Search results for "8(26)"
showing 10 items of 75 documents
El milagro de Sor Juana
2021
The purpose of this article is to make an approach to the musical world of the illustrious Mexican Jerome nun Sor Juana Inés de la Cruz (1648-1695) who stood out for her wisdom, understanding and mastery in various fields of the arts and sciences in a surprising way .
Las noches de Chopin
2021
VOLUTAS Fotografías de Iván Rodero Millán para ser proyectadas durante la interpretación de Titán Tango de Keyna Wilkins
2021
COLASANTI, Maurizio: La musica è sfinita
2021
Performing arts and mediation technology in the period of lockdown
2021
Advancements in digital technologies have become novel ways to enrich communication, expression, and transmission of arts knowledge. Technology is increasingly implemented in the performance space, as a source of inspiration for artists. Especially in this period of lockdown, mediation technology has turned out to be an essential tool for different aspects of social life, as in performing arts. With venues, schools and artistic activities closed, performers, students and spectators have been obliged to keep connecting in remote conditions. This article wants to retrace the aesthetic impact of mediation technology in performing arts during this period of lockdown by focusing on the aspects t…
De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe
2021
Guianese culture and traditional music, here evoked, are various. It is more a transcultural process that, along centuries, gave an original result born in the Americas, in Guiana in this case. It is a form of refoundation, of recreation of cultures and new human beings generally called Creoles. The musical performance, that I study here, is the echo of social and cultural space of this reformulation of thought, life, and conception of the world. It is, as well, a mean of transposition and transformation of the values issued of diverse sources and categories. It is in no way a second-rate cultural practice, as it is the place where were born philosophies and actions for common life as well …
LES ÉQUIVOQUES DU « CONSTITUTIONNALISME OCTROYÉ » : UN DÉBAT TRANSATLANTIQUE (I)
2015
In Portugal and in its former colonies, the expression "constitucionalismo outorgado » is part of the constitutional vocabulary since the granting of the Charter of 1826. The French inspiration is obvious ; however, no equivalent expression exists in France. This curiosity leads to measure all the ambiguity of the concept of "granted constitutionalism", an improbable oxymoron according to the president of the Portuguese Republic, Teófilo Braga. Is it about a simple political and linguistic claim, a temporary compromise at the end of a frustrated Revolution? Or does it translate a deeper program, to reconcile both sides of the constitutionalism, ancient and modern ?
THE AMBIGUITIES OF « GRANTED CONSTITUTIONALISM » : A TRANSATLANTIC DEBATE (II)
2017
After France, and before Brazil, the second article concerns Portugal. The portuguese legal framework was appropriate to stem the birth of the constituent power. Reconstructed on the basis of an apocryphal transcription of its founding pact, the Cortes of Lamego of 1143, the portuguese public law benefited on top of a written document born in the XVth century, the Ordenações. This double peculiarity, making "iberian liberties" a model of the ancient constitutionalism, explains the reverential respect for these medieval borders and the hatred following Dom Pedro's granting in 1826. In these conditions, and in spite of the program followed by a "granting power" which refuses to define itself …
YIZKEREM. May Our Lord Remember Them (from Hebrew), for acappella mixed choir
2021
La obra YIZKEREM (del hebreo: Que nuestro Señor los recuerde) es un monumento al Holocausto de la nación judía. Dado que la compositora, Bracha Bdil, pertenece a la comunidad ortodoxa de Europa del Este, muchas de sus obras se basan en la tradición musical de los modos judíos de Europa del Este y los textos de estas fuentes. La fusión de la técnica compositiva contemporánea con los elementos de la antigua tradición judía conduce a la compositora a un lenguaje compositivo muy personal.