Search results for "0604 arts"
showing 10 items of 70 documents
Music May Reduce Loneliness and Act as Social Surrogate for a Friend: Evidence from an Experimental Listening Study
2020
After losing a close other, individuals usually confide in an empathic friend to receive comfort and they seem to have a heightened desire for mood-congruent, consoling music. Hence, it has been proposed that affect-congruent music acts as a social surrogate for an empathic friend. Thus, we hypothesized that listening to comforting music, as a response to a social loss experience, provides a sense of empathic company as indicated by reduced loneliness and heightened empathy. We further predicted that distracting music would have a stronger impact on the listeners’ mood in comparison to comforting pieces. To test these assumptions, an experiment with two factors was designed: (1) Sadness wa…
Motivic Pattern Extraction in Music, and Application to the Study of Tunisian Modal Music
2007
A new methodology for automated extraction of repeated patterns in time-series data is presented, aimed in particular at the analysis of musical sequences. The basic principles consists in a search for closed patterns in a multi-dimensional parametric space. It is shown that this basic mechanism needs to be articulated with a periodic pattern discovery system, implying therefore a strict chronological scanning of the time-series data. Thanks to this modelling global pattern filtering may be avoided and rich and highly pertinent results can be obtained. The modelling has been integrated in a collaborative pro ject between ethnomusicology, cognitive sciences and computer science, aimed at the…
Spontaneous Music-Evoked Autobiographical Memories in Individuals Experiencing Depression
2020
Listening to music often triggers strong memories of events from our past, which influence how we affectively experience music listening and can therefore contribute to music’s therapeutic capacity. The aim of this study was to examine the valence and content of spontaneous music-evoked autobiographical memories (MEAMs) in listeners with self-reported depression, who typically demonstrate negatively biased autobiographical memory. Eighteen depressed and 21 controls participated in a music-listening experiment where they listened to a personalized music stimulus, described their memories, and thereafter rated the valence of these memories and of their induced affect. Participants’ ratings w…
Bridging Art and Mathematics: Introduction
2017
There is a long history of interdisciplinary discussions on the relations between science, mathematics, geometry, art, aesthetics, and artistic praxes. These discussions remain active and pertinent today: the aforementioned relations are explored in various scientific communities, journals, and at conferences. Globally, numerous scholars and artists share a common interest in combining creative thinking, intellectual curiosity, and aesthetic sensibility in their work. Various experts working in different scientific and technological fields are inspired by phenomena that combine mathematical and artistic qualities. Respectively, several contemporary artists, graphic designers, craftsmen, and…
Relaxed and connected: Insights into the emotional–motivational constituents of musical pleasure
2018
Music is a source of daily pleasure, and positive emotional experiences and rewarding functions of music have been actively studied. Yet, knowledge about the interrelatedness of emotional and motivational constituents of musical pleasure is sparse. This study explored the characteristic emotional contents of music-induced pleasure, their relation to motivations for music and whether the underlying dimensionality of these aspects was specific to music (in comparison to the visual domain). Data were collected through an online questionnaire ( N = 464), measuring evoked emotions and motivational pleasure types that the respondents related to a musical piece or a visual object inducing pleasur…
Sharing experienced sadness : Negotiating meanings of self-defined sad music within a group interview session
2016
Sadness induced by music listening has been a popular research focus in music and emotion research. Despite the wide consensus in affective sciences that emotional experiences are social processes, previous studies have only concentrated on individuals. Thus, the intersubjective dimension of musical experience – how music and music-related emotions are experienced between individuals – has not been investigated. In order to tap into shared emotional experiences, group discussions about experiences evoked by sad music were facilitated. Interpretative phenomenological analysis revealed four levels of discourses in the sharing of experiences evoked by joint music listening: (1) describing the…
Personality and musical preference using social-tagging in excerpt-selection.
2017
Music preference has been related to individual differences like social identity, cognitive style, and personality, but quantifying music preference can be a challenge. Self-report measures may be too presumptive of shared genre definitions between listeners, while listener ratings of expert-selected music may fail to reflect typical listeners’ genre boundaries. The current study aims to address this by using a social-tagging approach to select music for studying preference. In this study, 2,407 tracks were collected and subsampled from the Last.fm social-tagging service and the EchoNest platform based on attributes such as genre, tempo, and danceability. The set was further subsampled acco…
“Who’s Afraid of the Dark?”: The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music
2017
Drawing on recent sociolinguistic work on globalization and superdiversity, this chapter explores the multisemiotic and ironic construction of the self-stereotype of the ethnic Other in a Finnish rap music video. Because Finland and Finnish hip-hop are still ethnically relatively homogeneous, people of migrant background, such as rap artist Musta Barbaari (Black Barbarian), need to negotiate their belonging in various ways. In the video, he deliberately constructs himself as the ethnicized and sexualized Other to highlight prejudice, discrimination and racism. In doing this, he voices societal critique and dissatisfaction – and speaks for multiculturalism and tolerance in (super)diversifyin…
Strategies and mechanisms in musical affect self-regulation: A new model
2017
This study aimed at investigating the associations between regulation strategies and musical mechanisms involved in musical affect self-regulation. A sample of 571 participants was collected and the data regarding the reported strategies and mechanisms were analysed using correspondence analysis (CA). Three bipolar dimensions – cognition, feelings, and body – were retained for interpretation, thus revealing six contrasting strategic uses of music: cognitive work, entertainment, affective work, distraction, revival, and focus on situation. Clear associations between strategies and mechanisms emerged from the CA, connecting cognitive, feelings-focused, and situational processing with individ…
Single chords convey distinct emotional qualities to both naïve and expert listeners.
2014
Previous research on music and emotions has been able to pinpoint many structural features conveying emotions. Empirical research on vertical harmony’s emotional qualities, however, has been rare. The main studies in harmony and emotions usually concern the horizontal aspects of harmony, ignoring emotional qualities of chords as such. An empirical experiment was conducted where participants ( N = 269) evaluated pre-chosen chords on a 9-item scale of given emotional dimensions. 14 different chords (major, minor, diminished, augmented triads and dominant, major and minor seventh chords with inversions) were played with two distinct timbres (piano and strings). The results suggest significant…