Search results for "BH"
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DesignArt. Ibridazioni creative tra arte e oggetti d’uso
2016
Oggi il mondo dell’arte si apre a un’ibridizzazione di forme e generi. La bellezza e la creatività, categorie fondamentali dell’arte secondo la tradizione idealistica e romantica, trovano nella vita quotidiana nuovi territori da colonizzare. In questo panorama di esteticità diffusa un fenomeno acquista particolare interesse: la DesignArt. La DesignArt costituisce un’intersezione tra due ambiti della creatività storicamente volti l’uno a progettare per l’industria oggetti seriali, utili ed esteticamente gradevoli, l’altro a ideare opere uniche e belle, ma senza scopo. Il luogo precipuo della DesignArt è l’ambiente vissuto, dove contemplazione e consumo si intrecciano in un’esperienza sineste…
Estetica e oggetti quotidiani ?
2014
According to Hegel and to the romantic theory, Aesthetics is a philosophy of art. However, nowadays we can experience the beauty not only with art, but also with every product (fashion, videogames, cars, technological products). So we can query if the realm of aesthetics should hold also everyday products and how this could transform the traditional aesthetic categories.This essay aim to answer these questions. It aim furthermore to sketch the product’s theoretical foundations referring to national and international debate which have dealt with everyday aesthetics according to different point of view.
Compositional Homology and Creative Thinking
2015
The concept of homology is the most solid theoretical basis elaborated by the morphological thinking during its history. The enucleation of some general criteria for the interpretation of homology is today a fundamental tool for life sciences, and for restoring their own opening to the question of qualitative innovation that arose so powerfully in the original Darwinian project. The aim of this paper is to verify the possible uses of the concept of compositional homology in order to provide of an adequate understanding of the dynamics of creative thinking.
Is aesthetic mind a plastic mind? Reflections on Goethe and Catherine Malabou
2019
What is the relationship between thinking and seeing a form? In his morphological writings Goethe answers this question by saying that seeing is not pure passivity, but a thoughtful look because it invokes the mobility and plasticity of our thinking. For this reason this kind of aesthetic gaze is useful to understand the world of life, equally mobile and plastic. In this article, I will try to find out whether Goethe’s considerations about aesthetic idea and plasticity can find a new-look in the reflections of Catherine Malabou, one of the most influential thinkers in contemporary French debate, in whose works the concept of plastic form is central.
Analogia e omologia: la questione della filogenesi delle emozioni
2013
Aim of this paper is to outline a new evolutionary interpretation of aesthetic emotions, in the light of the most recent developments in Evolutionary Biology, in particular the so-called “Extended Synthesis of Evolution” (Pigliucci-Müller 2010). Focussing on the biological concept of homology, the Author argues that, in order to effectively understand role and evolutionary value of aesthetic emotions, it should be asked not “what aesthetic emotions are for?”, rather “what kind of constraints and homologies influence the specific “shape” of human aesthetic emotions?”. In a few words, we should move from a functionalist approach to human aesthetic emotions towards a morphological one.
Smart objects: come il digitale organizza la nostra vita
2014
Computer, tablet, smartphone are the most important everyday objects in our life because we made experiences by them; they run due to their software: so it is necessary to understand it, his form, his design and his tradeoffs to understand the role of these objects and the possibilities of a conscious use of them.
The communication of users' identity on the social media "Clubhouse" and their motivation to use it (February–May 2021)
2021
Maģistra darba mērķis ir noskaidrot, vai un kā sociālajā medijā “Clubhouse” komunicētas lietotāju identitātes un kāda ir lietotnes izmantojuma motivācija. Teorētiskā daļa sastāv no literatūras apkopojuma par lietojuma un apmierinājuma teoriju, identitāti, medijiem un to konverģenci, kā arī masu un interpersonālo komunikāciju. Pētījuma rezultāti iegūti, veicot novērojumu lietotnē “Clubhouse”, tiešsaistes aptaujas anketā un daļēji strukturētās intervijās ar “Clubhouse” lietotājiem. Jaunais sociālais medijs “Clubhouse” pilda mediju lietojuma un apmierinājuma teorijā noteiktās lomas: sniedz iespēju apmierināt vēlmes un vajadzības, socializēties, iegūt un koplietot informāciju, izklaidēties, kā …
Q. Horatii Flacci Sermonum libri quatuor, seu Satyrarum Libri duo. Epistolarum Libri duo : Cum argumentis ad Lectoris maiorem facilitatem
1584
Sig. A4, B-G8, H10 Reclams. - Errates de fol.
Bernardini Parthenii Spilimbergii in Q. Horatii Flacci Carmina atq. Epodos commentarii : quibus Poetae artificium, quia ad imitationem, atq. ad Poeti…
1584
Sig. *-**4, ***6, ****4, A-Xx4 Port. grav. arquitectònica. - Capitals grav. i altres ornaments tip. Reclams. - Errates de fol. Del f. 72 passa al 75
Funktionskreis e Gestaltkreis: la metafora del circolo nella biologia teoretica
2014
This paper aims to examine the use of the circle metaphor within the functionalist perspective by Jakob von Uexküll and the morphological perspective by Viktor von Weizsäcker. Whereas the functionalist theory dissolves the unity of the organism in the multiplicity of functional relationships, Weizsäcker’s morphology recognizes the fundamental unity of the biological act, leading to a new concept of the living organism.