Search results for "DRAM"
showing 10 items of 390 documents
El auto sacramental y la alegorización de la historia: "El socorro de Cádiz" de Juan Pérez de Montalbán
2012
Este trabajo estudia la relación excepcional entre acontecimientos históricos y género sacramental, a partir de un auto que se dio por perdido durante bastantes años. Se trata de El socorro de Cádiz de Juan Pérez de Montalbán en el que se alegoriza la defensa de Cádiz contra los ingleses en 1625. This paper analyzes the exceptional relationship between historical events and the sacramental genre, based on an «auto» that was considered lost during many years. This «auto» is El socorro de Cádiz by Juan Pérez de Montalbán, in which the playwright allegorizes the defense of Cádiz against the English in 1625.
La esclava del cielo, Santa Engracia, una comedia olvidada de Andrés de Claramonte
2009
La esclava del cielo, Santa Engracia, a forgotten play by Andrés de Claramonte Two are the objectives of this paper: in the first place, to elucidate the relationship that exists between the manuscript copy that has been preserved of a play entitled La esclava del cielo, Santa Engracia and the play of the same title that is mentioned in several documents of the 17th Century related to the professional companies of the autores Cristóbal Ortiz, Juan Bautista Valenciano and Juan Jerónimo Valenciano. In the second place, to critically analyze the attribution of La esclava del cielo, Santa Engracia to the playwright Andrés de Claramonte that appears in several of these documents, both by assessi…
L?herència del debat literari sobre la condició femenina en l?obra dramàtica de Francesc Palanca i Roca
2020
Resum: Els estudiosos del teatre del segle XIX consideren que els gèneres escènics vuitcentistes, en especial el sainet, són una font de documentació de la societat d’aquells anys. En conseqüència, a través d’una part important de la producció dramàtica de Francesc Palanca i Roca (1834-1897) podem resseguir els hàbits, els costums i les tradicions dels valencians d’aquell període, fins i tot la disputa o el debat al voltant de les dones que inundava els ambients literaris i acadèmics europeus des de l’edat mitjana. En aquest sentit, observarem com les obres per a escena de Palanca i Roca recullen l’herència dels tòpics misògins i dels arguments en defensa de la condició femenina, una herènc…
La Lucrècia Borja de ficció en el drama d’Hugo i els seus derivats
2015
Resum: El drama Lucrece Borgia de Victor Hugo confereix al personatge historic una serie d’atributs en sintonia amb el gust sensacionalista de l’epoca: en ser dona, poderosa, bella i formada. Lucrecia Borja es el millor exemple d’allo que Kristeva anomena «l’abjecte» en les Pouvoirs de l’horreur (1980). Una imatge de femme fatale lligada al veri o l’incest que es popularitzara gracies a les nombroses obres derivades del drama: de l’opera de Donizetti als romancos populars de manera que les caracteristiques del personatge de ficcio s’imposaran a l’historic en l’imaginari col·lectiu. Lucrecia Borja, que fins aleshores havia estat considerada un instrument al servei de les politiques familiars…
Opera Ludica. Alcune riflessioni sul gioco a carte nel teatro musicale fra Ottocento e Novecento
2010
The essay aims to shed light on the relationship between opera and play, focusing on the card scenes in four operatic masterpieces of the 19th and 20th centuries: "Carmen" (1875), "The Queen of Spades" (1890), "The Girl of the Golden West" (1910) and "The Rake’s Progress" (1951). In these operas, the idea of play is much more than a simple cue or thematic subject: it has a substantial and paradigmatic function, directly connected with the dramaturgic and musical architecture of the work. On the other hand, these operas share some features that can be linked to the idea of time and to the metalinguistic value of play: although play and music take place in time, they tend to annul it, thus en…
Neutron-Induced Effects on a Self-Refresh DRAM
2022
International audience; The field of radiation effects in electronics research includes unknowns for every new device, node size, and technical development. In this study, static and dynamic test methods were used to define the response of a self-refresh DRAM under neutron irradiation. The neutron-induced effects were investigated and characterised by event cross sections, soft-error rate, and bitmaps evaluations, leading to an identification of permanent and temporary stuck cells, single-bit upsets, and block errors. Block errors were identified in different patterns with dependency in the addressing order, leading to up to two thousand faulty words per event, representing a real threat fr…
"Repen perhe sai tappotuomion" : dramaturgia, henkilöt ja mielipiteet Korkeasaaren paviaanien lopettamista käsitelleessä lehtikirjoittelussa lokakuus…
2006
Six Characters in Search of an Author: Thomas Kilroy alle prese con Pirandello
2011
New Trends in Irish Theatre
2021
This issue explores recent trends in Irish theatre and theatre culture with a double aim of assessing and disseminating the work of playwrights, directors, companies, in Ireland and among the Irish diaspora. Special attention is given to 21st century Irish theatre and its sense of heritage, its sense of the present, its use of memory, the duty and challenges of recollection and theatre’s capacity for independent action.
Il terzo atto al San Carlo di Napoli nell’ultimo trentennio del Settecento: declino, atrofizzazione, scomparsa
2023
In the last decades of the eighteenth century, the third act of opera seria was gradually reduced in importance and dimensions until it disappeared altogether. The article studies this process in relation to the repertoire of the San Carlo theatre in Naples from 1771 on, with special attention to the intertwining of dramaturgical choices and audience’s behavior. The examination of a large number of librettos and scores makes it possible to fix reliable chronological terms. After an isolated episode in 1780, the adfirmation of the two-act model can be traced back to the 1786-1787 season. The new formula quickly took hold, but three-act operas continued to be performed - with ever decreasing …