Search results for "26"

showing 10 items of 3194 documents

El valor de la crítica melancólica

2020

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASRevista de pensamiento contemporáneo 562826 2020 60 7683685 El valor de la crítica melancólica Muñoz [1575-2259 2322 Pasajes]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Gustau 179 1821575-2259 2322 Pasajes: Revista de pensamiento contemporáneo 562826 2020 60 7683685 El valor de la crítica melancólica Muñoz
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La Capilla de los Plateros en la Iglesia de santa Catalina Mártir de Valencia

2019

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASReyes 9 20:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 532661 2019 100 7158117 La Capilla de los Plateros en la Iglesia de santa Catalina Mártir de Valencia Candela Garrigós
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A solas

2021

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASRubén 637revista de investigación musical: territorios para el arte 590908 2021 7 8182093 A solas Rodríguez Lucas2386-8260 13268 Itamar
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El arquitecto Bartolomé Ribelles en la parroquia de San Juan Bautistade Cabanes

2017

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASSebastiá EsteveMª AmparoVentura RiusAlbert 211 226:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 474074 2017 98 6211304 El arquitecto Bartolomé Ribelles en la parroquia de San Juan Bautistade Cabanes Iborra BernadFederico
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« Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique

2021

Starting from a stationary state in order to feed a process, the idea of movement in music can affect both the sound material and the listening (the Hoerspiel...), both the view (musical theater) and the ancillary disciplines (dance or maping-video)... Based on examples taken in the 20th and 21st centuries (Debussy, Berg, Webern, Stravinsky, Stockhausen, Kagel, Ferrari, La Monte Young, Xenakis, Adams, De Chizy, De Mey, Trapani?), musicological study ultimately deduces that the metaphor of movement is for man an experience considered fundamental to his particular relationship to the world.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASTrapani?)XenakisStockhausenAdamsFerrari2386-8260 13268 Itamarboth the view (musical theater) and the ancillary disciplines (dance or maping-video)... Based on examples taken in the 20th and 21st centuries (Debussymusicological study ultimately deduces that the metaphor of movement is for man an experience considered fundamental to his particular relationship to the world. 72 94territorios para el arte 590908 2021 7 8182060 « Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique Albert Castanet [revista de investigación musical]BergKagelLa Monte Youngrevista de investigación musical: territorios para el arte 590908 2021 7 8182060 « Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique Albert CastanetPierre Starting from a stationary state in order to feed a processDe Mey:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Stravinskythe idea of movement in music can affect both the sound material and the listening (the Hoerspiel...)WebernDe Chizy
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Du verbe instrumental dans la musique subsaharienne

2021

Sub-Saharan music results from the spoken language/instrumental language relation, directed by an oral culture. In this culture, these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individuals, or is used as a true meta-language copied on the articulated and usual language used every day. Here, an instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASan instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the Africans of South Sahara have of it. This concept underlying the very tight link between the musical fact and the Worddetermine and contribute to the distinctive goals of the speech? These are some of the major questions to which I the author try to bring elements of answers to clear up this subject. 145 1642386-8260 13268 ItamarApollinaire Sub-Saharan music results from the spoken language/instrumental language relation:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka [revista de investigación musical]these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individualsdirected by an oral culture. In this culturecontextual and expressive parameters that underliethe musical act then carries a communicative importance equal to the one in a spoken language. What concept rules such a language? What treatment is language subjected to in the affectation of its components in the musical discourse of to the instrumental Word and vice versa? What are the technicalor is used as a true meta-language copied on the articulated and usual language used every day. Hererevista de investigación musical: territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka
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Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888

2021

At the end of the 19th century, Spanish carnivals have been marked by the participation of the different tunas or also known as, estudiantinas. These groups achieved significant relevance in Galicia, especially in the city of Compostela, which, year after year, encouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Although, different from its predecessors, the Santiago Tuna of 1888 ventured and made its mark in history, thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring country, Portugal. This research, approached from a hi…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASapproached from a historical and descriptive perspectiveSpanish carnivals have been marked by the participation of the different tunas or also known asLeslie At the end of the 19th centuryrevista de investigación musical: territorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres2386-8260 13268 Itamarestudiantinas. These groups achieved significant relevance in Galiciayear after yeardifferent from its predecessorsPortugal. This researchand place it as an indispensable part of a traditionthrough primary and secondary sourcesterritorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres [revista de investigación musical]the Santiago Tuna of 1888 ventured and made its mark in historywhich lasts until today. 285 298:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]aims to carry out a review of the semblance Compostelana Estudiantina of 1888thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring countryespecially in the city of Compostelaencouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Althoughwhich
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El grabado de valència de la primera parte de la crónica de beuter. Su lectura en el contexto de las imágenes urbanas peninsulares impresas en torno …

2019

The engraving of València from the Primera parte de la crónica by Pere Antoni Beuter, originally published in 1546, is the first overview of the city as a whole. It includes a large number of constructions and features of València, configuring, in addition, the most characteristic point of view to represent the city: the northern. Its modernity has to be compared with other valencian and contemporary peninsular urban engravings. Its comparison with other images will help to understand better the meaning of such an important image for the city of València. El grabado de Valencia de la Primera parte de la crónica de Pere Antoni Beuter, publicado originariamente en 1546, constituye la primera …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASchroniclePablo 83 95crónicaBeuterValènciagrabados urbanossiglo XVIurban engravings:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Scopuscentury XVI0211-5808 9678 Archivo de arte valenciano 532661 2019 100 7158121 El grabado de València de la Primera parte de la crónica de Beuter. Su lectura en el contexto de las imágenes urbanas peninsulares impresas en torno a 1550 Cisneros Álvarez
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Eclecticismo, Écart y alteridad: Symphony V American, de Leonardo Balada, como paradigma compositivo

2021

Eclecticism is a complex creative trend born as a consequence of both postmodernism and the heterodox treatment of cultural identity borders. This aesthetic path emerges as a compositional model of great communicative power in contemporary creation in the last two decades. Our essay addresses the Symphony V "American" (2003) by Leonardo Balada (1933) as a compositional paradigm. Through this article we demonstrate the importance of including popular sounds and re-signifying materials in the creative conception. A valid model of communication ahead of the challenges of globalization and mass media processes is therefore established hereby.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAScomo paradigma compositivo Múrcia i Cambra:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]territorios para el arte 590908 2021 7 8182065 Eclecticismo [revista de investigación musical]Écart y alteridad: Symphony V AmericanMiquel Àngel Eclecticism is a complex creative trend born as a consequence of both postmodernism and the heterodox treatment of cultural identity borders. This aesthetic path emerges as a compositional model of great communicative power in contemporary creation in the last two decades. Our essay addresses the Symphony V "American" (2003) by Leonardo Balada (1933) as a compositional paradigm. Through this article we demonstrate the importance of including popular sounds and re-signifying materials in the creative conception. A valid model of communication ahead of the challenges of globalization and mass media processes is therefore established hereby. 187 1982386-8260 13268 Itamarde Leonardo Baladarevista de investigación musical: territorios para el arte 590908 2021 7 8182065 EclecticismoSymphony V American [Écart y alteridad]
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La Leyenda Negra hoy, entre historia y política

2020

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASentre historia y política Furió:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]1575-2259 2322 Pasajes: Revista de pensamiento contemporáneo 562826 2020 60 7683675 La Leyenda Negra hoyAntoni 3 9Revista de pensamiento contemporáneo 562826 2020 60 7683675 La Leyenda Negra hoy [1575-2259 2322 Pasajes]
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