Search results for "613"
showing 10 items of 172 documents
Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags
2013
Social media services such as Last.fm provide crowd-sourced mood tags which are a rich but often noisy source of information. In contrast, editorial annotations from production music libraries are meant to be incisive in nature. We compare the efficiency of these two data sources in capturing semantic information on mood expressed by music. First, a semantic computing technique devised for mood-related tags in large datasets is applied to Last.fm and I Like Music (ILM) corpora separately (250,000 tracks each). The resulting semantic estimates are then correlated with listener ratings of arousal, valence and tension. High correlations (Spearman's rho) are found between the track positions in…
On Thinking the Tragic with Adorno
2016
This article seeks to provide a template for understanding the tragic dimension of Theodor W. Adorno’s philosophy through a reading of his early collaborative work with Max Horkheimer, the Dialectic of Enlightenment (1944). While Adorno’s view has often been considered to be tragic, little has been done to reconstruct the tragic dimension of his thought. I argue that the view of the human condition, presented in the Dialectic of Enlightenment, is founded on metaphysical, epistemological, and ethical convictions that have structural similarities with the positions held by theorists and philosophers of tragedy and the tragic. Since traces of these tragic elements can be found throughout Adorn…
Politics of Cultural Marking in Mini-Europe: Anchoring European Cultural Identity in a Theme Park
2012
Mini-Europe—a theme park in Brussels morally supported by the European Commission and the European Parliament—consists of around 350 models of different buildings and heritage sites from all the member states of the European Union. In addition the park includes an exhibition named the Spirit of Europe. The article explores how the European cultural identity is constructed and ‘sold’ in Mini-Europe, and how history, geography and local and regional traditions are intertwined into a politics of cultural marking, an ideology of European integration and a creation of shared symbols. European cultural identity has often been generated through appeals to an ancient or classical past, which is pro…
Rhetoric of unity and cultural diversity in the making of European cultural identity
2011
The fundamental aim of the cultural policy of the European Union (EU) is to emphasize the obvious cultural diversity of Europe, while looking for some underlying common elements which unify the various cultures in Europe. Through these common elements, the EU policy produces ‘an imagined cultural community’ of Europe which is ‘united in diversity’, as one of the slogans of the Union states. This discourse characterizes various documents which are essential to the EU cultural policy, such as the Treaty of Lisbon, the European Agenda for Culture and the EU’s decision on the European Capital of Culture program. In addition, the discourse is applied to the production of cultural events in Europ…
Post memory and cinematic affect in The Midwife
2017
The Second World War has proved a rich source of inspiration for fiction films worldwide. The Finnish fiction film The Midwife (Kätilö, Antti J. Jokinen, 2015) is aimed at an international audience with a story that takes place in the context of the Lapland War in Finland in 1944. The film tells of a romantic relationship between a local woman and a member of the German army, in a highly affective manner. This article argues that the film downplays elements that might have interested the national, or local, audience, and that it privileges affect over knowledge. To bring out the film’s transnational character, the article begins by analysing it in the context of national, or local, and glob…
Shared experiencing, shared understandings: Intersubjectivity as a key phenomenon in drama education
2018
This article is a philosophical reflection on intersubjectivity in the context of drama education; it draws on the concept’s most recent neuroscientific basis as well as the perspectives of Merleau-Ponty, Buber and Husserl. Its purpose is to deepen our understanding of the mechanisms of interaction in learning processes in drama education. In the stream of interaction in drama, the central conditions are shared experiencing and shared understandings. Intersubjectivity encompasses both of these. This study views intersubjectivity as an innate capacity and a real phenomenon – one that is a key phenomenon in the interactions of drama education. peerReviewed
Emotions in motion: Short-term group form Dance/Movement Therapy in the treatment of depression: A pilot study
2014
Abstract Depression is a highly prevalent mood disorder that impairs a person's social skills and quality of life. Depressed patients have been shown to have difficulty in identifying, expressing, and regulating emotions, especially negative emotions, such as anger. Here, we present a study that investigates using body- and movement-based therapy intervention in the treatment of depression. Central to this study is the use of a short-term group form of Dance/Movement Therapy (DMT) intervention. The main research question was whether a short-term group form of DMT intervention could decrease the symptoms of depression and anxiety. Depressed participants ( N = 21, aged 18–60 years) received …
Emotion-driven encoding of music preference and personality in dance
2014
Thirty rhythmic music excerpts were presented to 60 individuals. Dance movements to each excerpt were recorded using an optical motion-capture system, preference for each excerpt recorded on a 5-point Likert scale, and personality assessed using the 44-item version of the Big Five Inventory. From the movement data, a large number of postural, kinematic and kinetic features were extracted, a subset of which were chosen for further analysis using sequential backward elimination with variance inflation factor (VIF) selection. Multivariate analyses revealed significant effects on these 11 features of both preference and personality, as well as a number of interactions between the two. As regar…
Dance Like Someone is Watching
2018
Although dancing often takes place in social contexts such as a club or party, previous study of such music-induced movement has focused mainly on individuals. The current study explores music-induced movement in a naturalistic dyadic context, focusing on the influence of personality, using five-factor model (FFM) traits, and trait empathy on participants’ responses to their partners. Fifty-four participants were recorded using motion capture while dancing to music excerpts alone and in dyads with three different partners, using a round-robin approach. Analysis using the Social Relations Model (SRM) suggested that the unique combination of each pair caused more variation in participants’ a…
"Table 8" of "The $e^+ e^-\to 2(\pi^+\pi^-)\pi^0$, 2(\pi^+\pi^-)\eta$, $K^+ K^-\pi^+\pi^-\pi^0$ and $K^+ K^-\pi^+\pi^-\eta$ Cross Sections Measured w…
2007
Measured cross section for E+ E- --> K+ K- PI+ PI- PI0 with statistical errors only.