Search results for "59"

Starting from a stationary state in order to feed a process, the idea of movement in music can affect both the sound material and the listening (the Hoerspiel...), both the view (musical theater) and the ancillary disciplines (dance or maping-video)... Based on examples taken in the 20th and 21st centuries (Debussy, Berg, Webern, Stravinsky, Stockhausen, Kagel, Ferrari, La Monte Young, Xenakis, Adams, De Chizy, De Mey, Trapani?), musicological study ultimately deduces that the metaphor of movement is for man an experience considered fundamental to his particular relationship to the world.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASTrapani?)XenakisStockhausenAdamsFerrari2386-8260 13268 Itamarboth the view (musical theater) and the ancillary disciplines (dance or maping-video)... Based on examples taken in the 20th and 21st centuries (Debussymusicological study ultimately deduces that the metaphor of movement is for man an experience considered fundamental to his particular relationship to the world. 72 94territorios para el arte 590908 2021 7 8182060 « Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique Albert Castanet [revista de investigación musical]BergKagelLa Monte Youngrevista de investigación musical: territorios para el arte 590908 2021 7 8182060 « Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique Albert CastanetPierre Starting from a stationary state in order to feed a processDe Mey:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Stravinskythe idea of movement in music can affect both the sound material and the listening (the Hoerspiel...)WebernDe Chizy

researchProduct

De Alemania a México. Una conversación con Mariano Peset

2020

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASYolanda1575-2259 2322 Pasajes: Revista de pensamiento contemporáneo 570906 2020 61 7829572 De Alemania a México. Una conversación con Mariano Peset Blasco GilMariano 129 146:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Revista de pensamiento contemporáneo 570906 2020 61 7829572 De Alemania a México. Una conversación con Mariano Peset Blasco Gil [1575-2259 2322 Pasajes]Peset Reig

researchProduct

Du verbe instrumental dans la musique subsaharienne

2021

Sub-Saharan music results from the spoken language/instrumental language relation, directed by an oral culture. In this culture, these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individuals, or is used as a true meta-language copied on the articulated and usual language used every day. Here, an instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASan instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the Africans of South Sahara have of it. This concept underlying the very tight link between the musical fact and the Worddetermine and contribute to the distinctive goals of the speech? These are some of the major questions to which I the author try to bring elements of answers to clear up this subject. 145 1642386-8260 13268 ItamarApollinaire Sub-Saharan music results from the spoken language/instrumental language relation:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka [revista de investigación musical]these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individualsdirected by an oral culture. In this culturecontextual and expressive parameters that underliethe musical act then carries a communicative importance equal to the one in a spoken language. What concept rules such a language? What treatment is language subjected to in the affectation of its components in the musical discourse of to the instrumental Word and vice versa? What are the technicalor is used as a true meta-language copied on the articulated and usual language used every day. Hererevista de investigación musical: territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka

researchProduct