Search results for "56"

showing 10 items of 1818 documents

La Leyenda Negra hoy, entre historia y política

2020

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASentre historia y política Furió:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]1575-2259 2322 Pasajes: Revista de pensamiento contemporáneo 562826 2020 60 7683675 La Leyenda Negra hoyAntoni 3 9Revista de pensamiento contemporáneo 562826 2020 60 7683675 La Leyenda Negra hoy [1575-2259 2322 Pasajes]
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J. Redondo, Para una sociología del griego antiguo. Estudio de los sociolectos de la lengua griega: literatura clásica helenística e imperial

2018

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASliteratura clásica helenística e imperial Narro [Para una sociología del griego antiguo. Estudio de los sociolectos de la lengua griega]Angel 251 253Para una sociología del griego antiguo. Estudio de los sociolectos de la lengua griega: literatura clásica helenística e imperial Narro:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]1135-9560 8276 Studia philologica valentina 514939 2018 20 6886198 J. Redondo
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Origen y condición senatorial de Paciano, obispo de Barcelona

2018

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASobispo de Barcelona Estrada San Juan:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]1135-9560 8276 Studia philologica valentina 514939 2018 20 6886189 Origen y condición senatorial de PacianoGabriel 73 88
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La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)

2019

This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASpainter par excellence of the Generation of 1927. It will be discovered how this influencewould constitute an incentive for his entailment with the avant-gardela Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992) García-Luengo Manchado [1135-9560 8276 Studia philologica valentina 536436 2019 21 7225816 La tradición clásica como referencia de vanguardia]between 1928 and 1929when he also made important trips to Sicily and Greecefar from becoming a conservative referenceGreece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career. Gregorio Prieto ? Clásico ? Surrealismo ? Roma ? Greciaespecially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman yearsGregorio Prieto ? Classicism ? Surrealism ? Rome ? Greece 117 132 https://pages.uv.es/SPhV/cas/numero21.wiki//pages.uv.es/SPhV/cas/numero21.wiki [Gregorio Prieto ? Classicism ? Surrealism ? Rome ? Greece 117 132 https]1135-9560 8276 Studia philologica valentina 536436 2019 21 7225816 La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992) García-Luengo Manchado:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Javier This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992)
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Los canecillos de la Capilla del Cementerio de San Juan del Hospital de Valencia

2020

In the medieval cemetery of the Historic Site of San Juan del Hospital of Valencia is housed a small funeral chapel founded in the late thirteenth century by the knight Arnau de Romaní. Along its cornice there are a series of heads of animals and humans that are one of the few sculptural vestiges inserted into the Romanesque iconographic tradition that are preserved in the city. So far they have not aroused the interest of specialists and no one has dedicated a detailed study to these curious and interesting images located in the marginal spaces of such a beautiful building. This article aims to complete this gap addressing the study of the corbels of the small temple, projecting a thematic…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASprojecting a thematic tour both for its iconography and for its symbolic and functional meaning. Iglesia de San Juan del Hospital / Hospitalarios / Canecillos / Escultura / RománicoChurch of San Juan del Hospital / Hospitalers / Corbels / Sculpture / Romanesque. 9 26Emilio Jesús In the medieval cemetery of the Historic Site of San Juan del Hospital of Valencia is housed a small funeral chapel founded in the late thirteenth century by the knight Arnau de Romaní. Along its cornice there are a series of heads of animals and humans that are one of the few sculptural vestiges inserted into the Romanesque iconographic tradition that are preserved in the city. So far they have not aroused the interest of specialists and no one has dedicated a detailed study to these curious and interesting images located in the marginal spaces of such a beautiful building. This article aims to complete this gap addressing the study of the corbels of the small temple:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707052 Los canecillos de la Capilla del Cementerio de San Juan del Hospital de Valencia Díaz García
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Sharqui. Cuando se rasca al corazón. Entrevista a Juan Bernardo Pineda

2021

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASrevista de investigación musical: territorios para el arte 590908 2021 7 8182085 Sharqui. Cuando se rasca al corazón. Entrevista a Juan Bernardo Pineda ArnalPineda Pérez:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Juan Bernardo 557 563territorios para el arte 590908 2021 7 8182085 Sharqui. Cuando se rasca al corazón. Entrevista a Juan Bernardo Pineda Arnal [revista de investigación musical]Rafa2386-8260 13268 Itamar
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El milagro de Sor Juana

2021

The purpose of this article is to make an approach to the musical world of the illustrious Mexican Jerome nun Sor Juana Inés de la Cruz (1648-1695) who stood out for her wisdom, understanding and mastery in various fields of the arts and sciences in a surprising way .

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASterritorios para el arte 590908 2021 7 8182086 El milagro de Sor Juana Armijo [revista de investigación musical]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Leticia The purpose of this article is to make an approach to the musical world of the illustrious Mexican Jerome nun Sor Juana Inés de la Cruz (1648-1695) who stood out for her wisdomunderstanding and mastery in various fields of the arts and sciences in a surprising way . 565 5732386-8260 13268 Itamarrevista de investigación musical: territorios para el arte 590908 2021 7 8182086 El milagro de Sor Juana Armijo
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Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín

2019

The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function, the scholia of the Valencian author became quite subjective. In this sense, his ecdotic work or, specially, his «criticisms and censures» can be mentioned. Here, Vives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thus, this article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei.…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe reiteration of his arguments will be remarked throughout the Commentarii. The modus operandi of Vives is justified by propaedeutic issues and it stimulates the freedom of conscience. anotaciones ? reflexión crítica ? antiescolanticismo ? censurahis ecdotic work orVives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thusthis article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei. Thereforewe will analyse the way in which Vives comments the contents of this work. MoreoverPedro The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function1135-9560 8276 Studia philologica valentina 536436 2019 21 7225813 Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín Fernández Requenaspeciallyhis «criticisms and censures» can be mentioned. Here//pages.uv.es/SPhV/cas/numero21.wiki [annotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the scholia of the Valencian author became quite subjective. In this senseannotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https://pages.uv.es/SPhV/cas/numero21.wiki
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Ocho notas sobre la Casa Farnsworth de Ludwig Mies van der Rohe

2020

Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought: the relationships between architecture and nature, the definition of the pavilion type, his concept of architectural space, the role of structure and limits, the idea free plan and the meaning of construction

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe role of structure and limits0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707990 Ocho notas sobre la Casa Farnsworth de Ludwig Mies van der Rohe Calduch Cervera:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the idea free plan and the meaning of construction 279 295Joan Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought: the relationships between architecture and naturehis concept of architectural spacethe relationships between architecture and nature [Joan Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought]the definition of the pavilion type
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Quot philosophi, tot sanniones: las descripciones de filósofos en la sátira latina

2019

El artículo trata la descripción de los filósofos y pseudofilósofos en la sátira latina. A una breve introducción donde se recalca cómo el ataque personal era un elemento clave en este género, sigue un examen de las descripciones insertas en lo que convencionalmente se conoce como sátira regular, pese a que Varrón también aparece incluido con la intención de completar el panorama. El análisis diacrónico de las descripciones invita a pensar que se trata de un tópico especialmente activo en la poesía satírica y que tiende a incrementarse con el paso del tiempo, proporcionando siempre una imagen negativa de los falsos sabios. Si juzgar la finalidad de este recurso de forma global es complicado…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAStot sanniones: las descripciones de filósofos en la sátira latina Gallego CebolladaEduardo A. El artículo trata la descripción de los filósofos y pseudofilósofos en la sátira latina. A una breve introducción donde se recalca cómo el ataque personal era un elemento clave en este génerolas descripciones de filósofos en la sátira latina Gallego Cebollada [tot sanniones]1135-9560 8276 Studia philologica valentina 536436 2019 21 7225815 Quot philosophi//pages.uv.es/SPhV/cas/numero21.wiki [Satire ? Philosophy ? Philosophers ? Description 101 115 https]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]pese a que Varrón también aparece incluido con la intención de completar el panorama. El análisis diacrónico de las descripciones invita a pensar que se trata de un tópico especialmente activo en la poesía satírica y que tiende a incrementarse con el paso del tiemposigue un examen de las descripciones insertas en lo que convencionalmente se conoce como sátira regularsu presencia en los textos satíricos sugiere entenderlo como un mecanismo para criticar la moral en la mayor parte de las ocasiones. Sátira ? Filosofía ? Filósofos ? Descripciónproporcionando siempre una imagen negativa de los falsos sabios. Si juzgar la finalidad de este recurso de forma global es complicadoSatire ? Philosophy ? Philosophers ? Description 101 115 https://pages.uv.es/SPhV/cas/numero21.wiki
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