Search results for ":language"

Un poeta postsimbolista ben poc conegut: la reflexió amorosa a "La rosa de cristall" de Josep M. de Sagarra

2009

Així s’expressava Josep M. de Sagarra l’any 1947 al pròleg de la seva Obra poètica (Sagarra 1947: xx). Aquesta al·lusió i adhesió a la poètica de Valéry, si més no en el que tenia (com l’horaciana i la goethiana) d’oposició a l’espontaneïtat creativa, d’entrada podria sorprendre en un autor de qui diversos testimonis donen constància de la seva gran facilitat per a escriure «a raig» (cf. Permanyer 1982: 45, 55 i 60). Però, d’aquest tipus d’escriptura profusa, si Sagarra va servir-se’n fou sobretot per a confegir peces de teatre que ell mateix qualificava d’obres «fetes amb recepta» (Font 1933: 47). És inimaginable, en canvi, que pogués emprar-la a l’hora de compondre, per exemple, els verso…

Caccia alla volpe: nel labirinto della non fiction

2020

Con questo numero inauguriamo una nuova rubrica, Campo aperto, che ospiterà discussioni e polemiche su opere recenti e questioni controverse. Partiamo con un confronto che, incentrato su Max Fox o le relazioni pericolose di Sergio Luzzatto (2019), si dilata in ragionamento sul rapporto tra etica e letteratura e sulle caratteristiche della non fiction contemporanea.

THE LATVIAN LANGUAGE IN THE LINGUISTIC LANDSCAPE OF DAUGAVPILS (THE MIDDLE OF THE 19TH CENTURY - TODAY)

2020

This paper will focus on the LL of Daugavpils from a diachronic point of view in order to describe the usage of the Latvian language in the public space since the middle of the 19th century until today, as well as the socio-economic and political factors which influence the language situation. Research sources are old photos which depict legible signboards, and photos obtained during LL research 2013.
 The role of the Latvian language in public information increased during the first period of independence, when ideas of nationalism become widespread and the first normative documents about language usage were approved. However, the stability of Latvian as the main language of the public…

Prof. dr. philol. Pētera Ķiķaukas portrets

1930

Portrait of Pēteris Ķiķauka (1886-1967), Professor of Classical Philology at the University of Latvia, taken in 1930.

Baltic Journal of English Language, Literature and Culture, N 6

2016

Курсъ сравнительной морфологіи индоэвропэйских языковъ: читанъ въ 1909-10 уч. г. въ С-Петербургскомъ Ун-тѣ

1910

Rokraksta litogrāfijas sējums

Anleitung zum Studien der Sanskrit-Sprache

1871

Mācību materiāls studiju vajadzībām ietver skaidrojošu ievadtekstu par sanskritu, sanskrita- vācu vārdnīcu ar atsaucēm uz Rigvēdas tekstu un atsevišķu tulkojošo daļu pie 'Hymnen des Rigvēdas". Manuskripts rokrakstā, datējums nav precīzi zināms.

El diccionari de l'Institut d'Estudis Valencians de 1937

2015

In this article Casanova uses various archives –in particular that of Emili Beüt i Belenguer– to reconstruct the process of elaborating the general dictionary of Valencian. This dictionary was written during the Spanish civil war through the IEV, an organization in which Salvador played a decisive role. The author presents several dictionary entries and compares them with others from Pompeu Fabra's DGLC, and with other works.

"Ironia i metadiscurs en el teatre català actual, a propòsit d'Elsa Schneider, de Sergi Belbel"

2014

This article has as its goal to analyze the dramatic text «Elsa Schneider» (1987), by Sergi Belbel, starting from the concept of irony of contrast between text and context of communication. This ironic resource is conveyed through the different composition of the three sequences of monologues in which the work is structured. With this resource the author offers an approach to a metadiscursive subject matter which revolves around scenic communication and theatrical genres.

Metaficció irònica a «Estremida memòria», de Jesús Moncada

2006

The reception of Jesús Moncada’s work at the beginning of his literary career was determined by the debate between «rural novel» and «urban novel», up to the point of directing its reading towards an elegiac dimension, at the expense of other distinctive traits of greater importance. In this sense, Moncada’s work has been understood, in an almost exclusive way, as a literary recording of the collective memory. The present article suggests a different reading of «Estremida memòria», in order to discover the essenciality of the irony in the author’s world, in this case, through the characteristic procedures of metafiction: metalepsi and metatextuality. The recreation of Mequinenza’s history i…