Search results for " tradition."

showing 10 items of 349 documents

Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888

2021

At the end of the 19th century, Spanish carnivals have been marked by the participation of the different tunas or also known as, estudiantinas. These groups achieved significant relevance in Galicia, especially in the city of Compostela, which, year after year, encouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Although, different from its predecessors, the Santiago Tuna of 1888 ventured and made its mark in history, thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring country, Portugal. This research, approached from a hi…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASapproached from a historical and descriptive perspectiveSpanish carnivals have been marked by the participation of the different tunas or also known asLeslie At the end of the 19th centuryrevista de investigación musical: territorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres2386-8260 13268 Itamarestudiantinas. These groups achieved significant relevance in Galiciayear after yeardifferent from its predecessorsPortugal. This researchand place it as an indispensable part of a traditionthrough primary and secondary sourcesterritorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres [revista de investigación musical]the Santiago Tuna of 1888 ventured and made its mark in historywhich lasts until today. 285 298:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]aims to carry out a review of the semblance Compostelana Estudiantina of 1888thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring countryespecially in the city of Compostelaencouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Althoughwhich
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OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia

2021

An introduction to the three essays included in this section. The article highlights the right to know whether Chopin was gay and contextualizes this inquiry in a very long and pervasive historiographical tradition, essentially twohundred years long, dedicated to examine Chopin sexual orientation, on the one hand, and on the other the more recent tradition of queering western classical music composers. The main point is not to demonstrate categorically that Chopin was ?gay? (a relative, modern identity marker in any case) but rather to highlight the discourses that have presented him as unequivocally heterosexual.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASessentially twohundred years longAntoni An introduction to the three essays included in this section. The article highlights the right to know whether Chopin was gay and contextualizes this inquiry in a very long and pervasive historiographical tradition:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]revista de investigación musical: territorios para el arte 590908 2021 7 8182075 OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia Pizàand on the other the more recent tradition of queering western classical music composers. The main point is not to demonstrate categorically that Chopin was ?gay? (a relativeterritorios para el arte 590908 2021 7 8182075 OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia Pizà [revista de investigación musical]dedicated to examine Chopin sexual orientation2386-8260 13268 Itamaron the one handmodern identity marker in any case) but rather to highlight the discourses that have presented him as unequivocally heterosexual. 421 427
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Le trame oscure nella poesia di Ausiàs March: il caso del canto 28

2018

Anàlisi de la tendència d'Ausiàs March a postposar la clau d'intel·lecció del tema argumental als seus poemes, en una dispositio retòrica que cerca deliberadament l'obscuritat. Aquesta anàlisi és complementada per l'exposició del tema argumental del famós però obscur poema 28, "Lo jorn ha por de perdre sa claror". Aquest tema argumental revela un jo poètic que, malgrat els seus ideals d'amor pura, planeja com seduir sexualment una dama. An analysis of Ausiàs March's propension to postpone clues for understanding plot subjects in his poems, in a rhetorical dispositio which deliberately chooses obscurity. This analysis is complemented by the plot subject's exposition of the famous but obscure…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASmedieval Catalan poetryAusiàs March:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]fifteenth centurypoesia catalana medievalCatalan literaturesegle XVtradició trobadorescaliteratura catalanamedieval Catalan poetry; Catalan literature; fifteenth century; Ausiàs March; troubadour tradition; poesia catalana medieval; literatura catalana; segle XV; Ausiàs March; tradició trobadorescatroubadour tradition
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La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)

2019

This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASpainter par excellence of the Generation of 1927. It will be discovered how this influencewould constitute an incentive for his entailment with the avant-gardela Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992) García-Luengo Manchado [1135-9560 8276 Studia philologica valentina 536436 2019 21 7225816 La tradición clásica como referencia de vanguardia]between 1928 and 1929when he also made important trips to Sicily and Greecefar from becoming a conservative referenceGreece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career. Gregorio Prieto ? Clásico ? Surrealismo ? Roma ? Greciaespecially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman yearsGregorio Prieto ? Classicism ? Surrealism ? Rome ? Greece 117 132 https://pages.uv.es/SPhV/cas/numero21.wiki//pages.uv.es/SPhV/cas/numero21.wiki [Gregorio Prieto ? Classicism ? Surrealism ? Rome ? Greece 117 132 https]1135-9560 8276 Studia philologica valentina 536436 2019 21 7225816 La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992) García-Luengo Manchado:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Javier This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992)
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Los canecillos de la Capilla del Cementerio de San Juan del Hospital de Valencia

2020

In the medieval cemetery of the Historic Site of San Juan del Hospital of Valencia is housed a small funeral chapel founded in the late thirteenth century by the knight Arnau de Romaní. Along its cornice there are a series of heads of animals and humans that are one of the few sculptural vestiges inserted into the Romanesque iconographic tradition that are preserved in the city. So far they have not aroused the interest of specialists and no one has dedicated a detailed study to these curious and interesting images located in the marginal spaces of such a beautiful building. This article aims to complete this gap addressing the study of the corbels of the small temple, projecting a thematic…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASprojecting a thematic tour both for its iconography and for its symbolic and functional meaning. Iglesia de San Juan del Hospital / Hospitalarios / Canecillos / Escultura / RománicoChurch of San Juan del Hospital / Hospitalers / Corbels / Sculpture / Romanesque. 9 26Emilio Jesús In the medieval cemetery of the Historic Site of San Juan del Hospital of Valencia is housed a small funeral chapel founded in the late thirteenth century by the knight Arnau de Romaní. Along its cornice there are a series of heads of animals and humans that are one of the few sculptural vestiges inserted into the Romanesque iconographic tradition that are preserved in the city. So far they have not aroused the interest of specialists and no one has dedicated a detailed study to these curious and interesting images located in the marginal spaces of such a beautiful building. This article aims to complete this gap addressing the study of the corbels of the small temple:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707052 Los canecillos de la Capilla del Cementerio de San Juan del Hospital de Valencia Díaz García
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Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín

2019

The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function, the scholia of the Valencian author became quite subjective. In this sense, his ecdotic work or, specially, his «criticisms and censures» can be mentioned. Here, Vives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thus, this article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei.…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe reiteration of his arguments will be remarked throughout the Commentarii. The modus operandi of Vives is justified by propaedeutic issues and it stimulates the freedom of conscience. anotaciones ? reflexión crítica ? antiescolanticismo ? censurahis ecdotic work orVives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thusthis article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei. Thereforewe will analyse the way in which Vives comments the contents of this work. MoreoverPedro The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function1135-9560 8276 Studia philologica valentina 536436 2019 21 7225813 Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín Fernández Requenaspeciallyhis «criticisms and censures» can be mentioned. Here//pages.uv.es/SPhV/cas/numero21.wiki [annotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the scholia of the Valencian author became quite subjective. In this senseannotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https://pages.uv.es/SPhV/cas/numero21.wiki
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Las cuatro muertes de Cleonice: poder, sexo, violencia y fantasmas

2019

Greek tradition links the death of regent Pausanias of Sparta with ghosts. In this paper, we focus on the well-known episode that revolves around Pausanias himself and a Byzantine maiden and is transmitted by Aristodemus, Plutarch and Pausanias Periegetes. The multiplicity of versions demands a comparative analysis, which we carry out taking into account the three spaces where the narrative action takes place (civic, intimate and ritual spaces). Results indicate a concordance between Plutarch and Pausanias Periegetes, as well as a dissonance between them and Aristodemus. This difference especially affects the narrative treatment of the maiden, a ghost properly so-called in Plutarch and Paus…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASviolencia y fantasmas Sánchez Mañas1135-9560 8276 Studia philologica valentina 536436 2019 21 7225822 Las cuatro muertes de Cleonice: poderpoder [1135-9560 8276 Studia philologica valentina 536436 2019 21 7225822 Las cuatro muertes de Cleonice]but not in Aristodemus. Fantasmas ? Homicidio ? Literatura Griega ? NecromanciaCarmen Greek tradition links the death of regent Pausanias of Sparta with ghosts. In this paper//pages.uv.es/SPhV/cas/numero21.wiki [Ghosts ? Homicide ? Greek Literature ? Necromancy 231 242 https]Plutarch and Pausanias Periegetes. The multiplicity of versions demands a comparative analysisas well as a dissonance between them and Aristodemus. This difference especially affects the narrative treatment of the maidensexowhich we carry out taking into account the three spaces where the narrative action takes place (civic:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]we focus on the well-known episode that revolves around Pausanias himself and a Byzantine maiden and is transmitted by Aristodemusa ghost properly so-called in Plutarch and Pausanias PeriegetesGhosts ? Homicide ? Greek Literature ? Necromancy 231 242 https://pages.uv.es/SPhV/cas/numero21.wikiintimate and ritual spaces). Results indicate a concordance between Plutarch and Pausanias Periegetes
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Venice taverns

2018

Bacari are the tavern-asylum for workers working the hardest and most humble jobs of the lagoon. The traditional bacari are slowly disappearing: it’s true because their clients are also disappearing. Fortunately, this phenomenon is steadily reconverting: nowadays in Venice, one after the other, a number of new bacari are opening at speed of light, tailored on the new generation of clients. Young and curious guys, interested in discovering the most ancient traditions bound to the anthropologic and economic context of Venice are craving to experience the atmosphere and taste recipies of the old tradition of an authentic Venice, far away from mystifications of vulgar commercialization that is …

Venezia Taverns Traditional cuisine Carnival BacariSettore ICAR/21 - Urbanistica
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Spunti di classicismo nei monumenti siciliani ai caduti della Prima Guerra Mondiale

2021

Dopo la conclusione della Prima Guerra Mondiale, tutti i comuni italiani cominciarono a erigere monumenti celebrativi in onore dei soldati morti nell’immane conflitto. Un aspetto meritevole di speciale attenzione, in queste opere commemorative, è l’utilizzo molto rilevante di forme ed elementi derivati dall’antichità greca e romana. Singole iconografie e singoli schemi tipologici, opportunamente rielaborati, potevano infatti adattarsi anche ai nuovi contesti celebrativi e ne rafforzavano il significato. La Sicilia sembra essere un buon case study per mostrare le potenzialità di un’analisi di questo genere: nei centri abitati di questa regione, come in tutto il territorio nazionale, sono pre…

War memorials First World War classicism classical tradition SicilyMonumenti ai caduti Prima Guerra Mondiale classicismo tradizione classica SiciliaSettore L-ANT/07 - Archeologia Classica
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Polish Americans in the History of Bilingual Lexicography: The State of the Art

2018

This paper measures dictionaries made by Polish Americans against the development of the Polish–English and English–Polish lexicographic tradition. Of twenty nine monoscopal and biscopal glossaries and dictionaries published between 1788 and 1947, four may be treated as mile-stones: Erazm Rykaczewski's (1849–1851), Władysław Kierst and Oskar Callier's (1895), Władysław Kierst's (1926–1928), and Jan Stanisławski's (1929). Unsurprisingly, they came to be widely repub-lished in English-speaking countries, primarily the United States of America, for the sake of Polish-speaking immigrants. One might therefore wonder whether there was any pressing need for new dictionaries. There must have been, …

WładysławHistorymedia_common.quotation_subjectBilingual dictionaryImmigrationtraditionlexi-cographeroskarWonderLexicographyhistory bilingual lexicography bilingual dictionary polish americans source language (SL) target language (TL) equivalent lexicographer traditionbilingual dictionarysource language (sl)State (polity)equivalentPolish Americanstarget language (tl)historybilingual lexicographyOrder (virtue)Classicsmedia_commonLexikos
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