Search results for "132"
showing 10 items of 114 documents
AKT I / ACTO I / CT I Männer / Hombres / Men Chopins Männer / Los hombres de Chopin / Chopin?s Men
2021
Este ensayo se centra en la vida privada y amorosa del compositor polaco-francés Frédéric Chopin. Además de la bibliografía secundaria reciente, como algunas biografías, el texto se basa principalmente en un análisis de la correspondencia de Chopin, una parte importante de la cual ha sido publicada en muchas ediciones y traducida del polaco o el francés a varios idiomas. Mi investigación muestra que muchas de estas ediciones traducidas contienen irregularidades, como pronombres masculinos polacos originales que han sido traducidos como pronombres femeninos, o notas a pie de página que carecen de referencias. Esto ha obstaculizado una biografía completa de Chopin durante décadas. Esta invest…
A solas
2021
« Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique
2021
Starting from a stationary state in order to feed a process, the idea of movement in music can affect both the sound material and the listening (the Hoerspiel...), both the view (musical theater) and the ancillary disciplines (dance or maping-video)... Based on examples taken in the 20th and 21st centuries (Debussy, Berg, Webern, Stravinsky, Stockhausen, Kagel, Ferrari, La Monte Young, Xenakis, Adams, De Chizy, De Mey, Trapani?), musicological study ultimately deduces that the metaphor of movement is for man an experience considered fundamental to his particular relationship to the world.
Du verbe instrumental dans la musique subsaharienne
2021
Sub-Saharan music results from the spoken language/instrumental language relation, directed by an oral culture. In this culture, these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individuals, or is used as a true meta-language copied on the articulated and usual language used every day. Here, an instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the …
Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888
2021
At the end of the 19th century, Spanish carnivals have been marked by the participation of the different tunas or also known as, estudiantinas. These groups achieved significant relevance in Galicia, especially in the city of Compostela, which, year after year, encouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Although, different from its predecessors, the Santiago Tuna of 1888 ventured and made its mark in history, thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring country, Portugal. This research, approached from a hi…
Eclecticismo, Écart y alteridad: Symphony V American, de Leonardo Balada, como paradigma compositivo
2021
Eclecticism is a complex creative trend born as a consequence of both postmodernism and the heterodox treatment of cultural identity borders. This aesthetic path emerges as a compositional model of great communicative power in contemporary creation in the last two decades. Our essay addresses the Symphony V "American" (2003) by Leonardo Balada (1933) as a compositional paradigm. Through this article we demonstrate the importance of including popular sounds and re-signifying materials in the creative conception. A valid model of communication ahead of the challenges of globalization and mass media processes is therefore established hereby.
La música en Galdós II. La época de Fernando VII
2021
Las numerosas novelas históricas y las novelas normales de Galdós sitúan su acción entre 1804 y los comienzos del siglo XX. Este segundo estudio analiza los años entre 1814 a 1833, es decir, lo que ocurre respecto a la música en la época de Fernando VII. En ella encontraremos mucha música, pero también imágenes musicales como recurso comparativo.
OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia
2021
An introduction to the three essays included in this section. The article highlights the right to know whether Chopin was gay and contextualizes this inquiry in a very long and pervasive historiographical tradition, essentially twohundred years long, dedicated to examine Chopin sexual orientation, on the one hand, and on the other the more recent tradition of queering western classical music composers. The main point is not to demonstrate categorically that Chopin was ?gay? (a relative, modern identity marker in any case) but rather to highlight the discourses that have presented him as unequivocally heterosexual.
The Effect of Music on Movement Perception: Synchresis in Hits for HIIT
2021
Hits for HIIT consists in a research-creation project aiming to produce both musical pieces and training exercises for, on the one hand, optimizing HIIT practice and, on the other, enriching scholarly research on the relations between music and sports. These questions and their related studies have highlighted music/movement relations and the way they are perceived. In this paper we would like to outline how we attempt to build a two-way dialogue between the production of music adapted to HIIT and the design of workouts based on the music.
La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)
2019
This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.