Search results for "Drama"

Atkārtojums Semjuela Beketa dramaturģiskajā darbā “Luga”

2016

Semjuela Beketa dramatiskais darbs “Luga” ir gan netradicionāls, gan unikāls. Luga uzrakstīta 1963.gadā un atšķiras no citiem darbiem ar bezemocionāliem un neizteiksmīgiem personāžiem. Uz skatuves atrodas trīs personāži, kuri nespēj ne kustēties, ne runāt izteiksmīgi, ne paust emocijas, ne izmantot mīmiku. Lai izprastu šo lugu, jāizpēta tas, kas jau dots – mākslinieciskie izteiksmes līdzekļi. Atkārtojums ir viens no visvairāk izmantotajiem līdzekļiem un katrs personāžs to izmanto citādāk, lai panāktu noteiktu efektu uz klausītāju. Katrs atkārtojums var tikt grupēts atšķirīgās kategorijās un katram no tiem ir sava funkcija dramatiskajā darbā. Visbiežāk atkārtojums izmantots, lai pabeigtu dom…

History and reality of the genus 'Homo' : what is it and why do we think so?

2017

Paleoanthropologists who worry about how nature is organized into species, and about what we should call them, are very often accused by their peers of «just arguing about names». This implies that basic taxonomy is a boring clerical operation that should be dispensed with as quickly as possible or even ignored, so that we can get to the really interesting questions about human evolution. Yet the reality is that we shall never understand the events of the intricate human evolutionary play if we cannot accurately identify the actors who participated in that drama. This article looks briefly at how our current supremely woolly concept of the genus Homo has come about, as background for urging…

Development of sense of coherence during two group interventions

2012

Burnout is a serious occupational hazard. This study investigated the possibility to develop an effective salutogenic group intervention among employees suffering from severe burnout symptoms. Participants consisted of employees aged 31 to 59 years working in different public service occupations, such as police officers, tax officers, (and other public service officers), and assigned to three different groups: analytic (N = 25), psychodramatic (N = 24) and controls (N = 28). The intervention comprised 16 separate days over a nine-month period. Changes in sense of coherence (SOC) were measured four times with the 13-item Orientation to Life Questionnaire during the intervention and at six-mo…

Racial discourse in James Baldwin's Blues for Mister Charlie (1964) : drama and the hegemonic struggle

2012

4-5 gadu vecu bērnu saskarsmes veicināšana pirmsskolas izglītības iestādē, izmantojot dramatizācijas rotaļas

2021

Kvalifikācijas darba temats: “4-5 gadu vecu bērnu saskarsmes veicināšana pirmsskolas izglītības iestādē, izmantojot dramatizācijas rotaļas”. Darba autore: Jeļena Vorošņina Darba zinātniskā vadītāja: Mg. paed. Ineta Aizporiete Darba apjoms un saturs: 43 lpp., 3 tabulas, 14 attēli, 4 pielikumi, izmantoti 36 informācijas avoti. Darbā ir noskaidrots saskarsmes jēdziens, tās būtība, 4-5 gadu vecu bērnu psiholoģiskais raksturojums, dramatizācijas rotaļu jēdziens, dramatizācijas rotaļu ietekme uz bērna saskarsmi. Kvalifikācijas darba ietvaros tika analizēta pedagoģiskā un psiholoģiskā literatūra un tika veikts pētījums par 4-5 gadu vecu bērnu saskarsmes veicināšanu, izmantojot dramatizācijas rotaļ…

Integrating the Real and Virtual World for Academic Language Education in Second Life

2013

This chapter focuses on a Second Language Acquisition (SLA) study conducted in virtual worlds that could help teachers in terms of knowledge about acquisition processes, in which technology is integration between formal and non formal education. The research comprises of two studies strongly focused on the development of Italian oral language proficiency. It was held within Second Life® (SL™)1 in order to explore the affordances of public spaces to enhance Intercultural Communicative Competence (ICC)2 and to stimulate the oral production through learner’s engagement. Since 2007, a new pilot project, Café Italia, was developed by Carmela Dell’Aria (aka Misy Ferraris) in Second Life®. Startin…

Andrei Șerban: The Search for ‘New Forms’

2021

This chapter discusses the theatre of Andrei Șerban, definitely one of the most important theatre directors of the second half of the twentieth century. He began directing in Communist Romania in the 1960s and had to deal with censorship, so in order to avoid this uncomfortable context, he focused on interpreting the text—he constantly searched for new nuances and made use of all possible subtexts. These are the premises of his work and when he moved to the USA, he continued this artistic strategy. Throughout his career, Andrei Șerban has been passionate about staging The Seagull (five times), as he is constantly looking for new forms, just like Chekhov’s character Treplev. A special accent…

Acoustic characterization of the ancient theatre at Syracuse

2008

The ancient theatre at Syracuse, the largest open air theatre in Sicily, experienced many structural changes along its history. Today its very renowned drama festival attracts visitors from all the world that fill the entire cavea: customized seats accomodation and a prominent stage play an important role in the theatre acoustics. Because no data were available in literature on its acoustical perfomance a measurement session was carried out by our team in the framework of a wide research project on ancient theatres acoustics in the modern use. From data recorded "room criteria" parameters have been evaluated together with spectral analysis in order to gain a deeper information on the acoust…

Geschichte des lettischen Dramas

1891

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Introduction: New Perspectives in Irish Theatre

2021

The text aims to introduce the topics dealt with by all the authors of the volume.