Search results for "Absurde"

showing 3 items of 3 documents

Matei Visniec: aproximación a un universo dramático a través de sus animales

2014

Matei Visniec (1956) is an author from Romania, who uses both French and Romanian expression in his plays. The coordinates of his dramatic fictional universe bring together the absurd, the symbolic, the fantastic and the conflicts in the city of men, sometimes with accurate historical and current references. Animals, present onstage in many different ways, are very common in his plays. They constitute a strange wildlife between animal and human, between the real and the fantastic.Their presence in this theatrical universe fits into their symbolic aspect, which defies the imagination by means of what is enigmatic and incomprehensible; but it also falls into their committed side to the extent…

AbsurdismFantastiqueLinguistics and LanguageHistoryLiterature and Literary TheoryAbsurd[SHS.LITT]Humanities and Social Sciences/LiteratureSymbolicabsurdHuman conditionAbsurdeSymboliqueLanguage and Linguistics[SHS.LITT] Humanities and Social Sciences/LiteratureanimalFantasticTheatreTeatre (Gènere literari) S. XX Història i críticaThéâtreThéâtre - 20e siècleEngagementlcsh:French literature - Italian literature - Spanish literature - Portuguese literatureMatei VisniecAnimalfantasticRomanianFictional universecommitment16. Peace & justicelanguage.human_languageExpression (architecture)AestheticsCommitmenttheatrelcsh:PQ1-3999languagesymbolicThe SymbolicSymbolique -- Au théâtreUniverse (mathematics)
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A te Berlin da Venezia. La redenzione artistica di quei pittori tedeschi che guardavano a Vedova

2019

Saggio tematico sul rapporto fra Emilio Vedova e la Germania, in particolare i pittori tedeschi del secondo Novecento, in occasione del centenario dalla nascita per il catalogo ufficiale della Fondazione Vedova.

Emilio Vedova; Georg Baselitz; Absurdes Berliner TagebuchAbsurdes Berliner TagebuchSettore L-ART/03 - Storia dell'Arte ContemporaneaEmilio Vedova Georg Baselitz Absurdes Berliner TagebuchEmilio VedovaGeorg Baselitz
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Le rire de Beckett

2020

International audience; Il est une vérité que l’on pense devoir admettre : Beckett fait de l’absurde. On attend Godot, il ne viendra jamais, et le théâtre de Beckett est donc la représentation parfaite de cette existence sans but dont nous fûmes affligés à la naissance. Quant à Fin de partie... on finira donc tous dans des poubelles, à se hurler des vérités désagréables. Ce qui est toujours mieux que se faire enterrer dans le sable d’Oh les beaux jours. Nous voudrions ici montrer que Beckett est drôle ! Rions un peu, donc, en attendant la mort !

[SHS.LITT] Humanities and Social Sciences/LiteratureThéâtre de l'absurde[SHS.LITT]Humanities and Social Sciences/LiteratureSamuel Beckett (1906-1989) -- Critique et interprétation
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