Search results for "Cathars"

showing 6 items of 16 documents

La musicoterapia nella Grecia antica

2007

Music in ancient Greece was believed to heal both the soul and the body, and especially to soothe wrath and low spirits. According to the ethos theory, music has a prominent role in the education of the young people. With both its medical and magic connotations, the notion of musical catharsis is involved in the performance of music and dance in the Dionysiac rites. The medical thought on music therapy is mainly linked with theories concerning the pulse, where musicology and medicine share a common ground.

PythagoreanismAristotlemusical ethopulse lorepaideia.ancient GreececatharsiMusic therapyepodeSettore L-FIL-LET/02 - Lingua E Letteratura GrecaPlato
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Le temps de la commémoration ou la tentative impossible du partage de la souffrance. Exemple de la commémoration des 20 ans du génocide de Srebrenica…

2017

National audience

[SHS.PSY] Humanities and Social Sciences/Psychology[SHS.PHIL] Humanities and Social Sciences/PhilosophycommémorationcatharsisVictime[SHS.HIST] Humanities and Social Sciences/Historygénocide[SHS.PHIL]Humanities and Social Sciences/PhilosophySrebrenica[SHS.PSY]Humanities and Social Sciences/Psychologysouffrance[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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Strumenti Musicali/ Musical Instruments

2021

Nella Grecia antica la musica ricopriva un ruolo molto importante in ogni contesto significativo della vita comunitaria; allo stesso modo era presente in ogni evento rilevante dell’esistenza individuale. Gli strumenti musicali furono classificati da Aristosseno di Taranto (4° sec. a.C.) in tre gruppi principali: cordofoni, aerofoni e membranofoni (classificazione ancora in uso). Almeno a partire dal 5° sec. a.C., caratteristiche etiche furono associate alla lira e all’aulos, gli strumenti più rappresentativi dei primi due gruppi. A Roma la musica ebbe un ruolo più limitato. In ancient Greece, music played a very important role in every meaningful context of community life; similarly, it was…

aerofonicatarsiMusicastrumenti a percussionePercussion Instrumentstrumenti a cordeStringed InstrumentAuloAerophoneliraproverbiCatharsiaulòProverbsMusicSettore L-FIL-LET/02 - Lingua E Letteratura GrecaLyre
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Klasyczna teoria dramatu i jej wychowawcze implikacje

2009

dialogueeducationcatharsistruthgoodaesthetic educationbeautyaesthetic valueplottheatrecomedymimesisexpressiondramatic personroletragedydramaself-educationartcreative activityKwartalnik Pedagogiczny
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Catarsi ed Ethos. La musica tra formazione del carattere e cura dei mali nella Grecia antica

2022

Nella Grecia antica la musica è presenza costante e riguarda tutti gli aspetti del sapere. L’idea di un influsso esercitato sull’uomo, e persino sulla sua salute, trova espressione nella nozione di catarsi e nella dottrina dell’ethos, secondo cui la musica esplica un’azione psicagogica in base alle harmoníai («scale musicali») seguite dalle composizioni, e agli strumenti usati. A partire dai riti, la catarsi entra nella riflessione di Platone e di Aristotele. Nel De musica di Aristide Quintiliano, l’analisi della capacità della musica di influire sull’anima si affianca alla speculazione sulle harmoníai e apre la strada alla comprensione del suo influsso sull’indagine medica, definendo nel c…

paideiaenthousiasmoAristides QuintilianuAristoteleharmoniaAristotleritiPlatoneriteCatharsimusicoterapia.music therapy.Aristide QuintilianoethoCatarsiSettore L-FIL-LET/02 - Lingua E Letteratura GrecaPlato
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“Never shake thy gory locks at me” (Macbeth, III.iv.50-51): Objecting to Gestures in Macbeth

2018

International audience; Shakespeare's Macbeth displays a pattern of characters objecting to gestures, be it others' or their own. This includes Macbeth refusing to shake hands with his opponent before the battle, his words to Banquo's ghost quoted in the title above, Banquo's own puzzlement at the weird sisters' placing a finger over their lips, the doctor's suspicions at Lady Macbeth's rubbing her hands and sleepwalking, as well as Malcom's request that Macduff not pull his hat over his eyes. In many of these cases, gesture is pitted against speech, which seems to undermine the classically-derived ideal of "suit[ing] the word to the action, the action to the word" (Hamlet, 3.2.16-18). This…

spectaclecatharsisBattleShakespeare[SHS.LITT]Humanities and Social Sciences/Literaturerhetoricmedia_common.quotation_subjecthéroïsmeempathieRepresentation (arts)oratoryheroism[SHS]Humanities and Social Sciences[SHS.LITT] Humanities and Social Sciences/Literaturegesteempathyart oratoireHamlet (place)ComputingMilieux_MISCELLANEOUSmedia_commonLiteraturepageantbusiness.industryrhétoriqueArtsuspense16. Peace & justiceAction (philosophy)RhetoricCatharsisgestureactionbusinessGestureDrama
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