Search results for "Colonial"
showing 10 items of 338 documents
El ciclo de la vida de San Ignacio de Loyola pintado por Cristóbal de Villalpando en Tepozotlán. Precisiones iconográficas
1994
LOS PINTORES QUE EN SUS OBRAS REPRESENTARON LA VIDA Y MILAGROS DE SAN IGNACIO DE LOYOLA, PUDIERON INSPIRARSE EN LAS NUMEROSAS ESTAMPAS DE GRABADOS QUE ACOMPAÑARON LA CAMPAÑA DE PROPAGANDA QUE TUVO LUGAR A RAIZ DE SU BEATIFICACION Y POSTERIOR CANONIZACION. ENTRE ELLAS, LA SERIE MAS NUMEROSA Y COMPLETA FUE LA GRABADA POR JEAN BAPTISTA BARBE SEGUN DIBUJOS DE RUBENS, PUBLICADA EN ROMA EN 1609. EN MUCHAS DE ESTAS ESTAMPAS SE BASO CRISTOBAL DE VILLALPANDO PARA REALIZAR LA SERIE SOBRE LA VIDA DEL SANTO EN EL NOVICIADO DE TEPOZOTLAN, MEXICO. LAS PINTURAS, FECHADAS EN 1710, CORRESPONDEN AL ULTIMO PERIODO, EN EL QUE RECURRIO A COLABORADORES, LO QUE EXPLICA LAS DESIGUALDADES DE CALIDAD (ABC/LAG).
Information transfer determined by association of neighbours in European bee-eater (Merops apiaster) colonies
2007
The Information Centre Hypothesis (ICH) and the Two-Strategies Hypothesis (TSH) predict that foraging success is enhanced by information exchanged among individuals within a colony or roost. Nest location within a colony may be critical in this regard, as individuals with abundant, nearby neighbours likely have greater access to information regarding a new food resource than relatively isolated breeders. To determine how the availability of neighbours influences information transfer, we quantified foraging success in a population of European bee-eaters (Merops apiaster) provided with a honey bee (Apis mellifera) hive as a new food resource. To quantify potential information transfer we deve…
De Bakou à Bruxelles. L’Internationale communiste face au monde colonial (1920-1940)
2020
International audience
Postcolonial Intersections: Transnational Women Voices from Minor Italy
2017
The rising corpus of Italian postcolonial literature, mainly by women writers originally from the Horn of Africa, is urging Italian letters to engage with other contemporary transnational productions, thus challenging the notion of national canons and vertical power relations, in favor of a writing seeking for horizontal, minor connections unmediated by the center, as suggested by Francoise Lionnet and Shu-mei Shih, whose work on Minor Transnationalism draws from Deleuze & Guattari and Edouard Glissant. As a case of point, the article offers a reflection on Ubax Cristina Ali Farah's narratives and their use of language.
Il mare colore del sangue
2018
In their artwork "Calendoola: SURUS", visual artists Simone Trabucchi and Simone Bertuzzi AKA Invernomuto, in their characteristically visionary language combine sensory experiences and political urgency, offering a reflection on a potentially dystopian society incapable of coming to terms with its own history of colonial, imperial, neocolonial, and global domination. In their 2018 installation at the MAXXI Musuem in Rome, men bleed, turtles lie on their backs, and elephants look on, wise and inexorable. Meanwhile the sea is burning and has turned blood-red. It is the blood of the sons who cross it from opposite sides of the Mediterranean, some succeeding, others succumbing to its abysses. …
"Pearls in Motion" -- Prefazione al romanzo di Cristina Ali Farah, Little Mother (titolo originale: Madre piccola), Bloomington, Indiana University P…
2011
La produzione di ceramica da mensa a Solunto: un esempio di continuità tecnologica dallʼetà arcaica a quella ellenistico-romana.
2009
Solunto is one of the most important Phoenician-Punic colonies of north-western Sicily. Archaeometric researches carried out in the last years ascertained a local production of transport amphorae during Archaic and Classic age (7th-5th century B.C.) through mineralogical, petrographical and chemical analysis of ceramic samples, kiln refuses and local raw materials (clays and alluvial sands). In connection with these earliest works, the present paper was focused on some specific forms of fine-tempered table ware of Archaic age and/or Classic-Hellenistic age. This pottery has been recurrently brought to light in Solunto and it is furthermore suspected to be, at least to some extent, a local r…
Enjeux fonciers et développement "durable" au Mali
2012
Making the land issue a total economic phenomenon and capital the driving force of development equates to giving free rein to the commodification of the land. Is it really necessary for Mali to sell off its agricultural land and its land resources to access development? For what development? Does development demand that family-run small farming operations and age-old, traditional land management methods be sacrificed? Ever since the country attained national sovereignty in 1960, Mali ‒ a poor country in sub-Saharan Africa ‒ has been seeking in vain to achieve rapid economic, social and industrial development by all the means available, with the exception of the deployment of an endogenous d…
Landscapes of loss and destruction: : Sámi elders’ childhood memories of the second world war
2019
The so-called Lapland War between Finland and Germany at the end of the Second World War led to a mass-scale destruction of Lapland. Both local Finnish residents and the indigenous Sámi groups lost their homes, and their livelihoods suffered in many ways. The narratives of these deeply traumatic experiences have long been neglected and suppressed in Finland and have been studied only recently by academics and acknowledged in public. In this text, we analyze the interviews with four elders of one Sámi village, Vuotso. We explore their memories, from a child’s perspective, scrutinizing the narration as a multilayered affective process that involves sensual and embodied dimensions of memory. ©…
Leonard Woolley, Lawrence d’Arabie et les fouilles de Karkémish
2008
essay on the excavations of Karkemish