Search results for "Atonement"
showing 3 items of 3 documents
Leczniczy charakter sakramentu pokuty
2016
In the twentieth century, in the understanding and practice of the penance sac rament and reconciliation in the Catholic Church, it was reminded clearly that apart from the judgement dimension, it also has an important healing aspect. Firstly, the paper discussed the healing dimension of the penitent’s acts (confession and satisfaction) and the healing role of forgiveness and reconciliation. Then, con fession and psychotherapy were briefl compared. Reflcting on the healing dimension of confession of sins and the conversation with a confessor, it can be noticed that while confessing something, the human identifis with what he or she confesses more consciously, and often he or she clearly rea…
Tekstuāla un vizuālā semiotika Iana Makjūena romānā "Piedošana" un tā ekranizācijā
2022
Šī maģistra darbs ir veltīts pētījumam par Iana Makjuana (Ian McEwan) romāna "Piedošana" (‘Atonement’) semiotiskājiem elementiem, kurus režisors Džo Raits (Joe Wright) vēlāk pārnesa uz ekrāna. Darbs koncentrējas uz teksta oriģināla un tā adaptācijas kinofilmā salīdzinājumu, pētot gan teksta, gan vizuālo attēlojumu no semiotiskās perspektīvas. Pētījuma mērķis ir izpētīt teksta kinematogrāfiskos atveidojumus, novērtēt tekstuālo un vizuālo zīmju atšķirības un līdzības, kā arī veikt identificēto semiotisko elementu salīdzinošo analīzi un to turpmāko interpretāciju. Pētījuma rezultāti parādīja, ka Džo Raita kinematogrāfiskā adaptācija ir izcila teksta semiotisko elementu reprezentācijas ziņā, ka…
Writing and Misleading on Screen: Atonement (Ian McEwan/Joe Wright)
2008
How does the film adaptation of Atonement by Joe Wright find original ways to adapt what lies at the core of the novel by Ian McEwan—the ins and outs of writing? The film endeavours to transfer, cinematically or not, the metafictional and definitely postmodern dimensions in McEwan's story. Wright first works on point of view, sticking to young Briony's in the first part and elaborating on her re-vision and revisiting of events the meaning of which she thinks she can grasp. But seeing is constantly equated with writing in the novel, and Wright's film convincingly plays around this equation. “Writing on screen” it does indeed, either thematically—with the definitions and aims of writing accor…