLinguistics and LanguageHistoryFilm studiesLiterature and Literary Theorymedia_common.quotation_subjectobjetosLanguage and LinguisticsTemporalitiesMovie theaterNostalgia de la luzMemoriaEstudios culturalesmedia_commonbusiness.industrytiempoCommunicationcineFilm studies; Estudios culturales; Historia culturalArtPatricio Guzmán.paisajeFilm directorMemoria; Nostalgia de la luz; cine; tiempo; objetos; paisaje; Patricio Guzmán.Historia culturalbusinessHumanitiesKamchatka. Revista de análisis cultural.
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¿La vuelta a los dos demonios? Cine y pasado reciente en Argentina: una lectura actual / The Return to the theory of two demons? Cinema and Recent Pa…

2016

Este artículo indaga acerca de los tres “momentos de la memoria” (Zarco, 2016: 12-13), entendiendo con ello, el espacio, la puesta en agenda, la visibilidad, los límites y los alcances que los diferentes gobiernos han otorgado a la reconstrucción del pasado reciente argentino. Dependiendo de la estrategia memorística propuesta por cada gobierno, el cine tendrá mayor o menor apoyo estatal, implicando ello una mayor o menor repercusión de público. Para abordar las políticas de la memoria del actual gobierno argentino, se indaga acerca de lo que hemos denominado el cuarto momento de la memoria, “Vuelta a los dos demonios (2016-)” en el que se evidencia un regreso a la “teoría de los dos demoni…

Cultural StudiesLinguistics and LanguageHistoryGovernmentUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLiterature and Literary TheoryHistorical memorybusiness.industryCommunicationmedia_common.quotation_subjectHumanidadesMnemonicLanguage and LinguisticsMovie theaterState (polity)Fourth momentReading (process):CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Politics of memoryHumanidades. GeneralidadesSociologybusinessHumanitiesmedia_common
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