Search results for "Carroll"
showing 10 items of 14 documents
Moraalisten ja esteettisten arvostelmien suhde taiteessa : katsaus kohtuullisiin teorioihin
2015
Tämä tutkielma käsittelee moraalisten ja esteettisten arvostelmien suhdetta taiteessa keskittyen kolmeen kohtuulliseksi teoriaksi katsottuun näkemykseen: Noël Carrollin kohtuulliseen moralismiin, Berys Gautin etikismiin sekä Andersonin ja Deanin kohtuulliseen autonomismiin. Tarkoitukseni on selvittää, millä tavalla kukin näistä teoreetikoista näkee taiteen moraalin ja estetiikan suhteen. Tutkimuskysymyksessäni haluan ottaa selvää, onko taiteessa sekä moraalisia että esteettisiä arvostelmia ja vaikuttavatko nämä toisiinsa. Ennen siirtymistä varsinaisiin kohtuullisiin teorioihin pohjustan aihetta selvittämällä, kuinka taiteen moraaliin ja estetiikkaan on suhtauduttu historian kuluessa ja mite…
The debate on medium specificity in film theory: the keys to the formation of the aesthetic status of cinema
2018
En este trabajo recorreremos la historia de una cuestión que dominó la teoría del cine durante los años del cine mudo y que, con algunos desvíos, todavía continúa vigente en nuestros días, a saber: la posibilidad de que el cine pueda considerarse o no un arte de pleno derecho. La tematización de este marco nos servirá, a su vez, para presentar varias nociones fundamentales de la filosofía del cine que se construyeron al hilo de este debate, así como para señalar los autores clave y las implicaciones de toda índole – estéticas, epistémicas y culturales – involucradas en esta controversia. Con ello, aspiramos a detallar una perspectiva que permite ampliar nuestra comprensión de la historia de…
La mayor comprensión para el mayor número: la posición de Noël Carroll acerca del “arte de masas”
2018
Resumen En el presente trabajo expondremos las líneas maestras de la teoría del arte de masas de Noël Carroll. La nove- dad de su propuesta radica en que, al contrario de la mayoría de pensadores que han abordado el fenómeno, nuestro filósofo busca una teoría puramente descriptiva que renuncie a la valoración de su objeto de estudio, limitándose a ofrecer un marco conceptual capaz de clasificar las expresiones artísticas de la sociedad de masas. Como complemento, intentaremos contextualizar su propuesta presentando las bases del debate mediante las ideas de Clement Greenberg y Dwight MacDonald, principales fundadores del tópico. Por último, concluiremos con algunos materiales para la crític…
Compte-rendu de lecture: "L'esthétique du jeu dans les Alice de Lewis Carroll", par Virginie Iché
2016
« Mervyn Peake : ‘Alice, Tenniel et moi’ »
2022
Notice sur l'illustrateur anglais Mervyn Peake pour le catalogue SurréAlice (vol. 2, Illustr’alice) de l’exposition Illustr’Alice au Musée Tomi Ungerer en collaboration avec le Musée d’Art Moderne et Contemporain de Strasbourg. Dir. Fabrice Flahutez, Barbara Forest et Thérèse Willer. Strasbourg : Musées de la Ville de Strasbourg, 2022. 46-49.
A pragmatic study of nonsense, from Lewis Carroll to the Monty Python
2010
This dissertation consists in a study of verbal exchanges in nonsense literature, from the last quarter of the nineteenth century and one of the two fathers of the genre, Lewis Carroll, to the last quarter of the twentieth century and his glorious heirs, the Monty Python. The corpus is taken from the whole of English-speaking nonsense literature, be it English (Lewis Carroll, the Monty Python, N.F. Simpson), Canadian (Stephen Leacock), or American (Robert Benchley, Donald Ogden Stewart, Joseph Heller and the Marx Brothers). As the title indicates, the study of verbal exchanges will rely on pragmatic analysis, pragmatics being the study of how language works as a practice, in social context.…
Synthesis, characterization and thermal degradation of 8-hydroxyquinoline–guanidine–formaldehyde terpolymer
2007
Abstract Terpolymer (8-HQGF) has been synthesized using the monomers 8-hydroxyquinoline, guanidine, formaldehyde in 1:1:2 molar proportions. The structure of 8-HQGF terpolymer has been elucidated on the basis of elemental analysis and various physicochemical techniques, i.e. UV–Visible, FTIR–ATR and 1 H NMR spectroscopy. Detailed thermal degradation study of the new terpolymer has been carried out to ascertain its thermal stability. Thermal degradation curve is discussed which shows two decomposition steps (265–475 °C and 540–715 °C). Sharp–Wentworth and Freeman–Carroll methods have been used to calculate activation energies and thermal stability. The activation energy ( E a ) calculated by…
Systematized impoliteness in the nonsense world of Alice's Adventures in Wonderland and Through the Looking-Glass
2013
International audience; Theories of conversation very often revolve around the idea of cooperation, an idea dear to their founding father H.P. Grice (see Grice 1975). In a similar fashion, as Jonathan Culpeper points out in the introduction to his article “towards an anatomy of impoliteness”, theories of politeness often define the latter as a set of strategies “employed to promote or maintain social harmony in interaction” (Culpeper 1996:349). For those familiar or accustomed to this vision of conversation, reading Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking-Glass (1872) might be quite an interesting (and enjoyable) experience. In Carroll’s imaginary lan…
A new palladium(II)-catalyzed [3,3] aza-Claisen rearrangement of 3-allyloxy-5-aryl-1,2,4-oxadiazoles
2011
Abstract A new efficient palladium(II)-catalyzed [3,3] aza-Claisen, formal sigmatropic rearrangement of 3-allyloxy-5-aryl-1,2,4-oxadiazoles was developed. The mechanism was studied by analyzing the regiochemical and stereochemical course of the reaction. The results obtained indicated the intervention of a cationic pallada-cycle similar to the one postulated for the Cope rearrangement of 1,5-dienes.
The Collaboration of Lewis Carroll and Harry Furniss: illustrating the Sylvie and Bruno books
2008
The collaboration between Harry Furniss and Lewis Carroll did not stem from friendship, but from necessity: Carroll always illustrated his own texts as he wrote them, but his drawing skills were not good enough for publication. Yet it was impossible for him to write up the novel if the illustrating process did not take place simultaneously. To what extent is the collaborative creation of Sylvie and Bruno a real dialogue? Did Carroll only consider Furniss as an extension of himself? The correspondence between the two men allows us to analyse the complex relationship between the writer and the artist, but also acts as a prism that decomposes Carrollian creation into its graphic and textual co…