Search results for "AESTHETICS"

showing 10 items of 552 documents

Reflections on the Everlasting and the Transient or the Road to the “Freed Field of Light”

2000

The twentieth century is a contradiction-ridden time. Without warning it combines grandiose Utopias and apocalyptic reasonings. It bottles up tragic contradictions, a feeling of insecurity, at times manifestations of despair and feverish activity. In the eyes of a considerable part of society man has lost his divine image, his place in the system of universal value. Consciousness of the loss of sense, the loss of absolute values forms a peculiar background for the cultural processes of the twentieth century. It is this loss of sense that may be the basis for its dualistic and even tragic vision of the world.

Legal normFeelingAestheticsmedia_common.quotation_subjectField (Bourdieu)Classical antiquityPerformance artArtConsciousnessUniversal valueHumanitiesCategorical imperativemedia_common
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L’altro sapere. Bello, Arte, Immagine in Leon Battista Alberti

2000

The great attention that, during the past few years, has been paid to Leon Battista Alberti has led to the creation of research centers and to the organization of exhibitions and conferences dedicated to him, but it has yet to result, especially in Italy, in a new approach to his aesthetic theories. This represents a serious scholarly gap, because Alberti was an important figure in the history of aesthetics, both for the role he played in the aesthetic and literary debates of the 15th century, as well as for the impact that his thought had on theory and art in subsequent centuries. The present volume constitutes an important tool to fill such gap. The volume centers on three key concepts: b…

Leon Battista Alberti Aesthetics of Renaissance Theory of Arts BeautySettore M-FIL/04 - EsteticaLeon Battista Alberti estetica del Rinascimento teoria delle arti bellezza
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Il "De equo animante" di Leon Battista Alberti: una teoria della bellezza?

2010

Il De equo animante si presenta come un trattato tecnico ed erudito, piuttosto che artistico, in quanto rielabora notizie attinte dalle auctoritates in materia di ippologia. Tuttavia, a partire dal concetto di “vitalità”, messo in rilievo fin dal titolo, è possibile individuare due percorsi che consentono di rileggere il testo all’interno dell’estetica albertiana: il primo si snoda in seno stesso alla teoria della bellezza e mette in luce una concezione estetica che si risolve nella funzionalità; il secondo interpreta il concetto di “vitalità” nel senso dell’enargeia, della “vivezza rappresentativa”, qualità fondamentale delle opere d’arte. A conclusione di queste analisi e alla luce dell’o…

Leon Battista Alberti Theory of Artsestetica Leon Battista Alberti teoria delle artiSettore M-FIL/04 - EsteticaAesthetics Renaissance
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Beauty and the Cosmetic Secret

2018

Cosmetic surgery is often linked to the perception that women who resort to cosmetic interventions to alter their physical appearance are vain, superficial, and narcissistic. Few investigations have acknowledged and explored the individual’s personal motivations and experiences of her action and choice with regards to aesthetic surgery. By focusing on subjective experience, alternative insights can be gained on the cosmetic procedure(s) and on how their reshaped body influences an individual’s lifeworld experience. The article explores the perceived benefits and consequences of reshaping, enhancing, and/or reducing a perceived flaw or shortcoming of the body. From this exploration the focus…

LifeworldSelf-Empowermentmedia_common.quotation_subjectSocial realitylcsh:HM401-1281Psychology of selfSecrecyHuman physical appearanceFeminismBeautyEmbodiment0601 history and archaeologyNarrativeSociologyEmpowermentSocial constructivismmedia_commonSocial Constructivism060101 anthropology05 social sciencesGeneral Social SciencesCosmetic Surgery06 humanities and the artsFemininitylcsh:Sociology (General)050903 gender studiesAestheticsBeautyPhenomenology0509 other social sciencesQualitative Sociology Review
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For a semiotic multisensorial analysis of urban space. The case of Ballaro and Vucciria markets in Palermo

2017

One of the most interesting fields in which to study the interaction between senses is that of the urban space experience. If the semiotic approach questioned especially the meaning configurations deriving from the visual organisation of space and from the relationship between designed space and lived space (Hammad 2003, 2013; Marrone, Pezzini 2006 and 2008) other approaches suggested concepts like ‘soundscape’ (Schafer 1977) or ‘smellscape’ (McLean 2014). These concepts introduced new interpretative keys which allowed the study of landscape through sensorial channels other than sight. However, they once again anchored this study to only one sense, detached from the others. What we propose,…

Linguistics and LanguageAestheticsCommunicationmedia_common.quotation_subjectsemiotics multisensorial analysis urban space PalermoSemioticsArtUrban spaceLanguage and Linguisticsmedia_common
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AN ICY FORCE BOTH FOUL AND FAIR: THE THEME OF LOVE VERSUS FEAR IN THE DUTCH DUBBED VERSION OF DISNEY’S FROZEN

2020

Abstract:This study compares the songs from the original, English-language version of the 2013 Disney film Frozen to those of the Dutch dubbed version, investigating how the thematic representation of love and fear differ between these versions. To support this inherently qualitative analysis, this study employs the triangle of aspects, an analytical model that identifies certain aspects and variables central to animated musical film dubbing, allowing a quantification of differences between dubbed versions. It is found that the dubbed songs differ most strongly from the original songs in the verbal code, which covers issues such as semantic sense and register, and least in the musical code,…

Linguistics and LanguageAestheticsmedia_common.quotation_subjectArtLanguage and LinguisticsTheme (narrative)media_commonAcross Languages and Cultures
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Towards a multidisciplinary approach in creative subtitling

2012

Standard subtitling practices have long been influenced, if not governed, by norms and conventions such as the Code of Good Subtitling Practice (Ivarsson & Carroll 1998). Yet recent research into film subtitling has begun to take a creative turn: a trend that is matched by increasing numbers of fansubs and professionally produced creative subtitles. This paper seeks to demonstrate the need for a multidisciplinary approach to creative subtitling and, by drawing upon principles from film studies, suggests some key features for the development of a creative subtitling practice.

Linguistics and LanguageFilm studiesmedia_common.quotation_subjectAestheticsTraducció audiovisualLanguage and LinguisticsEducationMultidisciplinary approachEstéticaSubtitulado creativo; Estética; Multidisciplinariedad; Estudios cinematográficos; Traducción audiovisualMultidisciplinariedadmedia_commonUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASEstudios cinematográficosCreative subtitlingTranslation and InterpretingTraducción e InterpretaciónTraducció--RevistesArtMultidisciplinarityTraducción audiovisual:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Subtitulado creativoHumanitiesCartographyAudiovisual translationCreative subtitling; Aesthetics; Multidisciplinarity; Film studies; Audiovisual translation
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Construction of Whiteness and Blackness in Herman Melville’s Benito Cereno

2020

Rather than resist slavery directly, the narrative world of Benito Cereno disperses the rejection of tyranny through the intricate construction of subject-object relations, the situational context, Benito Cereno’s stifled, semi-articulated statements, the imagery of the narrative and its complex narrative structure. Through silences, multiple viewpoints, innuendos, refusal to solve certain issues definitely while being explicit about this indeterminacy, Melville’s narrative not only inscribes itself in the Romantic questioning of historiography, but also gestures towards postmodernist inconclusiveness and the writerly text in which the reader is invited to be its co-author who fills out the…

Linguistics and LanguageHerman MelvilleblacknessCommunicationInterpretation (philosophy)media_common.quotation_subjectHistoriographyArtViewpointsIndeterminacy (literature)RomanceLanguage and Linguisticspowerlcsh:Social Scienceslcsh:HPower (social and political)AestheticsNarrative structurewhitenessNarrative"Benito Cereno"media_common"Res Rhetorica"
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Lucan and the Sublime: Power, Representation and Aesthetic Experience, written by Day, H.J.M.

2016

Linguistics and LanguageHistoryArcheologyLiterature and Literary Theorymedia_common.quotation_subjectRepresentation (arts)ArtSublimeAesthetic experienceLanguage and LinguisticsPower (social and political)AestheticsClassicsmedia_commonMnemosyne
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‘They are not very open to people’: how mobile students construct interculturality through metaphor and narrative

2021

This study utilises the ‘small story’ approach to investigate metaphor in mobile students’ narratives of intercultural experience. Metaphor in narrative is seen as a dynamic, discursive, and socioc...

Linguistics and LanguageInterculturalityAestheticsMetaphorCommunicationmedia_common.quotation_subjectNarrativeSociologyConstruct (philosophy)media_commonLanguage and Intercultural Communication
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