Search results for "Cleopatra"

showing 7 items of 7 documents

Leaf starch and nutrient responses to stem girdling and drought stress with respect to understanding HLB (greening) symptoms in citrus

2016

The most important problem in world citrus production is the bacterial disease Huanglongbing (HLB; greening) which is caused by a phloem-limited bacterium that is vectored by a phloem-feeding psyllid. The earliest visible symptoms of HLB in leaves are an asymmetrical chlorosis referred to as "blotchy mottle", thought to be from starch accumulation from a phloem dysfunction and a decline in root health. We tested the hypothesis that such visible symptoms are not unique to HLB by stemgirdling two year-old seedling trees of 'Cleopatra' mandarin and 'Swingle' citrumelo rootstocks in the greenhouse. Girdling induced a 4-fold greater starch concentration in leaves on well-watered trees while star…

0106 biological sciences0301 basic medicineLeaf boronDrought stressStarchHorticultureBiology01 natural sciencesSettore AGR/03 - Arboricoltura Generale E Coltivazioni Arboree03 medical and health scienceschemistry.chemical_compoundHorticulture030104 developmental biologyNutrientGreeningchemistryAgronomyBlotchy mottleGirdling'Cleopatra' Mandarin'Swingle' citrumelo010606 plant biology & botanyActa Horticulturae
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Eleonora Duse as Juliet and Cleopatra

2017

From her debut as Juliet in 1872 onwards, the career of Eleonora Duse (1858–1924) is marked by an evolving, changeable approach to her Shakespearean roles. In different ways and under diverse circumstances, each of her Shakespearean parts represented something of a turning-point in her cursus. Scholars have argued that life and art, emotional instinct and theatrical performance, coalesced seamlessly throughout her Shakespearean repertoire, and in particular in her interpretation of Cleopatra (Puppa 2009). Yet while this theory that she acted out her own personal life, and that her characters’ feelings coincided with her own, is an attractive one, it is also reductive. New evidence——the disc…

CleopatraDuse theatre Shakespearebiologymedia_common.quotation_subjectArt historyArtSettore L-ART/05 - Discipline Dello Spettacolobiology.organism_classificationmedia_common
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Measuring Strategies of the Field Experiments CLEOPATRA, FELDEX and NORDEX of the Collaborative Research Centre

2007

CleopatraGeographyMeteorologybiologyResearch centrebiology.organism_classificationField (geography)
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Juba II, rey de los mauros y los libios

2013

Con la tesis Juba II, rey de los mauros y los libios, se analiza la transcendencia que para el Principado de Agusto tuvo la instauración de este príncipe norteafricano como rey de Mauritania. Partiendo del análisis de su origen númida y las relaciones de alianza y amistad que vincularon su familia a Roma, hechos de gran relevancia y ampliamente explicados en este trabajo, se acomete en profundidad el estudio de los restos numismáticos, epigráficos, literarios y arqueológicos que conducen a establecer las líneas de actuación de este monarca en su reino, a nivel socioeconómico, militar y político. En cuanto al primer ascpecto citado, del estudio realizado se desprende que este monarca llevó a…

NumidiaUNESCO::HISTORIAPtolomeoMauritaniaJuba II:HISTORIA [UNESCO]Cleopatra Selene
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Tacitus on Titus? Visit to the Temple of Venus at Paphos

2020

This article deals with Titus? visit to the temple of Venus at Paphos in the second book of Tacitus? Historiae. I argue that apart from its other literary intentions already mentioned by scholars, this digression implicitly connects Titus not only with Aeneas but also with Julius Caesar. Titus? affair with Berenice that recalls Caesar?s affair with Cleopatra, Tacitus? allusions to Lucan?s De Bello Civili where Caesar?s visit to the tomb of Alexander the Great is described, the ?????Motiv and fortuna?s favour that characterise both Roman generals, all contribute to connect Titus with Caesar and allow the reader to view a parallel between the Flavian and the Julio-Claudian dynasty. Furthermor…

Tacitus? allusions to Lucan?s De Bello Civili where Caesar?s visit to the tomb of Alexander the Great is describedall contribute to connect Titus with Caesar and allow the reader to view a parallel between the Flavian and the Julio-Claudian dynasty. FurthermoreUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe ?????Motiv and fortuna?s favour that characterise both Roman generals:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]1135-9560 8276 Studia philologica valentina 567083 2020 22 7762316 Tacitus on Titus? Visit to the Temple of Venus at Paphos TzounakasSpyridon This article deals with Titus? visit to the temple of Venus at Paphos in the second book of Tacitus? Historiae. I argue that apart from its other literary intentions already mentioned by scholarsthe particular digression allows the historian to present certain aspects of his work and his historiographic practices and to reinforce his credibility. 103 114this digression implicitly connects Titus not only with Aeneas but also with Julius Caesar. Titus? affair with Berenice that recalls Caesar?s affair with Cleopatra
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In partenza verso il majhul. Italiani ed egiziani in fuga per Alessandria d'Egitto

2019

This article analyzes two novels set in Alexandria. The first one is "Cortile a Cleopatra" by the Italian writer Fausta Cialente. The second one is "Nobody sleeps in Alexandria" (Lâ ahad yanâm fî'l-Iskandariyya) by Ibrahim Abdel Meguid. The analysis focus on actions that characterize the genre of travel literature in which the traveler is expected to perform two actions: leaving then returning. If the traveler does not come back to the starting point, his experience is not considered as "travel", rather as "change of residence". But it does not always work out that way. In the two novels, the protagonists leave with intentions of ever coming back. At the same time, their departure includes …

Travel literature Cortile a Cleopatra No One Sleeps in Alexandria (Lâ ahad yanâm fî'l-Iskandariyya) Fausta Cialente Ibrahim Abdel Meguid
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La mala fortuna de Cleopatra en la batalla de Accio

2010

En este artículo se hace un estudio, desde el punto de vista de la Emblemática, del significado del lienzo del pintor Lorenzo A. Castro La Batalla de Accio, 2 de septiembre de 31 a. de J. C., del Museo Marítimo Nacional de Greenwich, a la luz de la alegoría de la Fortuna, basada en la pictura de un emblema de Alciato y representada en el mascarón de proa de la galeota de Cleopatra que huye del combate, un episodio considerado como punto de inflexión en la suerte de la célebre reina de Egipto. This article is a study, from the viewpoint of Emblematics, of the meaning of the painting by Lorenzo A. Castro The Battle of Actium, 2nd September 31 B.C., in the collection of the National Maritime M…

battle of Actium Cleopatra fortune Lorenzo A. Castrobatalla de Accio Cleopatra fortuna Lorenzo A. Castro
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