Search results for "Digital humanities"
showing 10 items of 44 documents
Consolidation
2021
magazén - International Journal for Digital and Public Humanities is the interdisciplinary journal of the Venice Centre for Digital and Public Humanities (VeDPH) based at the Department of Humanities at Ca’ Foscari University of Venice undergoing double blind peer review and published twice per year in open access by Edizioni Ca’ Foscari. The articles of this volume focus on the consolidation of scholarly practices and research models circulating in the international scholarly context of Digital and Public Humanities addressing the concept of ‘consolidations’ from different perspectives and with different methodological approaches and presenting a varied and yet intertwined landscape.
Fusions
2020
FUSIONS
La « mise en jeu » de la santé par la mondialisation
2003
A travers de nombreux exemples, Jean-Claude Fritz illustre le paradoxe auquel le monde se trouve aujourd’hui confronte : une richesse et un niveau de developpement sans precedent dans l’histoire, auxquels s’opposent aggravation des inegalites, violences, degradation de l’environnement... qui marginalisent une partie de l’humanite. Le changement est non seulement necessaire mais possible.
Extending the DSE. LOD support and TEI/IIIF integration in EVT
2020
Current digital scholarly editions (DSEs) have the opportunity of evolving to dynamic objects interacting with other Internet-based resources thanks to open frameworks such as IIIF and LOD. This paper showcases and discusses two new functionalities of EVT (Edition Visualization Technology), version 2: one improving the management of named entities (f.i. personal names) through the use of LOD resources such as FOAF and DBpedia; the other, providing integration of the published text with digital images of the textual primary sources accessed from online repositories (e.g. e-codices or digital libraries such as the Vaticana or the Ambrosiana) via the IIIF protocol.
National e-resources of Shakespeare translations in Europe: (Dis)assembling the black box
2019
This article discusses the construction, operation and scholarly usefulness of electronic resources of Shakespeare translations. In particular, it offers an overview of several existing European digital resources of Shakespeare translations by singling out trends, challenges and new vistas of research; describing the content, editing policies and functionalities of selected European projects, already in operation or currently assembled; and discussing the aims and major difficulties faced by the researchers, the choice of navigation and search tools, the possibilities of integrating national repositories with other resources and the relation of translation e-resources to adjacent disciplin…
Reconsidering authorship in the Ciceronian corpus through computational authorship attribution
2019
In recent years, methods of computational authorship attribution have offered promising results for the reattribution of classical texts. We use and further develop these methods to verify the authorship of several texts belonging or related to the Ciceronian corpus: Rhetorica ad C. Herennium, De inventione, De optimo genere oratorum, and Commentariolum petitionis. We use two classifiers, Support Vector Machine and Convolutional Neural Network, of which the latter is more accurate except in regard to certain aspects of vocabulary. The most important of our results is that Commentariolum petitionis seems to be authored by Marcus Cicero, not by his brother Quintus. Negli ultimi anni metodi co…
La iconografía en la era digital: hacia una heurística para el estudio del contenido de las imágenes medievales
2014
Este artículo invita a reflexionar sobre la validez de la iconografía como método para describir los temas representados en las obras artísticas medievales. En esta ocasión, se ha puesto un mayor énfasis en investigar sus implicaciones epistemológicas y los sesgos que resultan del proceso de transformar las imágenes en palabras. El objetivo principal es tratar de que aflore la llamada 'brecha semántica', una especie de barrera que impide representar verbalmente un medio no léxico, como es el visual, de manera satisfactoria y sin mermas. Tras un sucinto recorrido por el pensamiento griego, con un especial interés por la écfrasis, se sugiere que el aparente equilibrio entre las capacidades se…
Learning from the Past : The Women Writers Project and Thirty Years of Humanities Text Encoding
2017
In recent years, intensified attention in the humanities has been paid to data: to data modeling, data visualization, “big data”. The Women Writers Project has dedicated significant effort over the past thirty years to creating what Christoph Schöch calls “smart clean data”: a moderate-sized collection of early modern women’s writing, carefully transcribed and corrected, with detailed digital text encoding that has evolved in response to research and changing standards for text representation. But that data—whether considered as a publication through Women Writers Online, or as a proof of the viability of text encoding approaches like those expressed in the Text Encoding Initiative (TEI) Gu…
Transcribing the "Estoria de Espanna" using crowdsourcing: Strategies and aspirations
2015
This paper examines the specific strategies for recruitment and retention of volunteer transcribers in use in two collaborative transcription projects: Transcribe Bentham (University College, London) and the Estoria de Espanna Digital Project (University of Birmingham). The aim of the paper is to review the strategies used by Transcribe Bentham, a more mature crowdsourced electronic transcription project, with a view to informing the strategies put into place in the Estoria project, which has started transcribing using crowdsourcing more recently. The paper discusses the difficulties faced by crowdsourced electronic transcription projects and how these have been and are being resolved in th…
L'edizione critica digitale. La critica del testo nella storia della tradizione
2019
The traditional output of philological work aiming at the constitutio textus is the print critical edition with apparatus footnotes showing select variant readings. The digital scholarly edition, instead, is not constrained by the space limits of the printed page, so it can encode and visualize synoptically many versions of a text, as found in different textual witnesses. This opportunity has often been exploited by New Philology editions, in which textual versions are juxtaposed without any attempt to reconstruct an "original" text. However, the digital critical edition can constitute a "third way" between constitutio textus and New Philology: the digital editor can provide different versi…