Search results for "90.0"

showing 10 items of 273 documents

« Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique

2021

Starting from a stationary state in order to feed a process, the idea of movement in music can affect both the sound material and the listening (the Hoerspiel...), both the view (musical theater) and the ancillary disciplines (dance or maping-video)... Based on examples taken in the 20th and 21st centuries (Debussy, Berg, Webern, Stravinsky, Stockhausen, Kagel, Ferrari, La Monte Young, Xenakis, Adams, De Chizy, De Mey, Trapani?), musicological study ultimately deduces that the metaphor of movement is for man an experience considered fundamental to his particular relationship to the world.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASTrapani?)XenakisStockhausenAdamsFerrari2386-8260 13268 Itamarboth the view (musical theater) and the ancillary disciplines (dance or maping-video)... Based on examples taken in the 20th and 21st centuries (Debussymusicological study ultimately deduces that the metaphor of movement is for man an experience considered fundamental to his particular relationship to the world. 72 94territorios para el arte 590908 2021 7 8182060 « Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique Albert Castanet [revista de investigación musical]BergKagelLa Monte Youngrevista de investigación musical: territorios para el arte 590908 2021 7 8182060 « Mouvement est nécessité » Pour une relation au monde du mouvement et de la musique Albert CastanetPierre Starting from a stationary state in order to feed a processDe Mey:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Stravinskythe idea of movement in music can affect both the sound material and the listening (the Hoerspiel...)WebernDe Chizy
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Du verbe instrumental dans la musique subsaharienne

2021

Sub-Saharan music results from the spoken language/instrumental language relation, directed by an oral culture. In this culture, these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individuals, or is used as a true meta-language copied on the articulated and usual language used every day. Here, an instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASan instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the Africans of South Sahara have of it. This concept underlying the very tight link between the musical fact and the Worddetermine and contribute to the distinctive goals of the speech? These are some of the major questions to which I the author try to bring elements of answers to clear up this subject. 145 1642386-8260 13268 ItamarApollinaire Sub-Saharan music results from the spoken language/instrumental language relation:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka [revista de investigación musical]these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individualsdirected by an oral culture. In this culturecontextual and expressive parameters that underliethe musical act then carries a communicative importance equal to the one in a spoken language. What concept rules such a language? What treatment is language subjected to in the affectation of its components in the musical discourse of to the instrumental Word and vice versa? What are the technicalor is used as a true meta-language copied on the articulated and usual language used every day. Hererevista de investigación musical: territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka
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Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888

2021

At the end of the 19th century, Spanish carnivals have been marked by the participation of the different tunas or also known as, estudiantinas. These groups achieved significant relevance in Galicia, especially in the city of Compostela, which, year after year, encouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Although, different from its predecessors, the Santiago Tuna of 1888 ventured and made its mark in history, thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring country, Portugal. This research, approached from a hi…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASapproached from a historical and descriptive perspectiveSpanish carnivals have been marked by the participation of the different tunas or also known asLeslie At the end of the 19th centuryrevista de investigación musical: territorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres2386-8260 13268 Itamarestudiantinas. These groups achieved significant relevance in Galiciayear after yeardifferent from its predecessorsPortugal. This researchand place it as an indispensable part of a traditionthrough primary and secondary sourcesterritorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres [revista de investigación musical]the Santiago Tuna of 1888 ventured and made its mark in historywhich lasts until today. 285 298:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]aims to carry out a review of the semblance Compostelana Estudiantina of 1888thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring countryespecially in the city of Compostelaencouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Althoughwhich
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Eclecticismo, Écart y alteridad: Symphony V American, de Leonardo Balada, como paradigma compositivo

2021

Eclecticism is a complex creative trend born as a consequence of both postmodernism and the heterodox treatment of cultural identity borders. This aesthetic path emerges as a compositional model of great communicative power in contemporary creation in the last two decades. Our essay addresses the Symphony V "American" (2003) by Leonardo Balada (1933) as a compositional paradigm. Through this article we demonstrate the importance of including popular sounds and re-signifying materials in the creative conception. A valid model of communication ahead of the challenges of globalization and mass media processes is therefore established hereby.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAScomo paradigma compositivo Múrcia i Cambra:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]territorios para el arte 590908 2021 7 8182065 Eclecticismo [revista de investigación musical]Écart y alteridad: Symphony V AmericanMiquel Àngel Eclecticism is a complex creative trend born as a consequence of both postmodernism and the heterodox treatment of cultural identity borders. This aesthetic path emerges as a compositional model of great communicative power in contemporary creation in the last two decades. Our essay addresses the Symphony V "American" (2003) by Leonardo Balada (1933) as a compositional paradigm. Through this article we demonstrate the importance of including popular sounds and re-signifying materials in the creative conception. A valid model of communication ahead of the challenges of globalization and mass media processes is therefore established hereby. 187 1982386-8260 13268 Itamarde Leonardo Baladarevista de investigación musical: territorios para el arte 590908 2021 7 8182065 EclecticismoSymphony V American [Écart y alteridad]
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La música en Galdós II. La época de Fernando VII

2021

Las numerosas novelas históricas y las novelas normales de Galdós sitúan su acción entre 1804 y los comienzos del siglo XX. Este segundo estudio analiza los años entre 1814 a 1833, es decir, lo que ocurre respecto a la música en la época de Fernando VII. En ella encontraremos mucha música, pero también imágenes musicales como recurso comparativo.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASes decirpero también imágenes musicales como recurso comparativo. 299 360territorios para el arte 590908 2021 7 8182069 La música en Galdós II. La época de Fernando VII Gallego Gallego [revista de investigación musical]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]revista de investigación musical: territorios para el arte 590908 2021 7 8182069 La música en Galdós II. La época de Fernando VII Gallego Gallego2386-8260 13268 Itamarlo que ocurre respecto a la música en la época de Fernando VII. En ella encontraremos mucha músicaAntonio Las numerosas novelas históricas y las novelas normales de Galdós sitúan su acción entre 1804 y los comienzos del siglo XX. Este segundo estudio analiza los años entre 1814 a 1833
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OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia

2021

An introduction to the three essays included in this section. The article highlights the right to know whether Chopin was gay and contextualizes this inquiry in a very long and pervasive historiographical tradition, essentially twohundred years long, dedicated to examine Chopin sexual orientation, on the one hand, and on the other the more recent tradition of queering western classical music composers. The main point is not to demonstrate categorically that Chopin was ?gay? (a relative, modern identity marker in any case) but rather to highlight the discourses that have presented him as unequivocally heterosexual.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASessentially twohundred years longAntoni An introduction to the three essays included in this section. The article highlights the right to know whether Chopin was gay and contextualizes this inquiry in a very long and pervasive historiographical tradition:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]revista de investigación musical: territorios para el arte 590908 2021 7 8182075 OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia Pizàand on the other the more recent tradition of queering western classical music composers. The main point is not to demonstrate categorically that Chopin was ?gay? (a relativeterritorios para el arte 590908 2021 7 8182075 OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia Pizà [revista de investigación musical]dedicated to examine Chopin sexual orientation2386-8260 13268 Itamaron the one handmodern identity marker in any case) but rather to highlight the discourses that have presented him as unequivocally heterosexual. 421 427
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The Effect of Music on Movement Perception: Synchresis in Hits for HIIT

2021

Hits for HIIT consists in a research-creation project aiming to produce both musical pieces and training exercises for, on the one hand, optimizing HIIT practice and, on the other, enriching scholarly research on the relations between music and sports. These questions and their related studies have highlighted music/movement relations and the way they are perceived. In this paper we would like to outline how we attempt to build a two-way dialogue between the production of music adapted to HIIT and the design of workouts based on the music.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASon the other:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]territorios para el arte 590908 2021 7 8182061 The Effect of Music on Movement Perception: Synchresis in Hits for HIIT Stévance [revista de investigación musical]Sophie Hits for HIIT consists in a research-creation project aiming to produce both musical pieces and training exercises for2386-8260 13268 Itamaron the one handoptimizing HIIT practice andrevista de investigación musical: territorios para el arte 590908 2021 7 8182061 The Effect of Music on Movement Perception: Synchresis in Hits for HIIT Stévanceenriching scholarly research on the relations between music and sports. These questions and their related studies have highlighted music/movement relations and the way they are perceived. In this paper we would like to outline how we attempt to build a two-way dialogue between the production of music adapted to HIIT and the design of workouts based on the music. 95 104
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De Poe a Ravel, pasando por Baudelaire

2011

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASpasando por Baudelaire Mansergas0211-5808 9678 Archivo de arte valenciano 301724 2011 92 3909042 De Poe a Ravel:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]José 177 202
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Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition

2021

Starting from sociologist Anne-Marie Green?s idea of ?common space?, and from Hans Robert Hauss? reception theory, the improvisation workshop is thought to be a way of transforming the practices of reception, in order to modify the nature of the culture of listening of each listener. Four research axis are, then, proposed, from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of education, including the research of communicational tools specific to reception of music, capable of captivating the listeners with the original aspects of the unknown musical territories.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASrevista de investigación musical: territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutrathe improvisation workshop is thought to be a way of transforming the practices of receptioncapable of captivating the listeners with the original aspects of the unknown musical territories. 165 186Arthur Starting from sociologist Anne-Marie Green?s idea of ?common space?territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutra [revista de investigación musical]2386-8260 13268 Itamarproposedthenincluding the research of communicational tools specific to reception of music:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of educationand from Hans Robert Hauss? reception theoryin order to modify the nature of the culture of listening of each listener. Four research axis are
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Palabras de un amigo de Piazzolla

2021

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASrevista de investigación musical: territorios para el arte 590908 2021 7 8182073 Palabras de un amigo de Piazzolla Cosentino:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Saúl 413 417territorios para el arte 590908 2021 7 8182073 Palabras de un amigo de Piazzolla Cosentino [revista de investigación musical]2386-8260 13268 Itamar
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