Search results for "Balzac"
showing 9 items of 9 documents
Effet de moiré et dérobades diégétiques chez Vautrin
2015
Questo articolo intende esaminare l’importanza dell’abbigliamento e dei vestiti in Balzac, in particolare le diverse tenute del personaggio Vautrin fin dalla sua prima apparizione nel “Père Goriot” (1834), passando per le “Illusions perdues” (1835-1843) e fino a “Splendeurs et misères des courtisanes” (1838-1847); frattanto, Vautrin ha preso anche a calcare le scene in una pièce omonima rappresentata nel 1840. Attraverso uno studio che tiene conto dell’analisi della descrizione e delle sue implicazioni psicoanalitiche, si mostra come l’uso del vestito serva da tramite alle “dé-robades” della diegesi. This article aims to examine the importance of clothing in Balzac, especially the different…
"L'être en devenir : identité, sexualité et normes sociales : autour des œuvres de Marivaux, Balzac et Beauvoir"
2018
URL : http://ceredi.labos.univ-rouen.fr/public/?journee-d-agregation-l-etre-en.html
Pasajes de París / 7: Su universo simbólico
2006
Capuana lettore di Taine. Ambivalenze di una fonte del verismo
2011
Barthes, le récit, la saisie esthétique. Petite relecture du « Sarrasine » de Balzac
2019
Roland Barthes has written a lot about narrative. But can we say that he was really interested in it? that he grasped its profound formal articulation and its anthropological values? who perceived the theoretical interest, beyond literary narrative itself, of its methodological consequence, narrativity? The answers are not as obvious as they may seem. On the one hand, thanks also to his writings, in the paradigm of the humanities - despite the continuous epiphanies of a resurgent positivism - no one doubts that the narrative form is hermeneutic model essential to the general understanding of social and anthropological phenomena. On the other hand, Barthes' attitude towards narrative is far …
Narcisse et Pygmalion : le peintre fou dans la littérature fantastique romantique
2012
This article examines the relationship between creation and self-esteem, through the analysis of five nineteenth century narratives, The Jesuit Church in Glogau and The Devil's Elixirs by E. T. A. Hoffmann, The Oval Portrait by Edgar Poe, The Unknown Masterpiece by Honoré de Balzac and Walter Eisenberg by Konstantin Aksakov. According to Ovid, Pygmalion manages to create a fertile woman, contrary to Narcissus. However, from an Christian and moral point of view, self-esteem happens to be doubly condemned: it leads human beings away from God and other people. Therefore, the point is to determine if romantic narratives succeed in defying this pattern and create self-sufficient artists able to …
Entre philosophie et littérature, quelle langue pour l’absolu ? (l’exemple de Balzac)
2012
International audience
Naiseuden kuva
2019
Kirja-arvostelu teoksesta Honoré de Balzac: Eugénie Grandet (1833) Suom. Outi ja Kalevi Nyytäjä. Kirjayhtymä, 1963. ISBN 951-26-2499-0. nonPeerReviewed