Search results for "Esthetic"

‘Debating “l’esthéticisme” and “l’esthétisme “ in (some) French Periodicals’

2018

Starting with the two competing translations of aestheticism (esthétisme and estheticisme), this article is devoted to retracing the complex reception of the English term in various French journalistic writings between 1880 and 1900. I follow the semantic vicissitudes of the two terms and their cognates, ‘esthète’ and ‘esthétique’, as they circulated in public discourse through the press and magazines. In France, British aestheticism appears at first not to have been strictly differentiated from Pre-Raphaelitism, the latest developments of which were also percolating in the 1870s and 1880s in the sections of specific press and magazines.I pay less attention to the already well-documented re…

L’uomo vivificato. Il "ganzer Mensch" come ideale antropologico della "Wirkungsästhetik" tra primo illuminismo e filosofia popolare

Bello e Idea nell’estetica del Seicento

2007

The Beautiful and The Idea in 17th-Century Aesthetics In his renowned lecture on the Idea, which he delivered at the Academy of Saint Luke in 1664, Giovan Pietro Bellori asserts the superiority of ideal beauty against the slavish imitation of reality and the unbridled freedom of the imagination. However, an equally important, albeit lesser known, contributor to the formulation of this classicist aesthetic theory is Giovan Battista Agucchi, author of a Treatise on Painting that appeared in fragmentary form in 1646. In this work, Agucchi identifes beauty as the truest and highest aim of painting; he attributes to the artist the power to contemplate the Idea, and confers a profound cognitive v…

Erweiterung des Kantismus, Umgestaltung der Metaphysik. Il giovane Viktor von Weizsäcker lettore di Kant

2015

This paper aims to examine the relationships between the research of young Viktor von Weizsäcker and Kant’s critical thinking. Starting from the criticism of Driesch’s Neovitalism, here are considered some of the major contributions of Weizsacker in the years 1911-1926, in order to show its path between criticism of knowledge, metaphysics, construction of a biology and a medical anthropology.

L'origine come materia comune

2012

The Origin Seen as Common Matter Twentieth-century theories of form and organic form show a hard ten- sion between the idea of the origin as appropriative dynamics – in which the dynamic element refers to a metaphysics of force, and the form-centring is just defined as appropriation – and the idea of the origin as a ‘common matter’. The essay explains these two theoretical options discussing these opposite polarities in biology and analysing some cinematic examples taken from Ejzenštejn’s thought on Disney’s Silly Symphonies.

Fra Terrence Deacon e la biologia teoretica: l’origine della facoltà estetica e la questione del gioco

2014

Based on a comparison between the contemporary evolutionary perspective supported, among others, by Terrence Deacon, and the biotheoretical thinking of early twentieth-century Germany, this paper purports to contribute to the debate on the origin of the aesthetic faculty, enhancing the role of morphology and the question of play, meant as an exemplary manifestation of the interaction between individuals and environments.

FOREWORD a Musicologie sans frontières/Muzikologija bez granice/Musicology without frontiers. Essays in Honour of Stanislav Tuksar

2010

La vita e l'opera di Stanislav Tuksar e il suo contributo alla musicologia internazionale. In particolare gli studi di estetica della musica e di storiografia, nonché il suo lavoro di editor della "International Review of the Aesthetics and Sociology of Music" e i saggi importanti sul rapporto tra le culture nazionali e il cosmopolitismo nell'Europa centrale, in relazione alla Croazia e agli Slavi del Sud dal sedicesimo al diciannovesimo secolo.

Somaesthetics as a Discipline Between Pragmatist Philosophy and Philosophical Anthropology

2012

Richard Shusterman’s somaesthetics provides a disciplinary framework in which come together reflections on the body by the main philosophical traditions of the twentieth century; the paper investigates some relations with Plessner and philosophical anthropology, as well as the rediscovery of some of the themes of Baumgarten’s aesthetics.

Arte e Idea. Francisco de Hollanda e l’estetica del Cinquecento

2004

Art and Ideas Francisco de Hollanda and Sixteenth-Century Aesthetics The historians of aesthetics who have studied the problem of ideas in art theory (from Panofsky to Baeumler and Tatarkiewicz) have overlooked Da pintura antiga, by Portuguese artist and theoretician Francisco de Hollanda (1517-1584), a text where the Platonic notion of idea enters a treatise on art for the first time. The present volume aims to fill such gap by shedding light on an author who has long been overshadowed by the great Michelangelo (whom Hollanda met during his stay in Rome in the years 1538-1540), as well as by advancing an analysis of the aesthetic concepts that emerge not only from Da pintura antiga, but fr…

Tourist Gaze Reconsidered

2021

The term tourist gaze was coined initially to represent those superficial expectations that tourists have on destination communities; tourists impute their ideas of authentic experience upon destination residents and their social structure and see what they have predetermined to see. This is made more real when local communities consciously act out the desired roles for financial reasons. Thus, gaze leads to surreally authentic experiences. However, does this always happen? Say, in community-centered tourism where empowered destination communities choose tourists, tourists do not have the privilege to gaze. These communities might even be able to apply their own versions of gaze upon the to…