Search results for "Enna"

showing 10 items of 748 documents

L’ILLECITO ANTITRUST DOPO LA DIRETTIVA 2014/104/UE

2020

Tradizionalmente, tanto a livello nazionale quanto a livello comunitario, la tutela della concorrenza si è caratterizzata per l’impiego di strumenti di enforcement pubblicistico. Dopo un lungo iter, il 26 novembre 2014 è stata pubblicata la direttiva del Parlamento Europeo e del Consiglio UE 2014/104 relativa a determinate norme che regolano le azioni per il risarcimento del danno ai sensi del diritto nazionale per violazioni delle disposizioni del diritto della concorrenza degli Stati membri e dell'Unione europea. In Italia il recepimento della Direttiva è avvenuto il 19 gennaio 2017 con il d.lgs. n. 3/2017. Sebbene la normativa in parola intervenga a colmare il vuoto creato dall’assenza, …

Settore IUS/01 - Diritto PrivatoDirettiva europea 2014/104 EU D. lgs. 19 gennaio 2017 risarcimento danno illecito antitrustAntitrust damages EU private enforcement Directive 2014/104 EU courage manfredi D. lgs. 19 gennaio 2017 n. 3. completion law. Causal link
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Formalismo e antiformalismo nell'interpretazione dei trattati nei recenti lavori della Commissione del diritto internazionale

2019

In its Draft Conclusions on subsequent agreements and subsequent practice in relation to the interpretation of treaties the International Law Commission (ILC) has taken a formalistic approach to treaty interpretation, according to which the interpreter should aim at discovering the will of the Parties (and the true meaning of a treaty clause) by using a single combined operation. This means that the interpreter should throw into a crucible all the means of interpretation indicated in Articles 31 and 32 of the 1969 Vienna Convention. The present paper suggests that the depiction of the interpreter as an alchemist who blends different ingredients and gives them the proper weight is a cover th…

Settore IUS/13 - Diritto InternazionaleInterpretation of treaties - Formalism - International Law Commission - Vienna Convention on the Law of Treaties - Subsequent agreements - Subsequent practice
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La géographie de la Sicile dans la Bibliothéque Historique de Diodore de Sicile

2023

Diodorus’ information on Sicilian geography are few, and they occur in Books 4-5, devoted to local myths. The historian deals especially with subjects such as insularity, site, dimensions of the Island, with the aim to stress the central role played by Sicily within the ancient Mediterranean world, also from a geographical point of view. In Diodorus’ Sicilian “Archaeology” the coeval data about geography mingle with mythical information, often approximative and unreal, which the historian found in previous literary traditions. Yet mythical heroes left traces of their presence on the Island, and these are considered by Diodorus as still visible in his times, and a proof of their passage. Cen…

Settore L-ANT/02 - Storia GrecaDiodorus Sicily insularity mythical landscapes Kore Heracles Daedalus Agyrion Eryx Henna Engyon
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Biennale d'Arte 2013, Un Leone d’oro a Maria Lassnig e Marisa Merz

2013

Articolo di critica d'arte sulle artiste Lassnig e Merz premiate alla Biennale di Venezia

Settore L-ART/03 - Storia Dell'Arte ContemporaneaBiennale di Venezia Lassnig Merz
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Percorsi culturali e antropologici nel 'Palazzo Enciclopedico'

2013

Articolo di critica d'arte sulla Biennale di Venezia

Settore L-ART/03 - Storia Dell'Arte ContemporaneaBiennale di Venezia Palazzo Enciclopedico
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I rapporti con Vienna: Selvatico, l'abate Pietro Mugna e Rudolf Eitelberger von Edelberg

2016

This article focuses on Pietro Selvatico's relationship with the Vienna academy of fine arts, particularly with the art historian Rudolf Eitelberger von Edelberg.

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroArchitectureViennaSettore L-ART/03 - Storia Dell'Arte ContemporaneaRudolf Eitelberger von EdelbergAcademies of Fine ArtSettore ICAR/18 - Storia Dell'ArchitetturaArt historyPietro Selvatico EstenseVenice
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«Die grosse Einheit der Kunst»: Rudolf von Eitelbergers Vorlesungen über Theorie und Geschichte der bildenden Künste und die Quellen seines kunsttheo…

2019

The essay deals with Rudolf Eitelberger's lecture series on the theory of the fine arts in the context of contemporary aesthetic and art-theoretical conceptions. Particular attention is paid to the works of Carl Friedrich von Rumohr, Otfried Müller, Franz Ficker and Franz Kugler, whose significance in Viennese art life is examined in detail. The appendix contains a critical edition of Eitelberger's lecture manuscript (Wien, Wienbibliothek im Rathaus).

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroArt historiographyViennaFranz KuglerFranz FickerRudolf Eitelberger von EdelbergOtfried MüllerCarl Friedrich von RumohrArt theory
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Gli inizi della della Zentral-Commission di Vienna: un modello di tutela e la sua ricezione in Italia (1850-75)

2008

This article investigates the beginnings of the Vienna Central-Commission for the conservation of architectural monuments and its relevance in the Austrian ruled Italian territories.

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroCultural heritage studiesViennaRudolf Eitelberger von EdelbergAustrian EmpirePietro Selvatico EstenseVenice
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Esplorare le periferie dell’Occidente: Rudolf Eitelberger e le sue Kunstwanderungen (1861) attraverso la Dalmazia

2020

Rudolf Eitelberger's art journey to Dalmatia (1861) and the new edition of the same text (1884) provide the starting point for reflections on the art archaeological method of the early Viennese School as well as on the political implications of scholarly explorations of the Habsburg Empire.

Settore L-ART/04 - Museologia E Critica Artistica E Del RestauroEitelberger von Edelberg RudolfDalmatiaVienna school of art historyHistory of art scholarship
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Napoli, 3 maggio 1777: la cantata per san Gennaro nel seggio di Portanova attraverso le lettere di Antonio di Gennaro ad Aurelio Bertola

2022

The cult of San Gennaro is a typical feature of the Neapolitan cultural tradition. In the 18th century, there were three dates on which the martyr was celebrated: the first Saturday of May, 19 September and 16 December. The May feast was held in turn in one of the six "seggi" of the city. In 1771, it was hosted by the "seggio" of Portanova, which commissioned - as usual - a cantata, set to music by Fedele Fenaroli. The libretto of this composition can be studied in detail thanks to the unpublished letters sent by Antonio di Gennaro Duke of Belforte to the poet, the Rimini-born Aurelio Bertola. The explanations and advice given by the former to the latter clarify certain peculiar aspects of …

Settore L-ART/07 - Musicologia E Storia Della MusicaFedele Fenaroli Aurelio Bertola Antonio di Gennaro cult of San Gennaro Naples
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