Search results for "Aksak"
showing 3 items of 3 documents
Konstantin Aksakov, Nikolaï Polevoï, Vladimir Odoïevski, Bienheureux les fous
2011
On connaît de longue date, en France, Poprichtchine, le fou de Gogol dont le Journal a été traduit et adapté à de multiples reprises. Sa célébrité légitime a laissé jusqu'à présent dans l'oubli ses nombreux doubles, dont les revues des années 1830 publièrent les vies fugaces. Ces frères de l'ombre du héros gogolien contestent pourtant avec virulence la montée du positivisme, dans une Europe lasse des Lumières triomphantes du siècle précédent. Tels sont les personnages que mettent en scène les récits ici rassemblés. Singuliers et émouvants, ils viennent enrichir notre connaissance du mouvement romantique européen et rappeler la valeur et la diversité, trop souvent méconnues, du romantisme ru…
Narcisse et Pygmalion : le peintre fou dans la littérature fantastique romantique
2012
This article examines the relationship between creation and self-esteem, through the analysis of five nineteenth century narratives, The Jesuit Church in Glogau and The Devil's Elixirs by E. T. A. Hoffmann, The Oval Portrait by Edgar Poe, The Unknown Masterpiece by Honoré de Balzac and Walter Eisenberg by Konstantin Aksakov. According to Ovid, Pygmalion manages to create a fertile woman, contrary to Narcissus. However, from an Christian and moral point of view, self-esteem happens to be doubly condemned: it leads human beings away from God and other people. Therefore, the point is to determine if romantic narratives succeed in defying this pattern and create self-sufficient artists able to …
Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture
2015
<p>Techniques based on motion capture can be useful in <span><span style="font-size: x-small;">analyzing a wide range of musical styles and practices</span></span>: in this case, Transylvanian village music. We focused on a repertoire known as “Gypsy songs of sorrow”, played by professional Gypsy musicians during parties and celebrations of their own community. Two parameters were the object of study: rhythmic duration, and synchronization between musicians (a violinist and a viola player). Results show that rhythm is a local variant of <em>aksak</em> and is based on two duration units (S=short, L=long) which respect the formula 2:3 &lt; S:L &am…