Search results for "Embodied Cognition"
showing 10 items of 131 documents
Percepire, desiderare, rappresentare
2013
Social Acceptance of a Teleoperated Android: Field Study on Elderly’s Engagement with an Embodied Communication Medium in Denmark
2012
We explored the potential of teleoperated android robots, which are embodied telecommunication media with humanlike appearances, and how they affect people in the real world when they are employed to express a telepresence and a sense of 'being there'. In Denmark, our exploratory study focused on the social aspects of Telenoid, a teleoperated android, which might facilitate communication between senior citizens and Telenoid's operator. After applying it to the elderly in their homes, we found that the elderly assumed positive attitudes toward Telenoid, and their positivity and strong attachment to its huggable minimalistic human design were cross-culturally shared in Denmark and Japan. Cont…
Drifting Down the Technologization of Life: Could Choreography-Based Interaction Design Support us in Engaging with the World and our Embodied Living?
2013
The development of interactive technology is often based on the assumption of need to reduce the physical action and cognitive load of the user. However, recent conceptualizations, supported by research in various fields of science, emphasize human physical action in cognitive processes and knowledge formation. In fact, physical and closely related imaginary movement can be seen as the quintessence of humanity. Acknowledging this should imply a new approach to the design of interactive technology. In the current study, we propose a choreographic approach for shifting the focal point of interaction design to the aspects of human activity and movement within a technologized context. Hence, th…
Beyond MAYA for game-changing multisensory design
2017
With information technology becoming ever more embedded in our surrounding everyday things, the nature of interactions and the way we experience digitalization is becoming increasingly embodied. Thus, growing effort is placed on examining the multisensory nature of interaction experience. From a design perspective, increased knowledge of how people experience materials and how to design to encourage varying material experiences opens new opportunities for the generation of rich multisensory user experience, and accomplishing game-changing results. In particular, the innovation space opened up by understanding people's material expectations of designs is significant. An experiment (N = 78) w…
The Emotional Modulation of Facial Mimicry: A Kinematic Study
2018
It is well-established that the observation of emotional facial expression induces facial mimicry responses in the observers. However, how the interaction between emotional and motor components of facial expressions can modulate the motor behavior of the perceiver is still unknown. We have developed a kinematic experiment to evaluate the effect of different oro-facial expressions on perceiver's face movements. Participants were asked to perform two movements, i.e., lip stretching and lip protrusion, in response to the observation of four meaningful (i.e., smile, angry-mouth, kiss, and spit) and two meaningless mouth gestures. All the stimuli were characterized by different motor patterns (m…
Feminism, Embodied Experience and Recognition: An Interview with Lois McNay
2009
Lois McNay is Professor of the Theory of Politics at Oxford University, United Kingdom. In addition to many articles and book chapters her work includes Foucault and Feminism: Power, Gender and the...
Cinematic images of nation-ness: Space, time and gender inYoung Eagles(Estonia) andLāčplēsis(Latvia)
2012
ABSTRACTIn this article, I analyse cinematic time and space and their interaction, in which nation-ness is articulated as a unifying identity in the epic films Lācplēsis/Bear-Slayer (Latvia, Aleksandrs Rusteiķis, 1930) and Noored Kotkad/Young Eagles (Estonia, Theodor Luts, 1927, digitally remastered in 2008). In discussing the timespace organization of nation-ness in these films, I address representations of the political ‘birth of a nation’ and modern national identity. I discuss the ways in which the narratives in Young Eagles and Lācplēsis re-claim a traditional gender binary, predicated on a splitting and differentiating relationship with Otherness, embodied in the sexual threat of male…
Imagined communities against the tide? The questioned political projection of nationalism
2017
This article deals with the validity of Anderson’s definition of imagined communities and the future of imagination typical of nationalism. It is based on bibliographic review and research on the case of Cerdanya. Three questions of Anderson’s definition are revised: the limitation of the nation, its supposedly inherent sovereignty and the sense of community among unknown people. In this last point, the text focuses also on the consequences that imagined community is embodied for known people every day. It concludes that the production of local identities and dynamics in global, local and regional level represents a challenge for the political projection of imagined communities. Nevertheles…
The Line: committing and commemorating ‘the crime without a name’
2018
This article analyses Gina Shmukler’s verbatim play The Line (2012) and argues for another look at the testimonies captured from witnesses, survivors and perpetrators of the violence targeting foreign and perceived as foreign persons in South Africa that escalated in 2008 and in 2015. It is a narrative analysis of the play that uses Gregory H. Stanton’s Ten Stages of Genocide model and the United Nations Convention on Genocide to investigate the theatrical representation of the violence. This account argues that the events that are captured in the play and that inspired it should be reconsidered as acts of genocide. In the absence of an official acknowledgement of the events as genocide, pe…
Guest Editors' Introduction: Music as Embodied Experience
2020
Technology has impacted music’s role in contemporary society in extraordinary ways. In addition to how people use music for professional and artistic pursuits, technology has opened a wide variety of new avenues for research and application, particularly as a reliable therapeutic and salutogenic tool. Recently, a useful framework for studying this shifting perspective surrounding musical experience has emerged: embodied music cognition, which conceptualizes the body as being at the center of music experiences. The papers in this thematic issue highlight how music technologies have matured to the point where they affect the way music is created, performed, enjoyed, and researched.