Search results for "68"
showing 6 items of 1026 documents
Intraocular pressure and central corneal thickness in an old French population: The MONTRACHET study
2013
Purpose: To describe the distribution of intraocular pressure (IOP) and central corneal thickness (CCT) in an old French population. Methods: About 9000 individuals 65 years and older were included in the 3C cohort study since 1999 in 3 French cities (Bordeaux, Dijon and Montpellier). In Dijon, an additional ophthalmic examination was performed 10 years after the initial inclusions to assess the relation between systemic age-related diseases and eye diseases in the MONTRACHET Study (Maculopathy Optic Nerve nuTRition neurovAsCular and HEarT diseases). In this population-based stuy a thorough eye examination and a questionnaire were undertaken in each participant. Intraocular pressure (IOP) w…
« La Sorbonne par elle-même » ou comment « faire quelque chose avec tout ça »
2017
International audience
P. Šmita vēstule M. Āronam par sava raksta "Ļaunu ļaužu valodiņas" publicēšanas gaitu, polemikas latviešu presē ar R. Klaustiņu un citiem neauglīgumu…
1913
Pētera Šmita polemika par savu rakstu atsaucēm Latvijas tā laika presē
1911
P. Šmita polemika par savu rakstu atsaucēm Latvijas tā laika presē minot vārdā vairākus literātus, valodniekus u.c. autorus.
Pētera Šmita polemika ar Teodoru Zeifertu par R. Kl. publikācijām mēnešrakstā "Druva" Nr. 9 un Nr. 10 1912. gadā
1913
P. Šmita polemika par R. K. Krievijas vēstures grāmatu recenzijām mēnešrakstā "Druva", izsakot aizrādījumus recenzenta viedoklim, ka recenzentam nevajadzētu vairāk ļaut tajā publicēties.
L’estètica emocional de la transformació: una revisitació barroca de la Faula d’Apol·lo i Dafne
2021
The well-known Sonnet XIII by Garcilaso de la Vega «A Dafne ya los brazos le crecían» was to establish the disconsolate figure of Apollo, pining for the loss of Daphne, as the literary paradigm of the pangs of love —at least in Renaissance literature in the Iberian peninsula. Thus, a century later, Francesc Fontanella revisited the Garcilaso sonnet and carried out a profoundly Baroque re-reading. The Catalan text ‘transforms’ the symmetry and order in which the Spanish sonnet describes the metamorphosis of the nymph into an inseparable amalgam between the old way of being and the new reality, between the human and the plant, and freezes the figure in mutation: neither the original form nor …