Search results for "Adorno"
showing 10 items of 54 documents
Dialettica e trasformazione in Th. W. Adorno
2020
La dialettica può svolgere un’effettiva funzione critico-conoscitiva in quanto, pur irretita nelle maglie del pensare identico, di esso è capace di ridisegnare la struttura concettuale, rendendola permeabile a quel che le sue rigide procedure classificatorie tendono inevitabilmente ad opprimere e occultare. Se la dialettica non è logica manifestativa del vero, se anzi rivela una compromissione inevitabile con il sapere illusorio prodotto dal pensiero identificante, del pensiero identificante rappresenta però l’unica chance di trasformazione Dialectics can play an effective critical-cognitive function in that, although caught in the mesh of «identity thinking», it is capable of redesigning t…
Dialettica negativa e logica della parvenza
2001
Il presente lavoro risponde all'intento di rileggere la dialettica negativa di Th. W. Adorno secondo una direzione kantiana, che ponga l'accento non solo e non tanto sull'influenza che la filosofia di Kant ha esercitato su un pensiero che, come quello di Adorno, sembra privilegiare una concezione della dialettica come espressione della non-identità del pensare con il proprio oggetto; piuttosto l'attenzione viene posta su un aspetto particolare del rapporto tra la filosofia del Francofortese e quella kantiana: l'idea che in entrambi gli autori la dialettica venga riguardata come logica della parvenza.
Theodor Wiesengrund Adorno e la “dialettica negativa”
2020
Alle soglie del secolo XXI, il nome di Theodor Wiesengrund Adorno va posto in evidenza, qualora si ritenga di rilevare che viviamo in una fase di crisi della filosofia. Il nome di Theodor Wiesengrund Adorno, alla nostra memoria, in primo luogo, suggerisce di menzionare l’opera stesa durante il secondo conflitto mondiale, in collaborazione con Max Horkheimer: la "Dialektik der Aufklärung" originariamente fu concepita come insieme di "Philosophische Fragmente", da distribuire sotto forma di ciclostile. La "Dialettica dell’Illuminismo" può dare l’impressione che la produzione di Wiesengrund Adorno sia caratterizzata dalla frammentarietà e dalla asistematicità. I titoli di riferimento possono d…
Tra Nietzsche e Auschwitz
2019
Adorno's thought can be considered like an attempt, after Nietzsche, to save a form of critical-negative philosophy. Adorno, and more in general Critical Theory, have to be thought like alternative to the several form of postnietzscheian philosophy from Heidegger to Foucault and postmodernist thinkers. However, the internal developments of the Frankfurt School (Habermas, Honneth) shed light on some limits of Adorno's thought.
Filosofia e critica sociale
2014
In this paper I compare Wittgenstein’s and Adorno’s different post- metaphysical visions of philosophy. In my opinion, it is possible to find many analogies between their approaches regarding the importance of the analysis of concepts and the relation between philosophy and music. But, while Adorno’s theory is understandable just within the sort of philosophy of history traced in the famous Dialectical of Enlightenment, Wittgenstein is absolutely against such an approach. According to Adorno, negative dialectic is the only philosophical instrument useful to resist the universal tendency of domination of the Reason and his vision of language derives from that presupposition. By opposite, Wit…
In questa epoca ambigua (1945-1969). Luigi Rognoni, considerazioni politiche
2010
Attraverso l'analisi delle carte dell'archivio Rognoni l'Autore ricostruisce il pensiero, l erelazionui e l'attività politica del musicologo milanese dal dopoguerra al 1968
On Theodor Adorno
2016
I have never fully bought (albeit often tempted to) into the simplistic and somewhat caricaturist versions of Theodor Adorno’s ideas about the cultural industry and the alienated consumer given by some supporters of the “active” audience. Even more so today, when digital social media seem to make participatory culture, creativity and active citizenship a dream coming true. I have always thought instead that, beyond the traps of binary thinking (powerful media vs active audience), there is a much more complex story to be told and that we, as cultural analysts and media literacy educators, need to patiently reconstruct – with all possible evidence coming from empirical data – the intricacy of…
Cildenā koncepts Teodora Adorno darbā “Estētikas teorija”
2016
Šī darba mērķis ir apskatīt ideju par cildeno, kas rodama Teodora Adorno darbā 'Estētikas teorija', un izklāstīt to veidā, kas ļauj to pretstatīt un salīdzināt ar citu filozofu uzskatiem par cildeno. Nākas secināt, ka cildenais, ko estētikas vēsturē mēdz uzskatīt par visaugstāko mākslas novērtējumu, līdz ar 'Estētikas teoriju' un modernisma mākslu sasniedz savu galējo fāzi. Modernisma māksla nav tikai dialektiska antitēze sabiedrībai, kurā tā ir radusies, bet, atšķirībā no citiem mākslas virzieniem, arī antitēze pilnīgi visai cilvēces, estētikas un mākslas vēsturei. Tāpēc modernajā mākslā cildenais nav tāds, kāds tas bija agrāk. Ar tā relevanci tas kļūst irrelevants.
“Melnās” mākslas paradokss Adorno “Estētikas teorijā”
2019
Šī darba mērķis ir, kritiski analizējot Teodora Adorno Estētikas teoriju, atklāt un detalizēti izklāstīt potenciāli fundamentālu paradoksu, un rast tam risinājumu. Adorno raksturo moderno mākslu kā autonomu un "melnu" entitāti, kas ir neierobežota un bezmērķīga, bet viņš to arī raksturo kā racionālu entitāti, kas mērķtiecīgi īsteno "skaistā" nosacījumus. Tas nozīmē, ka modernā māksla ir ierobežota nepārkāpt tos nosacījumus, kas to padara "skaistu". Beigās nākas secināt, ka tieši šī paradoksalitāte ļauj modernajai mākslai realizēt "skaistā" nosacījumus. Modernajai mākslai ir jābūt absolūti neierobežotai un bezmērķīgai, lai tā būtu "skaista". Modernās mākslas vienīgais ierobežojums ir tās vēl…
Adorno: eine Biographie / Stefan Müller-Dohm. - 1. Aufl. - Frankfurt am Main: Suhrkamp, 2003. - 1032 S.: Ill.
2004
Recensione