Search results for "Admiration"
showing 10 items of 12 documents
A Process × Domain Assessment of Narcissism: The Domain-Specific Narcissistic Admiration and Rivalry Questionnaire
2022
Research on grandiose narcissism distinguishes between self-promotional processes (i.e., narcissistic admiration) and other-derogative processes (i.e., narcissistic rivalry; Back et al., 2013). Moreover, research has begun to assess and investigate narcissistic manifestations in different domains (e.g., communal narcissism). To integrate these two lines of research, we developed the Domain-Specific Narcissistic Admiration and Rivalry Questionnaire (D-NARQ), a 72-item narcissism questionnaire that contains a self-promotional process scale (narcissistic admiration) and an other-derogatory process scale (narcissistic rivalry) for four domains: intellectual ability, social dominance, communal …
The Affective Geography of Paris in the 19th Century Romanian Novel: Between Admiration and Aversion
2020
Based on “The Emotions of London”, a research project initiated at the Stanford Literary Lab, my article focuses on two relevant issues. First of all, I aim to demonstrate, as the “geography of emotions” experiment has already proved, that distant reading approaches and big data interpretation do not necessarily have to replace traditional methods of analysis. In other words, by using a corpus of 157 texts, I intend to outline the affective image of Paris as presented in the nineteenth century Romanian novel. Secondly, the aspect that makes my article different from “The Emotions of London” is that my purpose does not lie in analysing emotions associated with certain place-names in Paris, b…
Narcissus plays video games
2015
Abstract Two phenomena of our time have fascinated the general public and the scientific community alike: (a) narcissism as a personality characteristic with important implications for daily social functioning, and (b) the (vast) use of digital media such as video games. But how are these phenomena related to one another? To investigate this question, we administered an online survey to 2,891 individuals to assess their levels of narcissistic admiration and rivalry (NARQ; Back et al., 2013) and their video-gaming activities (frequency of playing, reasons for playing, preferred game genre and role). Results revealed that these narcissism dimensions were differentially related to video gaming…
The attractiveness of narcissists: Hard work or natural beauty?
2019
Are narcissists more attractive and perceived as such? In a preregistered multi-Study project, we aimed at gaining differentiated insights into this classic question, by considering agentic and ant...
Narcissistic Tendencies Among Actors
2014
Building on a two-dimensional reconceptualization of grandiose narcissism, we investigated how narcissistic admiration (the tendency toward agentic self-promotion) and rivalry (the tendency toward other derogation) are related to acting. Study 1 ( N = 583) showed that acting students scored higher on narcissistic admiration than students with other majors, but at the same time, the acting students scored lower on rivalry. In Study 2 ( N = 283), we compared improvisational theater actors with a comparison group and found the same pattern: Admiration was higher, but rivalry was lower among the actors (across both self-reports and informant reports). Effects persisted when we controlled for s…
Plausibilitat d?un ancestre comú entre les obres mitològiques de Joan Roís de Corella i les Transformacions de Francesc Alegre
2020
Between the Transformacions of Francesc Alegre (c.1452 - c.1508) and the mythological proses of Joan Roís de Corella some textual coincidences have been detected. Not without reservations, these coincidences have been explained as Corellas influence on Alegre. This is the most satisfactory explanation, given Alegre’s admiration and imitation of Corella’s prose, and Corella’s huge fame in the second half of the fifteenth century. However, Alegre knew earlier versions of Ovid’s Metamorphoses, such as that by Francesc de Pinós (1416-1475), or the anonymous Castilian version, both nowadays lost. And perhaps these versions were known by Corella too. The textual coincidences of these two authors …
Flora Ossette’s ‘feminist visibility’ in her translation of Olive Schreiner’s Woman and Labour
2011
La visibilidad del traductor o la traductora se ha convertido en tema obligado en los estudios de traducción desde que Lawrence Venuti editara en 1995 su conocido The Translator’s Invisibility. En la única traducción al castellano de Woman and Labour de Olive Schreiner por parte de Flora Ossette no solo es posible apreciar la voz de la “traductora implícita” (Hermans 1996), sino una voz “explícita”. La traductora interviene activamente en el texto que traduce añadiendo, omitiendo, reorganizando, apostillando o enfatizando las ideas de Schreiner. Además, llevada por los ideales feministas que comparten ambas y por su admiración por la autora sudafricana, se convierte en autora redactando un …
Who Stole My Banana? Social Science as Intersubjective Corroboration
2019
We are honored at the opportunity to exchange ideas with three scholars for whom we have deep respect and admiration. In what follows, we clarify our thinking in response to a series of erudite and...
« Making Sense of Wilfred Owen’s Keatsian Heritage: “Exposure” and “Ode to a Nightingale” »
2020
Readers of Wilfred Owen usually agree that the war poet’s early admiration for John Keats faded after he enlisted in the army; his poetry then turned against Keats’s. The opening paraphrase of Owen’s poem “Exposure” is thus often read as a rejection and a subversion of the Romantic poet’s “Ode to a Nightingale.” This essay will argue that Owen’s poem can be seen as a radical reversal of Keats’s ode. While “Exposure” is indeed more violent and political than “Ode to a Nightingale,” it does not depart from Keats’s conception of human suffering and of nature. Instead, the war poem builds on Keats’s fleeting description of suffering humanity in “Ode to a Nightingale” and extends it. It also ech…
Marlowe and Company in Barnfield’s <i>Greene’s Funeralls</i> (1594)
2013
The accomplished and daring but minor poet Richard Barnfield (1574-1620) was among the first poets to engage creatively with the works of Greene, Marlowe, and Shakespeare. This article argues that Sonnet 9 in Barnfield’s Greene’s Funeralls (1594) reveals not only his admiration for these literary innovators, but also his difficult manoeuvres on the fringes of the group of poetic rivals. Barnfield’s often-quoted, but not fully understood “sonnet” reflects the young poet’s attempts to accost his more famous contemporaries and also sheds light on the date of composition of Doctor Faustus (B) and the early circulation of Shakespeare’s “sugred sonnets”.