Search results for "BERT"
showing 10 items of 1789 documents
« Merlin et le monde animal dans des textes latins et français du Moyen Âge»
2009
International audience
"With his Classics in mind": la Méditerranée frostienne ou l'appel des muses antiques
2018
International audience; This article intends to show the network of influences, borrowings and intertextual references in Robert Frost's long poems-their rewriting of ancient models, forms and myths and their Americanization of the pastoral genre. Our exploration of the Frostian fascination for the ancient Mediterranean world will be based on the poet's 1961 trip to Israel and Greece and his reappropriation of such legacy.
Leçon littéraire sur La vie de Galilée de Brecht
1999
National audience
Corps de bergers : lire Norbert Elias avec L’Astrée d’Honoré d’Urfé
2015
International audience
'Aesthetic Controversies?'
2017
International audience; My presentation will be devoted to the study of one remarkable Aesthetic controversy, the ‘Fleshly School of Poetry’ opposing Robert Buchanan, poet and, at the time, literary journalist, and some aesthetes including William Morris, Algernon Charles Swinburne and Dante Gabriel Rossetti. The controversy erupted when Buchanan published a violent attack, ‘The Fleshly School of Poetry’ under the pseudonym of Thomas Maitland in the Contemporary Review in 1871, and lasted, I’ll argue, until the early 1880s. This case study is part of a larger project retracing the history of British Aestheticism through the many controversies, scandals and polemics the movement elicited fro…
Supposition d’enfant et structure de substitution dans l’histoire de Silvie : les « phantomes de la supposition » dans les Illustres Françaises
2016
International audience
Leçon littéraire sur Dans la jungle des villes de Bertolt Brecht
1995
National audience
« Arpenter les Green Mountains : Reginald Cook sur les sentiers frostiens »
2016
International audience
Le livre illustré face à la danse : un médium empathique ?
2020
This article looks at the illustrated book as an intermedial transaction relying on a process of empathetic reception. The books examined here belong to the revival of illustration in England after the First World War: the series Impressions of the Russian Ballet (1918-1922) written and published by Cyril Beaumont, and the ‘livre de peintre’ Russian Ballet (1919) written and illustrated by David Bomberg. Part and parcel of the reception of modern dance, and more precisely of the Russian ballet, these books emphasize the symbolic significance of print in its ability to capture the ephemeral performance of dance.
Corps de bergers : lire Norbert Elias avec l’Astrée
2015
International audience