Search results for "Chromaticism"

showing 2 items of 2 documents

Le statut des couleurs et de la lumière dans les munāẓarāt paysagères au Yémen à l’époque post-classique

2018

Abstract This contribution aims to comment on chromaticism by analysing the principal colours as they are mentioned in the landscape descriptions of the maqāmāt of the type munāẓarāt composed in the Yemen of the post-classical era. The colours are mainly manifested in the depictions of the garden area, but can also be characterising of certain vegetal types that sometimes play the main role in these texts. The analysis of the colours enables us to make certain considerations about the state of light and its depictions within this corpus. Indeed, there appears to be a direct correlation in these descriptions between the light and the luminosity characterised by its type of reflection and bri…

Yemen maqāma munāẓara post-classical Arabic literature landscape in literatureSettore L-OR/12 - Lingua E Letteratura Arabamedia_common.quotation_subjectContext (language use)General MedicineArtChromaticismHumanitiesmedia_common
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Returning to musical universals - Question of equidistant scale

2009

It is widely accepted that asymmetries in intervals of the musical scale (i.e., inequalities of the interval steps) serve as “orientation points so that we can know ‘where’ we are in the scale” (Krumhansl, Snyder). This feature is often treated as universal (Dowling, Harwood, Trehub, etc.). At the same time, there is evidence of equitonics (equidistant scales) in various world musics. Examples of equitonics can be found in European folk music (Grainger, Sachs, Sevåg, etc.), as well as in “exotic” music cultures. Often such scales are anchored on a framework of a fourth or fifth (i.e. the strongest consonances) and filled in with “loosely-knit” (Grainger) intermediate tones. The result is "a…

equidistant musical scaleschromaticismsmusical universal“Ancient Greek” scales
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