Search results for "Doubt"

showing 4 items of 24 documents

Abatellis: Un punto sull’Allestimento di Scarpa 1953-54

2021

Palazzo Abatellis, ultimato alla fine del XV secolo, subì profondi rimaneggiamenti in seguito alla sua trasformazione in convento. Il visitatore si trova di fronte a uno straordinario palinsesto progettuale, composto tra il 1490 e il 1953, dall'inizio dei lavori di Matteo Carnilivari alla conclusione dei lavori della Galleria Nazionale di Sicilia su disegno di Carlo Scarpa. Tutto questo va salvaguardato o forse è necessario fare degli “aggiustamenti” per esigenze temporanee e transitorie? Palazzo Abatellis, completed at the end of the 15th century, underwent profound alterations following its transformation into a convent. The visitor is faced with an extraordinary planning schedule, compos…

The room of Doubt Architectural interiors Carlo Scarpa.La stanza del dubbio Interni architettonici Carlo Scarpa.Settore ICAR/14 - Composizione Architettonica E Urbana
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Paschalna wiara apostoła Tomasza (J 20,24-29)

2020

Ewangelista Jan zaprezentował w swoim dziele różne wymiary wiary w zmartwychwstałego Jezusa. Umiłowany uczeń uwierzył po zobaczeniu pustego grobu, w którym pozostały tylko płótna i chusta (J 20,8). Maria Magdalena uwierzyła po tym, jak przemówił do niej uwielbiony Chrystus, którego wcześniej pomyliła z ogrodnikiem (J 20,14-16). Uczniowie uwierzyli wówczas, gdy ujrzeli swego zmartwychwstałego Mistrza i Jego rany (J 20,20). Tomasz wyzbył się swych wątpliwości i uwierzył pod wpływem spotkania z Jezusem, który pozwolił mu nie tylko oglądać, lecz również dotknąć swych rąk i boku (J 20,24-28). Wreszcie są też i tacy, którzy nie widzieli Jezusa i Jego spektakularnych znaków, a jednak w Niego uwier…

Thomashands and sideTomaszwyznanie wiaryręce i bokwątpliwościconfession of faithrisen Jesusdoubtszmartwychwstały JezusStudia Teologiczno-Historyczne Śląska Opolskiego
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De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe

2021

Guianese culture and traditional music, here evoked, are various. It is more a transcultural process that, along centuries, gave an original result born in the Americas, in Guiana in this case. It is a form of refoundation, of recreation of cultures and new human beings generally called Creoles. The musical performance, that I study here, is the echo of social and cultural space of this reformulation of thought, life, and conception of the world. It is, as well, a mean of transposition and transformation of the values issued of diverse sources and categories. It is in no way a second-rate cultural practice, as it is the place where were born philosophies and actions for common life as well …

as it is the place where were born philosophies and actions for common life as well as for individual life. This organization of the musical experience requires several levels of readings to better understand the underlying performance that is the issue discussed here. What is then the subject of the musical performance in French Guianese traditional society? What are the implementation techniques and the intrinsic forms of knowledge? What is the creation process and for what goal? Without a doubtlifeUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASand conception of the world. It isrevista de investigación musical: territorios para el arte 590908 2021 7 8182062 De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe Anakesa Kululukaalong centuriesin Guiana in this case. It is a form of refoundationis the echo of social and cultural space of this reformulation of thoughtquestions arising from this issue are still numerous and varied. And the answers one can give are just as numerous. The few basic questions mentioned above are a theme for the reflection conducted here by the author on traditional music of French Guiana. 105 1442386-8260 13268 Itamara mean of transposition and transformation of the values issued of diverse sources and categories. It is in no way a second-rate cultural practicehere evokedof recreation of cultures and new human beings generally called Creoles. The musical performancegave an original result born in the Americasterritorios para el arte 590908 2021 7 8182062 De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe Anakesa Kululuka [revista de investigación musical]Apollinaire Guianese culture and traditional musicas well:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]that I study hereare various. It is more a transcultural process that
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El paper d’Alfred Morel-Fatio en els inicis de la catalanística

2022

El nostre objectiu en aquest article és fer una síntesi dels principals estudis d’Alfred Morel-Fatio sobre llengua i literatura catalanes, així com definir el seu paper en la catalanística del segle XIX, especialment a França però també a la resta d’Europa. Cal saber que aquest erudit francès va tenir un paper cabdal en el desplegament dels estudis universitaris catalans fora del nostre àmbit lingüístic, a banda de fer aportacions significatives al desplegament de la filologia catalana. Així, arribem a la conclusió que Morel-Fatio té el mèrit de ser el primer professor que va introduir l’estudi de la llengua i la literatura catalanes a les aules universitàries. A banda d’això, no es pot obv…

formes dubitatives“UNESCO:CIENCIAS DE LAS ARTES Y LAS LETRAS”Linguistics and Languagedistanced formssecondary perfectsperfets secundarisconclusive moodperfetmode conclusiudoubtful formsLanguage and Linguisticsformes narrativesperfectCaplletra. Revista Internacional de Filologia
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